{"id":202211,"date":"2019-02-14T05:13:46","date_gmt":"2019-02-14T10:13:46","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=202211"},"modified":"2019-02-14T05:13:46","modified_gmt":"2019-02-14T10:13:46","slug":"kate-spades-new-creative-director-carries-on-in-bold-colour","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2019\/02\/14\/kate-spades-new-creative-director-carries-on-in-bold-colour\/","title":{"rendered":"Kate Spade&#8217;s new creative director carries on in bold colour"},"content":{"rendered":"<figure id=\"attachment_202213\" aria-describedby=\"caption-attachment-202213\" style=\"width: 1080px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/02\/51011176_354446905146646_8275656598806821446_n.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-202213\" src=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/02\/51011176_354446905146646_8275656598806821446_n.jpg\" alt=\"\" width=\"1080\" height=\"1080\" srcset=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/02\/51011176_354446905146646_8275656598806821446_n.jpg 1080w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/02\/51011176_354446905146646_8275656598806821446_n-150x150.jpg 150w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/02\/51011176_354446905146646_8275656598806821446_n-300x300.jpg 300w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/02\/51011176_354446905146646_8275656598806821446_n-768x768.jpg 768w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/02\/51011176_354446905146646_8275656598806821446_n-1024x1024.jpg 1024w\" sizes=\"auto, (max-width: 1080px) 100vw, 1080px\" \/><\/a><figcaption id=\"caption-attachment-202213\" class=\"wp-caption-text\">In her sophomore collection for Kate Spade, creative director Nicola Glass stayed true to the brand&#8217;s roots in upbeat designs, adding her own twist in the use of bold colour. (<a href=\"https:\/\/www.instagram.com\/p\/BttoOxZADvA\/\">Photo: nicola_glass\/Instagram)<\/a><\/figcaption><\/figure>\n<p class=\"p1\">NEW YORK \u2014 In her sophomore collection for Kate Spade, creative director Nicola Glass stayed true to the brand&#8217;s roots in upbeat designs, adding her own twist in the use of bold colour.<\/p>\n<p class=\"p1\">For fall, Glass worked in silks and brocades. Leather embossed in a crocodile design for handbags offered a glossy shine. Her focus this season: Animal prints in her rich yellows, purples and reds.<\/p>\n<p class=\"p1\">&#8220;The brand has always been super colorful, but (I) look at new ways to use colour and more unexpected mixes,&#8221; Glass told The Associated Press before the Friday show at New York Fashion Week.<\/p>\n<p class=\"p1\">Many of her designs came in fluid silhouettes. In addition to animal print, she used stripe designs and a crochet feel in some looks. As for one of the brand&#8217;s mainstay, handbags, Glass said new designs have the heart-shape twist lock in different sizes as she worked with enamel and her new leather textures, including faux python.<\/p>\n<p class=\"p1\">Actresses KiKi Layne, Maggie Gyllenhaal and Julia Garner sat on the front row.<\/p>\n<p class=\"p1\">Layne, the &#8220;If Beale Street Could Talk&#8221; star, just landed her first major fashion campaign as the face of Kate Spade. She told the AP she still isn&#8217;t used to seeing her face everywhere and hasn&#8217;t found time to splurge on fashion buys since becoming a new Hollywood name.<\/p>\n<p class=\"p1\">&#8220;First big fashion splurge? I feel like I still haven&#8217;t done it yet,&#8221; the budding star laughed. &#8220;Not a real, real big one. I mean, everything is just getting started, so I&#8217;ve been taking care of the boring practical stuff. Trying to be a, what? A responsible adult.&#8221;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>NEW YORK \u2014 In her sophomore collection for Kate Spade, creative director Nicola Glass stayed true to the brand&#8217;s roots &hellip;<\/p>\n","protected":false},"author":44,"featured_media":202213,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-202211","post","type-post","status-publish","format-standard","has-post-thumbnail","category-fashion-and-beauty","mauthors-jill-dobson","mauthors-the-associated-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/202211","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=202211"}],"version-history":[{"count":0,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/202211\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/202213"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=202211"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=202211"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=202211"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}