{"id":204882,"date":"2019-03-03T01:27:07","date_gmt":"2019-03-03T06:27:07","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=204882"},"modified":"2019-03-03T01:27:07","modified_gmt":"2019-03-03T06:27:07","slug":"hermes-dreams-of-stars-in-paris-elie-saab-channels-70s","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2019\/03\/03\/hermes-dreams-of-stars-in-paris-elie-saab-channels-70s\/","title":{"rendered":"Hermes dreams of stars in Paris; Elie Saab channels &#8217;70s"},"content":{"rendered":"<figure id=\"attachment_204883\" aria-describedby=\"caption-attachment-204883\" style=\"width: 1080px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/03\/51721007_761958997493681_1207149482136254077_n.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-204883\" src=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/03\/51721007_761958997493681_1207149482136254077_n.jpg\" alt=\"\" width=\"1080\" height=\"1349\" srcset=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/03\/51721007_761958997493681_1207149482136254077_n.jpg 1080w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/03\/51721007_761958997493681_1207149482136254077_n-240x300.jpg 240w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/03\/51721007_761958997493681_1207149482136254077_n-768x959.jpg 768w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/03\/51721007_761958997493681_1207149482136254077_n-820x1024.jpg 820w\" sizes=\"auto, (max-width: 1080px) 100vw, 1080px\" \/><\/a><figcaption id=\"caption-attachment-204883\" class=\"wp-caption-text\">Hermes dreamt of the stars but failed to light a spark, while Elie Saab let its hair down and channeled the &#8217;70s. (<a href=\"https:\/\/www.instagram.com\/p\/BuhZvwigCoR\/\">File Photo<\/a>: <a href=\"https:\/\/www.instagram.com\/eliesaabworld\/\">Eli Saab\/Instagram<\/a>)<\/figcaption><\/figure>\n<p>PARIS \u2014 Hermes dreamt of the stars but failed to light a spark, while Elie Saab let its hair down and channeled the &#8217;70s.<\/p>\n<p>They were among design houses staging collections at Paris Fashion Week Saturday, as organizers were on heightened alert over the prospect of a 16th straight weekend of yellow vests protests.<\/p>\n<p>Some highlights of the fall and winter ready-to-wear shows:<\/p>\n<p>A RELATIVELY QUIET SATURDAY<\/p>\n<p>Many guests invited to the Elie Saab show were held up by snaking traffic caused by the yellow vest demonstrations in Paris that began by the nearby Arc de Triomphe.<\/p>\n<p>But the display, held at the exclusive Hotel Salomon de Rothschild, started almost on time and without incident.<\/p>\n<p>Paris&#8217; Fashion Federation has held top level meetings with police to assess the threat of any potential disruption to shows, especially because luxury Parisian boutiques were smashed in previous marches. No major incident has yet occurred.<\/p>\n<p>Some guests gasped as shouts erupted on the street ahead of the show \u2014 but the fracas, it transpired, came from excited fans of VIP attendees who included American socialite Olivia Palermo.<\/p>\n<p>This is the second time Paris Fashion Week has coincided with the protests. Activists argue the French political system is stacked in favour of the elite and big businesses.<\/p>\n<p>\u2014\u2014\u2014<\/p>\n<p>ELIE SAAB&#8217;S 70s<\/p>\n<p>An infectious, retro soundtrack had fashion editors smiling as their tapped their feet at Elie Saab&#8217;s fun collection that channeled this season&#8217;s top trend: The &#8217;70s.<\/p>\n<p>Bright lighting banished any grey mood caused by the French capital&#8217;s overcast weather and angry demonstrations.<\/p>\n<p>It illuminated a typically-feminine array of colour-rich gowns.<\/p>\n<p>Charlie&#8217;s Angels-style jabot collars and high necks led the eye down to tight-fitting dresses with floppy ruffles across the bust or down the side. Later, sparkly disco gowns dazzled.<\/p>\n<p>Thigh-high leather boots \u2014 another big Paris trend \u2014 were delivered in eye-popping colours such as vivid blue, carmine red and cadmium green. They matched the hues of the gowns in a \u201ctotal look\u201d effect.<\/p>\n<p>The collection, the house said, was filled with \u201ca little bit of romance and a whole lot of love.\u201d That mantra translated as an overly busy heart print on skirts and gowns that diverged from the retro musing and fared less well.<\/p>\n<p>\u2014\u2014\u2014<\/p>\n<p>HERMES&#8217; TWINKLING STARS<\/p>\n<p>At Hermes, tiny light bulbs twinkled away from chic wood-paneled walls, creating the effect of a room filled with sparkling stars.<\/p>\n<p>French designer Nadege Vanhee-Cybulski&#8217;s display for Hermes on Saturday evening was one framed in poetical language: \u201cThe late afternoon light has given away to a constellation in the sky&#8230; the air is electric,\u201d read the program notes.<\/p>\n<p>A black sheath with a fine geometric cross opened the show, glimmering with delicate studs.<\/p>\n<p>It was a nice design that introduced a star detail leitmotif that pervaded the 55 looks.<\/p>\n<p>But as the collection progressed \u2014 via some slightly ill-fitting black leather jackets, bold distracting stripes at coat hems and high-neck silk chemises with an awkwardly-shaped print at the bust \u2014 it became clear this season Hermes&#8217; electricity had failed to light up.<\/p>\n<p>As ever with a brand synonymous with luxury there were some sumptuous pieces: only Hermes can make thigh-high suede boots look this classy, for instance.<\/p>\n<p>But items such as a coat in white coffee with geometric stripes \u2014 not quite nipped enough at the waist, and too baggy at the shoulder \u2014 revealed a slight issue in proportion.<\/p>\n<p>\u2014\u2014\u2014<\/p>\n<p>VIVIENNE WESTWOOD&#8217;S CONTRADICTIONS<\/p>\n<p>Silken sea-green blazers, corseted gowns, patchwork jeans with zippers in random locations and pants in dalmatian print: That was just the front row.<\/p>\n<p>As a true \u201cidentity brand,\u201d Vivienne Westwood&#8217;s shows typically attract guests dressed as vibrantly as the runway models.<\/p>\n<p>On the catwalk, designer Andreas Kronthaler put out a highly accomplished collection of ensembles defined by anachronism and contradiction.<\/p>\n<p>Punk wigs mixed with loose medieval-style gowns, historic gathered skirts, sneakers, red leggings and check pants. Punk was a key touchstone of Westwood, Kronthaler&#8217;s wife and design partner, from whom he took over some years ago.<\/p>\n<p>Contrasts in material, colour and pattern were key to the typically eclectic style formula.<\/p>\n<p>One look married 80s&#8217; disco queen with a Medici princess, with a pastel silver lame gown descending over a pant-skirt ensemble in dark sienna that curved round and evoked the Renaissance.<\/p>\n<p>\u2014\u2014\u2014<\/p>\n<p>LVMH PRIZE<\/p>\n<p>Shortlisted designers from 15 countries have gathered at the headquarters of luxury goods giant LVMH for the annual LVMH Prize for Young Fashion Designers, launched in 2014.<\/p>\n<p>The conglomerate&#8217;s CEO, Bernard Arnault, is Europe&#8217;s richest man. His company has made a point of using its resources and influence to support upcoming artists and designers from all over the world.<\/p>\n<p>The panel of judges includes models Naomi Campbell and Natalia Vodianova.<\/p>\n<p>On Friday evening, this year&#8217;s shortlisted designers gathered in Paris at the invitation of Arnault&#8217;s daughter, Delphine Arnault.<\/p>\n<p>They included Anrealage by Tokyo-based designer Kunihiko Morinaga, and Bode&#8217;s American designer Emily Adams Bode. The winner, who will receive a 300,000-euro grant, will be announced in June.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>PARIS \u2014 Hermes dreamt of the stars but failed to light a spark, while Elie Saab let its hair down &hellip;<\/p>\n","protected":false},"author":44,"featured_media":204883,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-204882","post","type-post","status-publish","format-standard","has-post-thumbnail","category-fashion-and-beauty","mauthors-thomas-adamson","mauthors-the-associated-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/204882","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=204882"}],"version-history":[{"count":0,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/204882\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/204883"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=204882"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=204882"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=204882"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}