{"id":203838,"date":"2019-02-25T02:10:14","date_gmt":"2019-02-25T07:10:14","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=203838"},"modified":"2019-02-25T02:10:14","modified_gmt":"2019-02-25T07:10:14","slug":"canadians-paul-massey-and-domee-shi-win-oscars-for-bohemian-rhapsody-bao","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2019\/02\/25\/canadians-paul-massey-and-domee-shi-win-oscars-for-bohemian-rhapsody-bao\/","title":{"rendered":"Canadians Paul Massey and Domee Shi win Oscars for &#8216;Bohemian Rhapsody,&#8217; &#8216;Bao&#8217;"},"content":{"rendered":"<figure id=\"attachment_203839\" aria-describedby=\"caption-attachment-203839\" style=\"width: 610px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/02\/Domee_Shi.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-203839\" src=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/02\/Domee_Shi.jpg\" alt=\"\" width=\"610\" height=\"809\" srcset=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/02\/Domee_Shi.jpg 610w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/02\/Domee_Shi-226x300.jpg 226w\" sizes=\"auto, (max-width: 610px) 100vw, 610px\" \/><\/a><figcaption id=\"caption-attachment-203839\" class=\"wp-caption-text\">Shi wrote and directed the Pixar production, about a Chinese-Canadian woman with empty-nest syndrome who dotes on an adorable little dumpling that miraculously springs to life at the dinner table. (<a href=\"https:\/\/commons.wikimedia.org\/w\/index.php?curid=70057810\">File Photo By Boungawa &#8211; Own work, CC BY-SA 4.0<\/a>)<\/figcaption><\/figure>\n<p>Toronto-raised director Domee Shi pumped up her fellow \u201cnerdy\u201d artists on Sunday as she won her first-ever Oscar for the animated dumpling tale \u201cBao,\u201d which marks Pixar&#8217;s first short film directed by a woman.<\/p>\n<p>\u201cTo all of the nerdy girls out there who hide behind their sketchbooks \u2013 don&#8217;t be afraid to tell your stories to the world,\u201d Shi said onstage in her acceptance speech at the Dolby Theatre in Los Angeles.<\/p>\n<p>\u201cYou&#8217;re going to freak people out but you&#8217;ll probably connect with them, too, and that&#8217;s an amazing feeling to have. Thank you to (executive producer) Pete Docter for believing in my weirdness and for giving me a voice at the studio.\u201d<\/p>\n<p>Shi, who shares the Oscar with producer Becky Neiman-Cobb, also thanked her parents and her partner for his support and for being her \u201chuman stressball.\u201d<\/p>\n<p>Shi wrote and directed the Pixar production, about a Chinese-Canadian woman with empty-nest syndrome who dotes on an adorable little dumpling that miraculously springs to life at the dinner table.<\/p>\n<p>The eight-minute film is set in Toronto and features many of the city&#8217;s landmarks.<\/p>\n<p>Shi was born in Chongqing, China and moved to Toronto with her family at age two. She used her upbringing and love of food as inspiration for \u201cBao,\u201d which played in theatres with \u201cIncredibles 2.\u201d<\/p>\n<p>\u201cI&#8217;m an only child, so I&#8217;ve always been that overprotected little dumpling for my whole life,\u201d she said in a recent interview with The Canadian Press.<\/p>\n<p>\u201cI just wanted to use this short to explore that relationship between an overprotective parent and a child, using this magical metaphor.\u201d<\/p>\n<p>Since \u201cBao\u201d&#8217;s release, two more women have directed animated shorts at Pixar: Rosana Sullivan with \u201cKitbull\u201d and Kristen Lester with \u201cPurl.\u201d<\/p>\n<p>\u201c&#8217;Bao&#8217; blazed a trail, but &#8230; we are just happy to be one of many, many female directors to come,\u201d Shi told reporters backstage after her win.<\/p>\n<p>A graduate of the animation program at Ontario&#8217;s Sheridan College, Shi beat out two other films by Canadians for the Oscar \u2013 \u201cWeekends\u201d by Hamilton-born Trevor Jimenez and \u201cAnimal Behaviour\u201d by Vancouver-based couple David Fine and Alison Snowden.<\/p>\n<p>\u201cBao\u201d was one of three short-film ideas she had presented to a panel of Pixar representatives as part of an open call for pitches at the studio in 2015.<\/p>\n<p>Shi is now working on a feature film.<\/p>\n<p>\u201cI think one of the great things about being able to make &#8216;Bao&#8217; is I got to do a lot more research and really dive into my heritage,\u201d she said backstage.<\/p>\n<p>\u201cI kind of took it for granted. Like, I took my mom making dumplings for granted when I was growing up. She would just pop them out so quickly.\u201d<\/p>\n<p>Canadian sound engineer Paul Massey also won his first Oscar for his work on \u201cBohemian Rhapsody.\u201d He won the trophy alongside Tim Cavagin and John Casali in the best sound mixing category.<\/p>\n<p>Massey thanked his kids, as well as the film&#8217;s producers, sound crew and members of rock band Queen, who are the subject of the film.<\/p>\n<p>\u201cA massive shout-out to Brian May and Roger Taylor,\u201d Massey said. \u201cThank you so much for your music and for your collaboration and your support.\u201d<\/p>\n<p>He later told reporters it was a \u201cproject of a lifetime,\u201d noting May and Taylor allowed the team \u201cinto their family.\u201d<\/p>\n<p>\u201cThey told us stories about Freddie (Mercury),\u201d Massey said of the Queen frontman, who died in 1991. \u201cThe engineers that they worked with gave us full access to their archives of music, all their live material, all their studio material.\u201d<\/p>\n<p>The team \u201clearned so much about Freddie that&#8217;s not in the film as well and some of their personal stories,\u201d he added.<\/p>\n<p>\u201cIt was just a joy to be part of that team. And actually, I think we all wished it hadn&#8217;t finished.\u201d<\/p>\n<p>It was the eighth Oscar nomination for Massey, who was born in England but early in his career lived in Toronto for 13 years before moving to Los Angeles.<\/p>\n<p>His other nominations include the films \u201cThe Martian\u201d by Ridley Scott, with whom he&#8217;s worked on several projects, \u201c3:10 to Yuma,\u201d \u201cWalk the Line\u201d and \u201cLegends of the Fall.\u201d<\/p>\n<p>Massey won in a category that also included Canadian sound mixer Craig Henighan for \u201cRoma.\u201d<\/p>\n<p>A few other Canadians were nominated but lost at the show, which didn&#8217;t have a host for the first time in 30 years.<\/p>\n<p>Canadian set decorator Gordon Sim of St. Thomas, Ont., was nominated for \u201cMary Poppins Returns.\u201d<\/p>\n<p>And the live action short film category had two finalists from Montreal \u2013 Jeremy Comte for \u201cFauve\u201d and Marianne Farley for \u201cMarguerite.\u201d<\/p>\n<p>The show also featured two Toronto-raised presenters \u2013 Mike Myers and Stephan James.<\/p>\n<p>Myers, who plays a record executive in \u201cBohemian Rhapsody,\u201d did a \u201cWayne&#8217;s World\u201d bit with Dana Carvey onstage as they presented the film as a best-picture nominee.<\/p>\n<p>\u201cWayne&#8217;s World\u201d features a famous scene in which the duo&#8217;s rock-worshipping characters sing \u201cBohemian Rhapsody\u201d in their car.<\/p>\n<p>\u201c&#8217;Bohemian Rhapsody&#8217; played a large part in the success of &#8216;Wayne&#8217;s World,\u201d&#8217; said Myers, wearing his Order of\u00a0Canada\u00a0pin.<\/p>\n<p>\u201cWe&#8217;re humbled to be associated with that brilliant song.\u201d<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Toronto-raised director Domee Shi pumped up her fellow \u201cnerdy\u201d artists on Sunday as she won her first-ever Oscar for the &hellip;<\/p>\n","protected":false},"author":44,"featured_media":203839,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,106],"tags":[],"class_list":["post-203838","post","type-post","status-publish","format-standard","has-post-thumbnail","category-entertainment","category-hollywood","mauthors-victoria-ahearn","mauthors-the-canadian-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/203838","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=203838"}],"version-history":[{"count":0,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/203838\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/203839"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=203838"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=203838"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=203838"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}