{"id":199774,"date":"2019-01-29T01:24:13","date_gmt":"2019-01-29T06:24:13","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=199774"},"modified":"2019-01-29T01:24:13","modified_gmt":"2019-01-29T06:24:13","slug":"raine-maida-and-chantal-kreviazuk-reflect-on-marital-struggles-in-documentary","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2019\/01\/29\/raine-maida-and-chantal-kreviazuk-reflect-on-marital-struggles-in-documentary\/","title":{"rendered":"Raine Maida and Chantal Kreviazuk reflect on marital struggles in documentary"},"content":{"rendered":"<figure id=\"attachment_199779\" aria-describedby=\"caption-attachment-199779\" style=\"width: 877px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/01\/47692399_1830520613744247_1500193025766905097_n-2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-199779\" src=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/01\/47692399_1830520613744247_1500193025766905097_n-2.jpg\" alt=\"\" width=\"877\" height=\"876\" srcset=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/01\/47692399_1830520613744247_1500193025766905097_n-2.jpg 877w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/01\/47692399_1830520613744247_1500193025766905097_n-2-150x150.jpg 150w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/01\/47692399_1830520613744247_1500193025766905097_n-2-300x300.jpg 300w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/01\/47692399_1830520613744247_1500193025766905097_n-2-768x767.jpg 768w\" sizes=\"auto, (max-width: 877px) 100vw, 877px\" \/><\/a><figcaption id=\"caption-attachment-199779\" class=\"wp-caption-text\">The couple spiral into an argument over creative freedom while composing a song together in one scene, and in another the layers of their emotional disconnection are peeled back with the help of a marriage counsellor. (<a href=\"https:\/\/www.instagram.com\/p\/Bsb53JAH4lp\/\">File Photo<\/a>: <a href=\"https:\/\/www.instagram.com\/chantalkrev\/\">@chantalkrev\/Instagram<\/a>)<\/figcaption><\/figure>\n<p>TORONTO \u2014 Raine Maida and Chantal Kreviazuk are no strangers to putting their marriage on display for public scrutiny, but in their new documentary \u201cI&#8217;m Going to Break Your Heart\u201d the musicians go a step further by inviting cameras into some uncomfortably tense situations.<\/p>\n<p>The couple spiral into an argument over creative freedom while composing a song together in one scene, and in another the layers of their emotional disconnection are peeled back with the help of a marriage counsellor.<\/p>\n<p>It&#8217;s the kind of access you rarely see from Canadian musicians, who don&#8217;t often speak openly about relationships. But Maida suggests there&#8217;s value in revealing the steps they&#8217;ve taken to mend fractures formed throughout 19 years of marriage and parenting three children.<\/p>\n<p>\u201cI don&#8217;t think we&#8217;re embarrassed by it,\u201d the Our Lady Peace frontman says while sitting alongside his wife. \u201cI would&#8217;ve been five years ago.\u201d<\/p>\n<p>Kreviazuk chimes in with a more decisive perspective on the emotional rawness she portrays in the counselling sessions.<\/p>\n<p>\u201cI think it would be great to not be embarrassed of that \u2014 if we could all not be so worried about what other people think,\u201d she says.<\/p>\n<p>\u201cI love excellence but the place I most want it is in my home and with my partner. That&#8217;s my No. 1 priority.\u201d<\/p>\n<p>At the centre of \u201cI&#8217;m Going to Break Your Heart,\u201d showing at Calgary&#8217;s National Music Centre on Feb. 8, is the couple&#8217;s quest to rediscover passion for each other through music.<\/p>\n<p>After five years of stalled plans, they resolve to escape their daily demands and temporarily resettle in Saint Pierre and Miquelon, a self-governing archipelago off the coast of Newfoundland that&#8217;s a territory of France.<\/p>\n<p>The isolated environment offers a setting for Moon vs. Sun, their first project together as songwriters and musicians. Kreviazuk and Maida push through late-night sessions where they clash over how to express their vision. Their debut single \u201cLowlight\u201d is due for release on Friday.<\/p>\n<p>In the coming months the duo will bring Moon vs. Sun to cities across the country as part of a larger concert tour, and they&#8217;ll launch a podcast tentatively called \u201cThe Together Space\u201d which interviews other couples who thrive on collaboration.<\/p>\n<p>The documentary marks the start of this much bigger endeavour.<\/p>\n<p>\u201cI don&#8217;t think you&#8217;d really understand these songs if you don&#8217;t (see) how they were conceived \u2014 that context is so crucial,\u201d Maida says.<\/p>\n<p>\u201cIt doesn&#8217;t really make sense to just show the songwriting if you don&#8217;t show the process of us in a relationship.\u201d<\/p>\n<p>Shaping that footage into a documentary proved more frustrating than either of them expected, Maida says. Certain editors felt the story thrived on the clashes, rather than the creation of their album, so they would splice together separate therapy sessions to ratchet up the conflict, he says.<\/p>\n<p>\u201cWe saw some edits that we were like, &#8216;Why are you trying to make us look like we don&#8217;t love each other?\u201d&#8217; Kreviazuk adds, pointing out they&#8217;ve participated in marriage coaching for 12 years.<\/p>\n<p>\u201cYou can really play with that (and) make it look like dart after dart with no space for healing.\u201d<\/p>\n<p>Maida, 48, says watching an outsider&#8217;s version of their story led him to seriously consider learning post-production software so that he could recut the film himself.<\/p>\n<p>\u201cI saw how quickly a choice could be made that just shifted the whole thing,\u201d he says.<\/p>\n<p>\u201cIt was inauthentic. Never mind it made us look terrible, it was like you&#8217;re telling lies now. We&#8217;re trying to be as real, open and honest as possible and now you&#8217;re manipulating that. And so, you&#8217;re fired. And so we went through this process for a year.\u201d<\/p>\n<p>Eventually the documentary began screening for test audiences in Los Angeles and the couple listened while others dissected their relationship. Fingers were pointed in both directions, with some saying Maida acted like a jerk while Kreviazuk came across as needy.<\/p>\n<p>\u201cPeople were laughing,\u201d Maida remembers. \u201cThey were angry. They said, &#8216;Would you get divorced?\u201d&#8217;<\/p>\n<p>Kreviazuk, 44, says she&#8217;s come to accept that viewers might project their own experiences onto her marriage, but she prefers to focus on the positivity the documentary is bringing out.<\/p>\n<p>Since the film&#8217;s trailer debuted earlier this month she&#8217;s heard fans say it inspired them to reconnect with their own partners. She&#8217;s saving those messages on her phone as a reminder that speaking about the ups and downs of their marriage has rewards.<\/p>\n<p>\u201cI don&#8217;t really care if somebody thinks it&#8217;s a fail, because all I see here is a massive success,\u201d Kreviazuk says.<\/p>\n<p>\u201cI often feel like we&#8217;ve been together so long that it&#8217;s him and I against the world. I really love that.\u201d<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>TORONTO \u2014 Raine Maida and Chantal Kreviazuk are no strangers to putting their marriage on display for public scrutiny, but &hellip;<\/p>\n","protected":false},"author":44,"featured_media":199775,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,106],"tags":[],"class_list":["post-199774","post","type-post","status-publish","format-standard","has-post-thumbnail","category-entertainment","category-hollywood","mauthors-david-friend","mauthors-the-canadian-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/199774","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=199774"}],"version-history":[{"count":0,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/199774\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/199775"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=199774"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=199774"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=199774"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}