{"id":166113,"date":"2018-06-04T01:59:39","date_gmt":"2018-06-04T05:59:39","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=166113"},"modified":"2018-06-04T01:59:39","modified_gmt":"2018-06-04T05:59:39","slug":"solo-a-star-wars-story-falls-65-per-cent-in-second-weekend","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2018\/06\/04\/solo-a-star-wars-story-falls-65-per-cent-in-second-weekend\/","title":{"rendered":"‘Solo: A Star Wars Story’ falls 65 per cent in second weekend"},"content":{"rendered":"
\"Internationally,<\/a>
Internationally, \u201cSolo\u201d added $30.3 million, and globally the film has netted $264.2 million. (Photo<\/a>: Star Wars Movies\/Facebook<\/a>)<\/figcaption><\/figure>\n

LOS ANGELES — \u201cSolo: A Star Wars Story\u201d is losing momentum quickly at the box office, even with a relatively quiet weekend free of any new blockbuster competition. After an underwhelming launch, the space saga fell 65 per cent in weekend two with $29.3 million from North American theatres, according to studio estimates on Sunday.<\/p>\n

\u201cSolo\u201d has now earned $148.9 million domestically, which is still shy of \u201cRogue One’s\u201d December 2016 opening weekend of $155.1 million and over $135 million short of where \u201cRogue One\u201d was in its second weekend.<\/p>\n

The 65 per cent drop off is one of the highest in recent \u201cStar Wars\u201d history, although it is less steep than the second week fall of the franchise’s last film, \u201cStar Wars: The Last Jedi,\u201d which slid 67.5 per cent in weekend two this past December — but, that was also after a $220 million debut.<\/p>\n

Internationally, \u201cSolo\u201d added $30.3 million, and globally the film has netted $264.2 million.<\/p>\n

Paul Dergarabedian, the senior media analyst for comScore, thinks that all the media attention given to \u201cSolo’s\u201d less-than-impressive opening weekend numbers could have actually negatively affected its second weekend earnings.<\/p>\n

\u201cBox office got conflated with perceived value of the movie and that might have affected its second weekend,\u201d Dergarabedian said. \u201cSometimes news of the box office can impact a movie’s bottom line.\u201d<\/p>\n

He noted that in comScore’s audience survey, most of the over 1,000 people polled \u201creally liked\u201d the movie.<\/p>\n

\u201cSolo’s\u201d tumble brought it even closer to \u201cDeadpool 2,\u201d which is now in its third weekend in theatres and still managed to reel in an estimated $23.3 million to take second place. With a domestic total of $254.7 million and a crowded marketplace with both \u201cSolo\u201d and \u201cAvengers: Infinity War\u201d surrounding it, \u201cDeadpool 2\u201d is still only about $30 million behind where the first film was in its third weekend.<\/p>\n

Shailene Woodley’s lost-at-sea drama \u201cAdrift\u201d fared the best of the three newcomers, which included the horror pic \u201cUpgrade\u201d and a Johnny Knoxville comedy \u201cAction Point.\u201d \u201cAdrift,\u201d from STX Entertainment, washed up in third place with $11.5 million, while the others struggled to make a significant impact.<\/p>\n

\u201cUpgrade\u201d opened In sixth place with $4.5 million, behind both \u201cAvengers: Infinity War\u201d ($10.4 million) and \u201cBook Club\u201d ($6.8 million), and \u201cAction Point,\u201d which was not screened for critics, landed in ninth place with a dismal $2.3 million.<\/p>\n

This weekend also saw a few smaller studio landmarks for Magnolia Pictures, whose Ruth Bader Ginsburg documentary \u201cRBG\u201d became its highest grossing film ever with $7.9 million, and Pantelion Films, which scored a similar feat with \u201cOverboard,\u201d which is now up to $45.5 million.<\/p>\n

Even with \u201cSolo’s\u201d stumble, the year-to-date box office is still up 6.2 per cent as June kicks into gear with some big movies on the horizon, including \u201cOcean’s 8,\u201d \u201cIncredibles 2\u201d and \u201cJurassic World.\u201d<\/p>\n

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theatres, according to comScore. Where available, the latest international numbers for Friday through Sunday are also included. Final domestic figures will be released Monday.<\/p>\n

1.\u201dSolo: A Star Wars Story,\u201d $29.3 million ($30.3 million international).<\/p>\n

2.\u201dDeadpool 2,\u201d $23.3 million ($41.6 million international).<\/p>\n

3.\u201dAdrift,\u201d $11.5 million.<\/p>\n

4.\u201dAvengers: Infinity War,\u201d $10.4 million ($24.3 million international).<\/p>\n

5.\u201dBook Club,\u201d $6.8 million ($1.1 million international).<\/p>\n

    \n
  1. \u201cUpgrade,\u201d $4.5 million.<\/li>\n<\/ol>\n

    7.\u201dLife of the Party,\u201d $3.5 million.<\/p>\n

    8.\u201dBreaking In,\u201d $2.8 million ($300,000 international).<\/p>\n

    9.\u201dAction Point,\u201d $2.3 million.<\/p>\n

    10.\u201dOverboard,\u201d $2 million ($1.5 million international).<\/p>\n

    ——<\/p>\n

    Estimated ticket sales for Friday through Sunday at international theatres (excluding the U.S. and Canada), according to comScore:<\/p>\n

      \n
    1. \u201cDeadpool 2,\u201d $41.6 million.<\/li>\n
    2. \u201cSolo: A Star Wars Story,\u201d $30.3 million.<\/li>\n
    3. \u201cAvengers: Infinity War,\u201d $24.3 million.<\/li>\n
    4. \u201cDoraemon the Movie: Nobita’s Treasure Island,\u201d $23.7 million.<\/li>\n
    5. \u201cHow Long Will I Love U,\u201d $15.8 million.<\/li>\n
    6. \u201cBeliever,\u201d $9.2 million.<\/li>\n
    7. \u201cHappy Little Submarine 20000 Leagues,\u201d $8.9 million.<\/li>\n
    8. \u201cSherlock Gnomes,\u201d $3.3 million.<\/li>\n
    9. \u201cTruth or Dare,\u201d $2.5 million.<\/li>\n
    10. \u201cA Quiet Place,\u201d $2.4 million.<\/li>\n<\/ol>\n

      ——<\/p>\n

      Universal and Focus are owned by NBC Universal, a unit of Comcast Corp.; Sony, Columbia, Sony Screen Gems and Sony Pictures Classics are units of Sony Corp.; Paramount is owned by Viacom Inc.; Disney, Pixar and Marvel are owned by The Walt Disney Co.; Miramax is owned by Filmyard Holdings LLC; 20th Century Fox and Fox Searchlight are owned by 21st Century Fox; Warner Bros. and New Line are units of Time Warner Inc.; MGM is owned by a group of former creditors including Highland Capital, Anchorage Advisors and Carl Icahn; Lionsgate is owned by Lions Gate Entertainment Corp.; IFC is owned by AMC Networks Inc.; Rogue is owned by Relativity Media LLC.<\/p>\n","protected":false},"excerpt":{"rendered":"

      LOS ANGELES — \u201cSolo: A Star Wars Story\u201d is losing momentum quickly at the box office, even with a relatively …<\/p>\n","protected":false},"author":33,"featured_media":166117,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,106],"tags":[51648],"class_list":["post-166113","post","type-post","status-publish","format-standard","has-post-thumbnail","category-entertainment","category-hollywood","tag-solo-a-star-wars-story","mauthors-lindsey-bahr","mauthors-the-associated-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/166113","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/33"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=166113"}],"version-history":[{"count":0,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/166113\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/166117"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=166113"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=166113"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=166113"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}