{"id":169870,"date":"2018-07-08T22:08:56","date_gmt":"2018-07-09T02:08:56","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=169870"},"modified":"2018-07-08T22:08:56","modified_gmt":"2018-07-09T02:08:56","slug":"recently-acquired-artworks-get-showing-at-detroit-museum","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2018\/07\/08\/recently-acquired-artworks-get-showing-at-detroit-museum\/","title":{"rendered":"Recently acquired artworks get showing at Detroit museum"},"content":{"rendered":"
\"Detroit<\/a>
Detroit Institute of Arts’ \u201cOut of the Crate: New Gifts & Purchases\u201d gallery. (Photo<\/a>: Detroit Institute of Arts\/Facebook<\/a>)<\/figcaption><\/figure>\n

DETROIT \u2014 Nine recently acquired artworks will be on display at the Detroit Institute of Arts.<\/p>\n

The pieces can be seen starting July 14 at the museum’s \u201cOut of the Crate: New Gifts & Purchases\u201d gallery, which got its start in January. The gallery showcases some of the museum’s newest artworks and offers the public a look into the art acquisition process.<\/p>\n

The works being shown include \u201cWoman Supreme,\u201d a 1974 painting by Wadsworth Jarrell, and \u201cBridges Over Flint,\u201d a 2016 collection of Matthew Brandt’s photographs developed using tap water from Flint, Michigan, as well as other liquids. Flint has been dealing with a crisis with lead-tainted water.<\/p>\n

Works in the gallery rotate out every six months. It’s the second installation of recent purchases and gifts chosen by museum Director Salvador Salort-Pons.<\/p>\n","protected":false},"excerpt":{"rendered":"

DETROIT \u2014 Nine recently acquired artworks will be on display at the Detroit Institute of Arts. The pieces can be …<\/p>\n","protected":false},"author":33,"featured_media":169874,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[52926,31697,52928,52924,52929,52927,52925],"class_list":["post-169870","post","type-post","status-publish","format-standard","has-post-thumbnail","category-art-and-culture","tag-bridges-over-flint","tag-detroit-institute-of-arts","tag-matthew-brandt","tag-out-of-the-crate-new-gifts-purchases","tag-salvador-salort-pons","tag-wadsworth-jarrell","tag-woman-supreme","mauthors-the-associated-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/169870","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/33"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=169870"}],"version-history":[{"count":0,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/169870\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/169874"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=169870"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=169870"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=169870"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}