{"id":203708,"date":"2019-02-24T18:41:24","date_gmt":"2019-02-24T23:41:24","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=203708"},"modified":"2019-02-24T18:41:24","modified_gmt":"2019-02-24T23:41:24","slug":"stars-reflect-on-awards-season-at-last-show-before-oscars","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2019\/02\/24\/stars-reflect-on-awards-season-at-last-show-before-oscars\/","title":{"rendered":"Stars reflect on awards season at last show before Oscars"},"content":{"rendered":"<figure id=\"attachment_203709\" aria-describedby=\"caption-attachment-203709\" style=\"width: 610px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/02\/610px-Glenn_Close_-_Guardians_of_the_Galaxy_premiere_-_July_2014_cropped.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-203709\" src=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/02\/610px-Glenn_Close_-_Guardians_of_the_Galaxy_premiere_-_July_2014_cropped.jpg\" alt=\"\" width=\"610\" height=\"900\" srcset=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/02\/610px-Glenn_Close_-_Guardians_of_the_Galaxy_premiere_-_July_2014_cropped.jpg 610w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/02\/610px-Glenn_Close_-_Guardians_of_the_Galaxy_premiere_-_July_2014_cropped-203x300.jpg 203w\" sizes=\"auto, (max-width: 610px) 100vw, 610px\" \/><\/a><figcaption id=\"caption-attachment-203709\" class=\"wp-caption-text\">Glenn Close says she&#8217;s still a bit surprised the motion picture academy gave a nod to her performance in &#8220;The Wife.&#8221; (<a href=\"https:\/\/commons.wikimedia.org\/w\/index.php?curid=34156058\">File photo By Mingle Media TV\/Wikimedia commons, CC BY 2.0<\/a>)<\/figcaption><\/figure>\n<p>SANTA MONICA, Calif. \u2014 Glenn Close says she&#8217;s still a bit surprised the motion picture academy gave a nod to her performance in \u201cThe Wife.\u201d Actor Richard E. Grant says he&#8217;s certain he&#8217;s going to lose and will never get this close to Oscar again. And screenwriter Barry Jenkins just wants to savour making it to the end of the awards-circuit road and enjoy being in the presence of his peers.<\/p>\n<p>\u201cWe&#8217;ve all reached the end,\u201d explained Jenkins on the arrivals line at the Film Independent Spirit Awards Saturday, where his film \u201cIf Beale Street Could Talk\u201d was named best feature. Jenkins&#8217; adapted screenplay is up for an Oscar Sunday.<\/p>\n<p>The beachside show is a laid back precursor to the Academy Awards, offering one last chance to reflect on the Hollywood lengthy awards season.<\/p>\n<p>\u201cYou know, I think we all kind of know more or less what the results are going to be and so you really legitimately start to celebrate your peers,\u201d Jenkins said. \u201cAnd I think you know you look across the room to see all these people \u2014 some of whom I&#8217;ve admired my entire filmmaking life \u2014 to be in the same auditorium with them, to walk the same red carpet with them, and also to hear from them, what they think of my work and to let them know what I think of theirs. To me, that&#8217;s what this season ultimately ends up becoming about.\u201d<\/p>\n<p>Close&#8217;s Academy Award-nominated performance in \u201cThe Wife,\u201d which also took home the Spirit, isn&#8217;t so-called \u201cOscar bait\u201d \u2014 something tailor-made to take home statuettes. Close said she&#8217;s still a bit surprised The Academy took notice.<\/p>\n<p>\u201cI mean, it&#8217;s a very quiet performance,\u201d she noted. \u201cIt&#8217;s a very internal performance. And the fact that something that&#8217;s so internal had such resonance with people, I still can conjure up how I felt when we first showed it at Toronto and I was astounded by the power that this movie had with the audience. And I&#8217;ve never lost that feeling of astonishment.\u201d<\/p>\n<p>For \u201cMinding the Gap\u201d director Bing Liu, whose film is nominated in the feature documentary category, the recognition has repeatedly shown him the power of film.<\/p>\n<p>\u201cA lot of people have reached out, a lot of kids who were like I am,\u201d Liu said, saying they&#8217;ve told him. \u201c&#8217;I was in such a dark place and I watched your film, and it&#8217;s given me a new hope that I can wake up and grab control of my life.&#8217; I mean it&#8217;s a lot of messages like that, but they all sort of seem to be uplifting those kids that reminded me of myself when I was their age. You know, part of why I made this film is that I wanted to help the 14-year-old version of myself. And I think it&#8217;s doing that, which is insane.\u201d<\/p>\n<p>Veteran actor Richard E. Grant has been making movies for more than 30 years, but this year garnered his first Oscar nomination, for his performance in \u201cCan You Ever Forgive Me?\u201d<\/p>\n<p>Grant said he plans on savoring every Oscar-day moment.<\/p>\n<p>\u201cFox Searchlight sends a makeup and hair groomer to paint you up and fix your hair. Then you get in a car and you go and you know that&#8217;s Mahershala Ali is going to win. So, it means that the other four nominees, we can enjoy it absolutely for the ride. And that&#8217;s a gift in itself. So, I&#8217;m hugely looking forward: first time ever \u2014 and last time ever I&#8217;ll be there.\u201d<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>SANTA MONICA, Calif. \u2014 Glenn Close says she&#8217;s still a bit surprised the motion picture academy gave a nod to &hellip;<\/p>\n","protected":false},"author":44,"featured_media":203709,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-203708","post","type-post","status-publish","format-standard","has-post-thumbnail","category-entertainment","mauthors-mike-cidoni-lennox","mauthors-the-associated-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/203708","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=203708"}],"version-history":[{"count":0,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/203708\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/203709"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=203708"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=203708"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=203708"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}