{"id":196652,"date":"2019-01-07T02:12:05","date_gmt":"2019-01-07T07:12:05","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=196652"},"modified":"2025-01-19T08:34:03","modified_gmt":"2025-01-19T13:34:03","slug":"aquaman-continues-reign-but-escape-room-sneaks-into-2nd","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2019\/01\/07\/aquaman-continues-reign-but-escape-room-sneaks-into-2nd\/","title":{"rendered":"‘Aquaman’ continues reign, but ‘Escape Room’ sneaks into 2nd"},"content":{"rendered":"
\"\"<\/a>
Warner Bros. on Sunday says that \u201cAquaman\u201d has added an estimated $30.7 million from over 4,000 North American theatres. That brings its domestic grosses to nearly $260 million. (File Photo<\/a>: @aquamanmovie\/Instagram)<\/figcaption><\/figure>\n

LOS ANGELES \u2014 \u201cAquaman\u201d is still the champ at the box office three weeks in, but the high-concept thriller \u201cEscape Room\u201d also drew some substantial crowds in its debut weekend.<\/p>\n

Warner Bros. on Sunday says that \u201cAquaman\u201d has added an estimated $30.7 million from over 4,000 North American theatres. That brings its domestic grosses to nearly $260 million. The DC comics film starring Jason Momoa has had a tidal wave of successes internationally too.<\/p>\n

Worldwide it has made $940.7 million, making it by far the highest grossing film in the modern DC Extended Universe slate (No. 2 is \u201cBatman v Superman: Dawn of Justice with $873.6 million).<\/p>\n

Even with the slew of holiday releases, from blockbusters to awards darlings, Sony’s PG-13 rated thriller \u201cEscape Room\u201d managed to sneak into second place in its first weekend in theatres generating an estimated $18 million in ticket sales \u2014 double its production budget.<\/p>\n

The film stars Taylor Russell, Deborah Ann Woll and Logan Miller and was directed by Adam Robitel. It got mixed reviews from critics and audiences, but that didn’t seem to matter when it came down to the bottom line.<\/p>\n

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<\/p>\n

\u201cMovies that open in the early part of January don’t get a lot of respect, but this was a great profit maker,\u201d said Comscore senior media analyst Paul Dergarabedian. \u201cSony took perfect advantage of what is typically a marketplace devoid of newcomers and made box office hay out of it.\u201d<\/p>\n

Disney’s \u201cMary Poppins Returns\u201d landed in third place in its third weekend with $15.8 million. The nostalgic musical has earned $138.7 million domestically and is competing for four Golden Globe Awards Sunday evening. Globally, it’s made $257.9 million.<\/p>\n

\u201cSpider-Man: Into the Spider-Verse\u201d took fourth place with $13 million and \u201cBumblebee\u201d rounded out the top five with $12.8 million.<\/p>\n

The Dick Cheney biopic \u201cVice\u201d fell only 25 per cent in its second weekend, adding $5.8 million to take seventh place.<\/p>\n

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A leading nominee at the Golden Globes, \u201cVice,\u201d starring Christian Bale as the former Vice-President, has now earned $29.8 million, but still has an uphill climb to even meet its $60 million production budget.<\/p>\n

In limited release, the Ruth Bader Ginsburg biopic \u201cOn the Basis of Sex\u201d continued to perform well, with $1.7 million from 112 locations, before expanding nationwide next weekend. And the Bollywood film \u201cSimmba,\u201d playing in 292 locations, grossed $1 million, bringing its North American total to $4.1 million.<\/p>\n

Six days into the new year and coming off of a record 2018, the box office overall is running a little behind (5 per cent) where the totals were last year, when \u201cStar Wars: The Last Jedi\u201d and \u201cJumanji: Welcome to the Jungle\u201d were still printing money. But that could all change when \u201cGlass\u201d opens on Jan. 18. The M. Night Shyamalan film could be a January record-breaker.<\/p>\n

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theatres, according to Comscore. Where available, the latest international numbers for Friday through Sunday are also included. Final domestic figures will be released Monday.<\/p>\n

1.\u201dAquaman,\u201d $30.7 million ($56.2 million international).<\/p>\n

2.\u201dEscape Room,\u201d $18 million.<\/p>\n

3.\u201dMary Poppins Returns,\u201d $15.8 million ($23 million international).<\/p>\n

4.\u201dSpider-Man: Into the Spider-Verse,\u201d $13 million ($11.7 million international)<\/p>\n

5.\u201dBumblebee,\u201d $12.8 million ($82.7 million international).<\/p>\n

6.\u201dThe Mule,\u201d $9 million.<\/p>\n

7.\u201dVice,\u201d $5.8 million ($1.3 million international).<\/p>\n

8.\u201dSecond Act,\u201d $4.9 million ($1.4 million international).<\/p>\n

9.\u201dRalph Break the Internet,\u201d $4.7 million ($25 million international).<\/p>\n

10.\u201dHolmes and Watson,\u201d $3.4 million ($1.7 million international).<\/p>\n

\u2014\u2014\u2014<\/p>\n

Estimated ticket sales for Friday through Sunday at international theatres (excluding the U.S. and Canada), according to Comscore:<\/p>\n

    \n
  1. \u201cBumblebee,\u201d $82.7 million.<\/li>\n
  2. \u201cAquaman,\u201d $56.2 million.<\/li>\n
  3. \u201cRalph Breaks the Internet,\u201d $25 million.<\/li>\n
  4. \u201cMary Poppins Returns,\u201d $23 million.<\/li>\n
  5. \u201cBohemian Rhapsody,\u201d $16.9 million.<\/li>\n
  6. \u201cKill Mobile,\u201d $12.5 million.<\/li>\n
  7. \u201cSpider-Man: Into the Spider-Verse,\u201d .\n
  8. \u201cDr. Seuss’ The Grinch,\u201d $11.1 million.<\/li>\n
  9. \u201cT-34,\u201d $8.5 million.<\/li>\n
  10. \u201cFantastic Beasts: Crimes Of Grindelwald,\u201d $6.3 million.<\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"

    LOS ANGELES \u2014 \u201cAquaman\u201d is still the champ at the box office three weeks in, but the high-concept thriller \u201cEscape …<\/p>\n","protected":false},"author":44,"featured_media":196654,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,106],"tags":[],"class_list":["post-196652","post","type-post","status-publish","format-standard","has-post-thumbnail","category-entertainment","category-hollywood","mauthors-lindsey-bahr","mauthors-the-associated-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/196652","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=196652"}],"version-history":[{"count":1,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/196652\/revisions"}],"predecessor-version":[{"id":285740,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/196652\/revisions\/285740"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/196654"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=196652"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=196652"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=196652"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}