{"id":181517,"date":"2018-09-14T04:20:10","date_gmt":"2018-09-14T08:20:10","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=181517"},"modified":"2018-09-14T04:20:10","modified_gmt":"2018-09-14T08:20:10","slug":"broadway-west-end-star-marin-mazzie-dies","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2018\/09\/14\/broadway-west-end-star-marin-mazzie-dies\/","title":{"rendered":"Broadway and West End star Marin Mazzie dies"},"content":{"rendered":"
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Mazzie died Thursday at her Manhattan home surrounded by close friends and family, said her husband, actor Jason Danieley. (File Photo<\/a>: marinmazzie\/Instagram<\/a>)<\/figcaption><\/figure>\n

NEW YORK \u2014 Actress and soprano Marin Mazzie, a three-time Tony Award nominee known for powerhouse Broadway performances in “Ragtime,” “Passion” and “Kiss Me, Kate,” has died following a three-year battle with ovarian cancer. She was 57.<\/p>\n

Mazzie died Thursday at her Manhattan home surrounded by close friends and family, said her husband, actor Jason Danieley. Her death was confirmed by her publicist, Kim Correro.<\/p>\n

Tributes came from all across Broadway, including Harvey Fierstein, who wrote, “Beautiful, brave and inspiring. A glorious voice and an even better human being” and Michael Urie, who called Mazzie “luminous.” Actor Daniel Dae Kim wrote: “The lights of Broadway all shine a little dimmer tonight.”<\/p>\n

Mazzie’s broad career went from screwball comedy \u2014 in “Kiss Me, Kate” and “Monty Python’s Spamalot” on Broadway and the West End \u2014 to riveting, dysfunctional moms in “Next to Normal” and “Carrie.” She earned other Broadway roles in “Man of La Mancha,” “Bullets Over Broadway,” “Enron” and “Into the Woods.”<\/p>\n

She found out about her cancer diagnosis on the opening day of a concert production of “Zorba!” in May 2015 and refused to pull out. In one song, she sang: “Life is what you do while you’re waiting to die.”<\/p>\n

Mazzie later underwent a hysterectomy, a bowel resection because the cancer had spread and weeks of chemotherapy. She returned to Broadway a year later, replacing Kelli O’Hara in “The King and I.”<\/p>\n

“It’s very emotional for me,” she told The Associated Press in 2016. “I’m so anxious and excited and thrilled to be able to bring, in essence, a new me back to the stage with what’s gone on in my life.”<\/p>\n

The New York Times said Mazzie brought “a touch of brass” to the role of English schoolteacher Anna Leonowens. It praised her for a “husky quietness, and you hear the fragile heart beating beneath the stalwartly corseted form.”<\/p>\n

Mazzie was born and raised in Rockford, Illinois, in a home often filled with show tunes and original cast recordings. She attended Western Michigan University in Kalamazoo to study theatre, and her first job was in a musical at a dinner theatre in her hometown.<\/p>\n

A key moment in her life happened when she was 8 years old and saw a touring company of “Carousel” starring John Raitt. In the second act, Rockford was plunged into a blackout and the actors needed flashlights to finish the show.<\/p>\n

After it ended, Raitt came out and sang for the audience until it was deemed safe for everyone to go home. He sang for 45 minutes. “I will never forget that moment,” Mazzie recounted in “Making It on Broadway,” a book of Broadway stories. “To me, that was the magic of theatre. Every night is different. Every audience is different. I just love the magic.”<\/p>\n

Mazzie made her New York stage debut in the 1983 revival of Frank Loesser’s musical, “Where’s Charley?” Her big break came playing Beth in “Merrily We Roll Along” at the La Jolla Playhouse in California in 1985, the first production outside New York. La Jolla artistic director Des McAnuff later put her into “Big River” on Broadway, marking her debut on the Great White Way.<\/p>\n

She would work three times on Broadway with Brian Stokes Mitchell \u2014 “Ragtime,” “Kiss Me, Kate” and “Man of La Mancha.” (They would also work off-Broadway in a concert version of “Kismet.”) One of her proudest accomplishments was originating a Stephen Sondheim role \u2014 Clara in 1994’s “Passion.”<\/p>\n

When “Kiss Me, Kate” opened on Broadway in 1999, Variety said “her pure and versatile soprano is Mazzie’s most marvelous attribute. When the show went to London, the Variety reviewer there said Mazzie was “blessed with a mouth that looks as if it could devour the Victoria Palace whole.”<\/p>\n

Mazzie was also a frequently booked singer at concerts across the country, playing Carnegie Hall, the Hollywood Bowl and with the Boston Pops, New York Pops and the New York Philharmonic. Her off-Broadway credits include “Carrie” and “White Rabbit Red Rabbit.” She released the live album “Marin Mazzie: Make Your Own Kind of Music” in 2015.<\/p>\n

She met her husband, Danieley, in 1996 at the now-defunct theatre company En Garde Arts while working on “Trojan Women: A Love Story.” They frequently took their love affair onstage, put out an album of duets, “Opposite You,” in 2005 and appeared together in the autobiographical cabaret show “He Said\/She Said.” Mazzie and Danieley also starred in Los Angeles productions of “Brigadoon” and a Pasadena production of “110 in the Shade.”<\/p>\n

On TV, Mazzie appeared in “Without a Trace,” “Still Standing,” “Nurse Jackie,” “The Big C” and “Smash.” Her off-Broadway roles included a revival of the musical “Carrie,” in which The New York Times said she “brings out an unexpected emotional delicacy in her character’s numbers.”<\/p>\n

She also is survived by her mother, Donna Mazzie, and brother, Mark Mazzie.<\/p>\n","protected":false},"excerpt":{"rendered":"

NEW YORK \u2014 Actress and soprano Marin Mazzie, a three-time Tony Award nominee known for powerhouse Broadway performances in “Ragtime,” …<\/p>\n","protected":false},"author":44,"featured_media":181519,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,106],"tags":[],"class_list":["post-181517","post","type-post","status-publish","format-standard","has-post-thumbnail","category-entertainment","category-hollywood","mauthors-mark-kennedy","mauthors-the-associated-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/181517","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=181517"}],"version-history":[{"count":0,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/181517\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/181519"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=181517"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=181517"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=181517"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}