{"id":175156,"date":"2018-08-06T00:09:46","date_gmt":"2018-08-06T04:09:46","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=175156"},"modified":"2018-08-06T00:09:46","modified_gmt":"2018-08-06T04:09:46","slug":"mission-impossible-bests-winnie-pooh-box-office","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2018\/08\/06\/mission-impossible-bests-winnie-pooh-box-office\/","title":{"rendered":"&#8216;Mission: Impossible&#8217; bests Winnie the Pooh at box office"},"content":{"rendered":"<figure id=\"attachment_173901\" aria-describedby=\"caption-attachment-173901\" style=\"width: 960px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2018\/07\/36538502_10155907254957730_7563735006539939840_n.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-173901\" src=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2018\/07\/36538502_10155907254957730_7563735006539939840_n.jpg\" alt=\"\" width=\"960\" height=\"525\" srcset=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2018\/07\/36538502_10155907254957730_7563735006539939840_n.jpg 960w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2018\/07\/36538502_10155907254957730_7563735006539939840_n-300x164.jpg 300w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2018\/07\/36538502_10155907254957730_7563735006539939840_n-768x420.jpg 768w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><\/a><figcaption id=\"caption-attachment-173901\" class=\"wp-caption-text\">Tom Cruise sped past Winnie-the-Pooh. (File <a href=\"https:\/\/www.facebook.com\/missionimpossiblemovie\/photos\/a.10150285221592730.337859.290487762729\/10155907254952730\/?type=3&amp;theater\">Photo<\/a>: <a href=\"https:\/\/www.facebook.com\/missionimpossiblemovie\/\">Mission: Impossible\/Facebook<\/a>)<\/figcaption><\/figure>\n<p>NEW YORK &#8212; Tom Cruise sped past Winnie-the-Pooh at the box office to lead all films for the second straight week with an estimated $35 million in ticket sales for \u201cMission Impossible &#8212; Fallout.\u201d<\/p>\n<p>The success of Paramount Pictures&#8217; sixth, stunt-filled \u201cMission: Impossible\u201d installment, along with muted enthusiasm for the Walt Disney Co.&#8217;s \u201cChristopher Robin,\u201d made for a seldom-seen result: A Disney movie debuting in second place.<\/p>\n<p>In a year where the studio has already notched three $1 billion films worldwide (\u201cBlack Panther,\u201d \u201cAvengers: Infinity War\u201d and, as of this week, \u201cIncredibles 2\u201d), the more modest Winnie-the-Pooh live-action revival opened with a relatively ho-hum $25 million. As a reminder that \u201cChristopher Robin\u201d was a minor release for Disney, \u201cBlack Panther\u201d on Sunday became the third film to ever cross $700 million domestically, a feat only previously accomplished by \u201cAvatar\u201d and \u201cStar Wars: The Force Awakens.\u201d<\/p>\n<p>Made for an estimated $75 million, Marc Forster&#8217;s \u201cChristopher Robin\u201d stars Ewan McGregor as a grown-up Christopher Robin reunited with the beloved characters of the Hundred Acre Wood: Pooh, Tigger, Piglet and the rest (who are rendered digitally but convincingly felt-like). While reviews were mixed, audiences gave it an \u201cA\u201d CinemaScore.<\/p>\n<p>Cathleen Taff, head of distribution for Disney, said there&#8217;s room for non-tentpole releases in the Disney slate.<\/p>\n<p>\u201cIt&#8217;s one of our smaller films and it&#8217;s really focused on character and emotion,\u201d said Taff. \u201cWe&#8217;re happy with where it&#8217;s at and we think it&#8217;s got some runway being one of the only family options going forward.\u201d<\/p>\n<p>Taff confirmed that \u201cChristopher Robin\u201d has been denied a release in China, locking the release out from the world&#8217;s second largest film market. While China provides no reason for the films it doesn&#8217;t select for its theatres, government sensors have recently been blocking images of Winnie-the-Pooh after bloggers began using him to parody Chinese president Xi Jinping.<\/p>\n<p>The late-summer success of \u201cMission: Impossible\u201d &#8212; which has made $124.5 million thus far along with $205 million internationally &#8212; is helping solidify a comeback summer for Hollywood. The summer box office is up 10.6 per cent from last year&#8217;s record-low season, according to comScore, and year-to-date ticket sales are up 8 per cent.<\/p>\n<p>\u201cAs we head into what is almost always the slowest month at the summer box office, we have some nice momentum going,\u201d said Paul Dergarabedian, senior media analyst for comScore. \u201cWith a 10.6 per cent increase over the summer last year, we&#8217;re going to maintain a solid advantage when we get to the end of the month.\u201d<\/p>\n<p>Not all the news was great. Comedy continues to struggle at the box office. The R-rated action-comedy \u201cThe Spy Who Dumped Me,\u201d starring Mila Kunis and Kate McKinnon, debuted in third with $12.4 million for Lionsgate.<\/p>\n<p>And a pair of poorly reviewed releases sputtered in nationwide release. Fox&#8217;s young-adult dystopian thriller \u201cThe Darkest Minds\u201d (19 per cent \u201cfresh\u201d on Rotten Tomatoes) opened with $5.7 million on 3,127 screens. And right-wing filmmaker Dinesh D&#8217;Souza&#8217;s \u201cDeath of a Nation\u201d (0 per cent \u201cfresh\u201d on Rotten Tomatoes) debuted with $2.3 million on 1,032 screens.<\/p>\n<p>Estimated ticket sales for Friday through Sunday at U.S. and Canadian theatres, according to comScore. Where available, the latest international numbers for Friday through Sunday also are included. Final domestic figures will be released Monday.<\/p>\n<ol>\n<li>\u201cMission: Impossible &#8212; Fallout,\u201d $35 million ($76 million international).<\/li>\n<li>\u201cChristopher Robin,\u201d $25 million ($4.8 million international).<\/li>\n<li>\u201cThe Spy Who Dumped Me,\u201d $12.4 million.<\/li>\n<li>\u201cMamma Mia! Here We Go Again,\u201d $9.1 million ($19.3 million international).<\/li>\n<li>\u201cThe Equalizer 2,\u201d $8.8 million.<\/li>\n<li>\u201cHotel Transylvania 3,\u201d $8.8 million ($18 million international).<\/li>\n<li>\u201cAnt-Man and the Wasp,\u201d $6.2 million ($11.2 million international).<\/li>\n<li>\u201cThe Darkest Minds,\u201d $5.8 million ($4.1 million international).<\/li>\n<li>\u201cIncredibles 2,\u201d $5 million ($19 million international).<\/li>\n<li>\u201cTeen Titans Go! To the Movies,\u201d $4.9 million.<\/li>\n<\/ol>\n<p>&#8212;&#8212;<\/p>\n<p>Estimated ticket sales for Friday through Sunday at international theatres (excluding the U.S. and Canada), according to comScore:<\/p>\n<ol>\n<li>\u201cMission: Impossible &#8212; Fallout,\u201d $76 million.<\/li>\n<li>\u201cHello Mr. Billionaire,\u201d $64.5 million.<\/li>\n<li>\u201cAlong With the Gods: The Last 49 Days,\u201d $37.3 million.<\/li>\n<li>\u201cMamma Mia! Here We Go Again,\u201d $19.3 million.<\/li>\n<li>\u201cIncredibles 2,\u201d $19 million.<\/li>\n<li>\u201cHotel Transylvania 3,\u201d $18 million.<\/li>\n<li>\u201cDetective Dee: The Four Heavenly Kings,\u201d $12.5 million.<\/li>\n<li>\u201cAnt-Man and the Wasp,\u201d $11.2 million.<\/li>\n<li>\u201cThe Wind Guardians,\u201d $8.8 million.<\/li>\n<li>\u201cSkyscraper,\u201d $8.2 million.<\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"<p>NEW YORK &#8212; Tom Cruise sped past Winnie-the-Pooh at the box office to lead all films for the second straight &hellip;<\/p>\n","protected":false},"author":33,"featured_media":173901,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,106],"tags":[],"class_list":["post-175156","post","type-post","status-publish","format-standard","has-post-thumbnail","category-entertainment","category-hollywood","mauthors-jake-coyle","mauthors-the-associated-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/175156","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/33"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=175156"}],"version-history":[{"count":0,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/175156\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/173901"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=175156"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=175156"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=175156"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}