{"id":172166,"date":"2018-07-19T21:09:30","date_gmt":"2018-07-20T01:09:30","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=172166"},"modified":"2018-07-19T21:09:30","modified_gmt":"2018-07-20T01:09:30","slug":"a-year-after-despacito-has-latin-music-found-a-permanent-home-on-canadian-radio","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2018\/07\/19\/a-year-after-despacito-has-latin-music-found-a-permanent-home-on-canadian-radio\/","title":{"rendered":"A year after ‘Despacito’ has Latin music found a permanent home on Canadian radio?"},"content":{"rendered":"
\"\u201cStreaming<\/a>
\u201cStreaming has levelled the playing field,\u201d Veliz says. (File photo) (Photo<\/a>: Alx Veliz\/Instagram<\/a>)<\/figcaption><\/figure>\n

TORONTO — Singer Alx Veliz is certain that a recent swell in the popularity of Latin music is signalling a change of tastes with many Canadian listeners.<\/p>\n

He points to the numerous Latin songs that broke into mainstream consciousness across the country last year, led by the colossal hit, \u201cDespacito,\u201d performed by Luis Fonsi, Daddy Yankee, and Justin Bieber. Veliz’s 2016 hit single \u201cDancing Kizomba\u201d left its own mark when it was released in an alternate Spanish version.<\/p>\n

The Mississauga, Ont.-based singer with Guatemalan roots says it seemed like the perfect time to record his newest album entirely in Spanish. He believes the project will appeal to his English-speaking Canadian fans who increasingly blast Latin songs on streaming music platforms.<\/p>\n

\u201cStreaming has levelled the playing field,\u201d Veliz says. \u201cA couple years ago we would only listen to what radio considered a hit.\u201d<\/p>\n

Lolaa, a Toronto-based sibling pop duo with Mexican roots, made a similar move by releasing a Spanish version of their English self-titled EP earlier this year.<\/p>\n

Both acts hope to challenge what they consider to be long-held perceptions at Canadian radio stations that Latin music is only an occasional trend.<\/p>\n

For years, the genre existed on the sidelines across most of the country, getting little mainstream attention, with the exception of the occasional crossover track like Los Del Mar’s \u201cMacarena\u201d in 1995.<\/p>\n

Even international superstars like Ricky Martin saw most of their Spanish-language albums slip under the radar in Canada. The same went for songs from Christina Aguilera’s 2000 album \u201cMe Reflejo,\u201d Jennifer Lopez’s 2007 effort \u201cComo Ama una Mujer\u201d and Nelly Furtado’s 2009 \u201cMi Plan,\u201d which sold well but still faced an uphill marketing battle in her homeland.<\/p>\n

Veliz thinks those days are numbered as more Canadian clubs dedicate entire rooms to Latin music.<\/p>\n

\u201cThis is a movement that’s been happening for over a decade,\u201d Veliz argues.<\/p>\n

\u201cWe’re slowly starting to see the rise of the Latin artist.\u201d<\/p>\n

Figures compiled by Nielsen Music Canada suggest listeners on streaming music platforms are choosing to play Latin songs more often. Streaming plays of the genre are up 71 per cent for the week that ended July 12 compared to the same week a year ago when \u201cDespacito\u201d sat atop the Canadian Billboard Hot 100 chart.<\/p>\n

Overall, Latin music represents two per cent of Canadian streaming so far this year, a small uptick from the same period last year, even though there hasn’t been a new breakout hit comparable to \u201cDespacito.\u201d That track is still going strong on streaming platforms though, ranking as the ninth most popular song of 2018, despite being released well over a year ago.<\/p>\n

The sisters in Lolaa have a complicated relationship with \u201cDespacito,\u201d which they recognize is an indisputable success, though they don’t necessarily like that many people only seem to listen to the remix with Bieber singing additional English vocals.<\/p>\n

\u201cI’m happy that Justin helped facilitate that exposure, but I don’t think it’s fair that he got a lot of the credit,\u201d says Lolaa singer Lex Valentine.<\/p>\n

\u201cI want to see Latin artists being celebrated for their things, without having a big name like a Justin Bieber — someone who’s not Latin American — to be the one pushing it forward.\u201d<\/p>\n

It’s one of the conversations Valentine and her sister Nadia King revisit often as they pursue Spanish music in a Canadian market where most listeners don’t speak the language.<\/p>\n

They made the decision to sing in Spanish not as a commercial move, they say, but for artistic and cultural reasons, since the nuances of the language offer more creative space. But they consider it a risky move to expect the Canadian marketplace to support Spanish songs.<\/p>\n

Few musicians have been able to hack it, says Valentine, with the exception of Colombian-born Canadian Lido Pimienta who has carved a loyal fanbase outside the mainstream, helped by attention from her Polaris Music Prize win.<\/p>\n

\u201cWe always ask ourselves if can we can do the same thing here. You see people like Lido who have started, but even for her it’s just like, who else is there outside of Lido?\u201d Valentine says.<\/p>\n

\u201cIt’s like finding unicorns.\u201d<\/p>\n

But Veliz is confident that even if popular culture hasn’t permanently thrown open its doors to Latin music, there isn’t anywhere to go but up.<\/p>\n

\u201cI think within the next few years you’re going to see a surge of brand new artists.\u201d<\/p>\n

At Corus Radio, which operates radio stations in Alberta, B.C., Manitoba and Ontario, programmers at Top 40 radio are tasked with finding the right mix of songs.<\/p>\n

Lars Wunsche, regional director for Corus in southwestern Ontario, says more than in the past his stations are often considering Latin music.<\/p>\n

\u201c’Despacito’ definitely made it more open,\u201d he says, pointing out that Spanish tracks by Jennifer Lopez, J Balvin and others are currently in rotation.<\/p>\n

\u201cWe tend to play in Canada more crossover stuff — the English-Spanish scenarios… but a catchy song is a catchy song.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"

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