{"id":182311,"date":"2018-09-20T06:55:52","date_gmt":"2018-09-20T10:55:52","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=182311"},"modified":"2018-09-20T07:14:57","modified_gmt":"2018-09-20T11:14:57","slug":"chien-de-garde-gets-canadas-oscar-nod-category-best-foreign-language-film","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2018\/09\/20\/chien-de-garde-gets-canadas-oscar-nod-category-best-foreign-language-film\/","title":{"rendered":"&#8216;Chien de garde&#8217; gets Canada&#8217;s Oscar nod in category of best foreign language film"},"content":{"rendered":"<figure id=\"attachment_182312\" aria-describedby=\"caption-attachment-182312\" style=\"width: 750px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2018\/09\/CHIENDEGARDESEB_0166\u00a9BabasLevrai.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-182312\" src=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2018\/09\/CHIENDEGARDESEB_0166\u00a9BabasLevrai.jpg\" alt=\"\" width=\"750\" height=\"499\" srcset=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2018\/09\/CHIENDEGARDESEB_0166\u00a9BabasLevrai.jpg 750w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2018\/09\/CHIENDEGARDESEB_0166\u00a9BabasLevrai-300x200.jpg 300w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><\/a><figcaption id=\"caption-attachment-182312\" class=\"wp-caption-text\">&#8220;It will maybe help them to . . . have their voice heard.&#8221; (<a href=\"http:\/\/www.bravocharliefilms.com\/chien-de-garde\/\">Photo: CHIEN DE GARDE<\/a>)<\/figcaption><\/figure>\n<p class=\"p1\">MONTREAL \u2014 A Quebec filmmaker whose first feature was selected Wednesday to represent\u00a0Canada\u00a0in the Oscars&#8217; foreign-language film category says the choice should be a boost for the country&#8217;s female directors.<\/p>\n<p class=\"p1\">&#8220;I&#8217;m very proud becasue I think there are a lot of young women directors with big talent who are now ready to shoot their first feature film,&#8221; Sophie Dupuis said after Telefilm\u00a0Canada&#8217;s announcement.<\/p>\n<p class=\"p1\">&#8220;It will maybe help them to . . . have their voice heard.&#8221;<\/p>\n<p class=\"p1\">Dupuis, a native of Val-d&#8217;Or who is in her early 30s, directed &#8220;Chien de Garde&#8221; (&#8220;Family First&#8221;) on a budget of about $1.5 million. It is a crime drama centred in Montreal&#8217;s Verdun neighbourhood about a young man involved in a drug cartel run by his uncle.<\/p>\n<p class=\"p1\">Starring Jean-Simon Leduc, Theodore Pellerin, Maude Guerin, Paul Ahmarani and Claudel Laberge, it was considered a dark horse up against Canadian film legend Denys Arcand&#8217;s &#8220;The Fall of the American Empire.&#8221; Arcand is the only Canadian director to have won the best foreign film Oscar.<\/p>\n<p class=\"p1\">Dupuis said she was on her way to the grocery store two hours before the official announcement when she received the call to say her film had been chosen.<\/p>\n<p class=\"p1\">&#8220;I was sure it wasn&#8217;t going to be us,&#8221; she said. When she informed cast members, they first thought she was joking and then, &#8220;they were screaming.&#8221;<\/p>\n<p class=\"p1\">Christa Dickenson, Telefilm&#8217;s executive director, said that at a time when &#8220;gender parity is on the tips of everybody&#8217;s tongues,&#8221; it was &#8220;exciting&#8221; to see a female director chosen.<\/p>\n<p class=\"p1\">&#8220;Chien de Garde&#8221; will now compete with films from dozens of other countries for a spot on the list of official Oscar nominations.<\/p>\n<p class=\"p1\">The ceremony is set for Feb. 24 in Los Angeles.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>MONTREAL \u2014 A Quebec filmmaker whose first feature was selected Wednesday to represent\u00a0Canada\u00a0in the Oscars&#8217; foreign-language film category says the &hellip;<\/p>\n","protected":false},"author":44,"featured_media":182312,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,106],"tags":[],"class_list":["post-182311","post","type-post","status-publish","format-standard","has-post-thumbnail","category-entertainment","category-hollywood","mauthors-roxanne-ocampo","mauthors-the-canadian-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/182311","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=182311"}],"version-history":[{"count":0,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/182311\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/182312"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=182311"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=182311"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=182311"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}