{"id":192290,"date":"2018-12-03T21:54:59","date_gmt":"2018-12-04T02:54:59","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=192290"},"modified":"2018-12-03T21:54:59","modified_gmt":"2018-12-04T02:54:59","slug":"with-a-flurry-of-christmas-albums-canadian-artists-find-unique-ways-to-mark-the-season","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2018\/12\/03\/with-a-flurry-of-christmas-albums-canadian-artists-find-unique-ways-to-mark-the-season\/","title":{"rendered":"With a flurry of Christmas albums, Canadian artists find unique ways to mark the season"},"content":{"rendered":"<figure id=\"attachment_192291\" aria-describedby=\"caption-attachment-192291\" style=\"width: 769px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2018\/12\/25289374_1573969152648690_3286578545071530252_n.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-192291\" src=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2018\/12\/25289374_1573969152648690_3286578545071530252_n.jpg\" alt=\"\" width=\"769\" height=\"769\" srcset=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2018\/12\/25289374_1573969152648690_3286578545071530252_n.jpg 769w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2018\/12\/25289374_1573969152648690_3286578545071530252_n-150x150.jpg 150w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2018\/12\/25289374_1573969152648690_3286578545071530252_n-300x300.jpg 300w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2018\/12\/25289374_1573969152648690_3286578545071530252_n-768x768.jpg 768w\" sizes=\"auto, (max-width: 769px) 100vw, 769px\" \/><\/a><figcaption id=\"caption-attachment-192291\" class=\"wp-caption-text\">But for the longest time Luke Doucet and Melissa McClelland weren&#8217;t convinced. They didn&#8217;t see the point of throwing another track onto the pile of disposable festive anthems. (<a href=\"https:\/\/www.facebook.com\/WeAreWhitehorse\/photos\/a.204534359592183\/1573969152648690\/?type=3&amp;theater\">File Photo<\/a>: <a href=\"https:\/\/www.facebook.com\/WeAreWhitehorse\/\">Whitehorse\/Facebook<\/a>)<\/figcaption><\/figure>\n<p>TORONTO \u2014 Folk-rockers Whitehorse spent years fending off pressure to write a Christmas song.<\/p>\n<p>And yet every holiday season, the husband-and-wife duo would be circled by the head of their record label who wanted to rope them into making a holiday ditty. Radio would love it, they were told.<\/p>\n<p>But for the longest time Luke Doucet and Melissa McClelland weren&#8217;t convinced. They didn&#8217;t see the point of throwing another track onto the pile of disposable festive anthems.<\/p>\n<p>\u201cThere are a lot of beautiful Christmas songs,\u201d McClelland acknowledges before adding that she rarely plays any of them at home.<\/p>\n<p>\u201cYou hear enough of it out in the world.\u201d<\/p>\n<p>Doucet winces as he reflects on one example that deeply scarred him \u2014 Paul McCartney&#8217;s 1979 track \u201cWonderful Christmastime,\u201d which he says rings through the halls of department stores so interminably that he feels pushed to the edge.<\/p>\n<p>So it&#8217;s not surprising that \u201cA Whitehorse Winter Classic\u201d feels less enthused about Christmas than a typical holiday album. The sobering nine-track collection offers a mixture of reflection, loneliness and bittersweet sentiment.<\/p>\n<p>The album stands out this year amongst a considerable selection of Canadian artists who are tapping into listeners&#8217; insatiable appetite for the holiday season.<\/p>\n<p>No fewer than six homegrown acts have released full-length Christmas albums in 2018. That includes a jazzy effort from Serena Ryder, a country-fused release by Jess Moskaluke and carols and hymns by contemporary Christian musician Matt Maher.<\/p>\n<p>There&#8217;s also Walk Off the Earth&#8217;s newest Christmas release and William Shatner&#8217;s quirky record \u201cShatner Claus,\u201d where the \u201cStar Trek\u201d alum riffs on classics of the genre.<\/p>\n<p>Whitehorse is easily the darkest spin on the yuletide season.<\/p>\n<p>\u201cIt is an emotionally rich time,\u201d McClelland said. \u201cA time of nostalgia. And that can be a very complicated feeling of highs and lows, the good and bad.\u201d<\/p>\n<p>The band&#8217;s cover of the Pretenders&#8217; downbeat \u201c2000 Miles\u201d marks one of the most familiar highlights, while the bouncy original \u201cHo Ho Ho\u201d throws some pep into the story of a loved one who&#8217;s stuck at the airport, presumably on Christmas Eve.<\/p>\n<p>\u201cMerry Xmas, Baby (I Hope You Get What You Deserve),\u201d carries a glaringly spiteful twist. Doucet describes the song as the Pixies meet The La&#8217;s with a sprinkle of inspiration from the \u201cKids in the Hall\u201d theme song.<\/p>\n<p>\u201cIf (the songs) are not about Christmas specifically, they will be evocative of some of the ways people feel,\u201d Doucet says.<\/p>\n<p>Making a Christmas album used to be one of the necessary steps in nearly every major artist&#8217;s recording contract \u2014 somewhere between their debut album and a greatest hits collection. The point was to goose sales over the holidays as shoppers tossed a CD into their carts while buying gifts.<\/p>\n<p>Practically all of the biggest stars have done it at some point, including Canadian artists Celine Dion, Michael Buble, Justin Bieber and Sarah McLachlan, who&#8217;s released two holiday albums. But with CD sales flagging for years, Christmas songs have taken on a different value through streaming music platforms.<\/p>\n<p>For a few weeks each year, performers in various music genres are lumped into official playlists across Spotify, Apple Music and other services, each one offering the possibility of exposing them to an array of new listeners \u2014 and potentially lifelong fans.<\/p>\n<p>Overall, the quantity of Christmas music being streamed by Canadians is growing at a steady pace each year, according to Nielsen Music Canada. Last year, holiday music plays were up 30 per cent from 2016, which itself had grown 80 per cent from the year prior.<\/p>\n<p>This year, holiday streams are up 42 per cent as more listeners put away old CDs and dive into collections like Spotify&#8217;s Christmas in Canada and Apple&#8217;s A Very Canadian Christmas.<\/p>\n<p>Wes Marskell, drummer for indie rock pair The Darcys, knows a few things about the resonance of a Christmas tune. Two years ago, his band released a cover of Mariah Carey favourite \u201cAll I Want for Christmas Is You,\u201d spiced with electronic beats, and it became a cult hit on streaming platforms.<\/p>\n<p>Last Christmas, The Darcys returned to the holidays with the original \u201cAnother Log on the Fire,\u201d and watched as listeners added it to their playlist rotations en masse.<\/p>\n<p>\u201cPeople literally put a Christmas playlist on repeat all day, starting November 1st,\u201d Marskell says.<\/p>\n<p>\u201cThis is a time when people are just thirsty for Christmas.\u201d<\/p>\n<p>Walk Off the Earth&#8217;s Sarah Blackwood says chasing those listeners is one of the reasons her band released the six-track EP \u201cSubscribe to the Holidays.\u201d It&#8217;s their third holiday album, and part of a tradition she says helps achieve the \u201cultimate goal\u201d of scoring valuable real estate on playlists.<\/p>\n<p>\u201cThe higher you get on a playlist&#8230; the more people are listening to your music,\u201d Blackwood says.<\/p>\n<p>\u201cI just renovated a studio and the whole time I would just say: &#8216;Hey Siri,&#8217; or, &#8216;Hey Alexa, play an acoustic covers playlist on Spotify.&#8217; And there it is. It goes on and on, and you&#8217;re discovering artists.\u201d<\/p>\n<p>Like Walk Off the Earth&#8217;s famed YouTube videos \u2014 which launched them into the viral stratosphere with a cover of Gotye&#8217;s \u201cSomebody That I Used to Know\u201d \u2014 the band&#8217;s upbeat Christmas album includes a number of songs that perfect for social media.<\/p>\n<p>The reggae-fused \u201cHappy Hanukkah\u201d features radio favourite Scott Helman, while \u201cHave Yourself a Merry Little Christmas\u201d showcases Blackwood&#8217;s five-year-old son on the vocals.<\/p>\n<p>The band will take their Christmas spirit to a number of public platforms in the coming weeks, including Good Morning America and a series of entertainment talk show appearances.<\/p>\n<p>Playing Christmas gigs is another one of the perks of a holiday album, says Serena Ryder. The singer dove wholeheartedly into the season with an appearance at Toronto&#8217;s Santa Claus Parade last year before stepping into the studio to record \u201cChristmas Kisses.\u201d<\/p>\n<p>The project offered an avenue for Ryder to dabble in her dreams of producing a jazz album, a sound which takes shape on renditions of \u201cLet It Snow\u201d and \u201cI&#8217;ll Be Home for Christmas.\u201d She&#8217;ll bring those songs to a number of concerts on the East Coast this month.<\/p>\n<p>\u201cI hope that doing this album means I get to do Christmas shows every year,\u201d Ryder says.<\/p>\n<p>\u201cThey&#8217;re such a joyful experience. Parents. Kids. All those things.\u201d<\/p>\n<p>Whitehorse is taking a comparably muted approach with their own \u201cA Whitehorse Winter Classic.\u201d<\/p>\n<p>They aren&#8217;t planning tour dates for the holidays, although they will appear in guest spots at other artists&#8217; shows. That leaves their album to either organically land among the favourites of the season or disappear into the catalogue of Christmases past.<\/p>\n<p>\u201cIf we&#8217;re wildly successful,\u201d Doucet says, \u201cthen people will put it on every year. It&#8217;ll have a resurgence.\u201d<\/p>\n<p>\u2014\u2014<\/p>\n<p>Listen to a playlist of Christmas and holiday songs from Canadian artists on Spotify: https:\/\/spoti.fi\/2Ub8hm8<\/p>\n","protected":false},"excerpt":{"rendered":"<p>TORONTO \u2014 Folk-rockers Whitehorse spent years fending off pressure to write a Christmas song. And yet every holiday season, the &hellip;<\/p>\n","protected":false},"author":44,"featured_media":192291,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,106],"tags":[],"class_list":["post-192290","post","type-post","status-publish","format-standard","has-post-thumbnail","category-entertainment","category-hollywood","mauthors-david-friend","mauthors-the-canadian-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/192290","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=192290"}],"version-history":[{"count":0,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/192290\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/192291"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=192290"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=192290"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=192290"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}