{"id":154490,"date":"2018-02-26T23:54:59","date_gmt":"2018-02-27T04:54:59","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=154490"},"modified":"2018-02-26T23:54:59","modified_gmt":"2018-02-27T04:54:59","slug":"vatican-the-met-team-up-to-show-catholic-effect-on-fashion","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2018\/02\/26\/vatican-the-met-team-up-to-show-catholic-effect-on-fashion\/","title":{"rendered":"Vatican, the Met team up to show Catholic effect on fashion"},"content":{"rendered":"<figure id=\"attachment_154491\" aria-describedby=\"caption-attachment-154491\" style=\"width: 640px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2018\/02\/vatican-26894_640.png\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-154491\" src=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2018\/02\/vatican-26894_640.png\" alt=\"The Vatican's culture minister joined Donatella Versace and Vogue's Anna Wintour on Monday to show off a sampling of gorgeous Vatican liturgical vestments, jeweled miters and historic papal tiaras that are starring in an upcoming exhibit of Catholic influences in fashion at the Metropolitan Museum of Art. (Pixabay photo)\" width=\"640\" height=\"640\" srcset=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2018\/02\/vatican-26894_640.png 640w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2018\/02\/vatican-26894_640-150x150.png 150w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2018\/02\/vatican-26894_640-300x300.png 300w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><figcaption id=\"caption-attachment-154491\" class=\"wp-caption-text\">The Vatican&#8217;s culture minister joined Donatella Versace and Vogue&#8217;s Anna Wintour on Monday to show off a sampling of gorgeous Vatican liturgical vestments, jeweled miters and historic papal tiaras that are starring in an upcoming exhibit of Catholic influences in fashion at the Metropolitan Museum of Art. (Pixabay photo)<\/figcaption><\/figure>\n<p>ROME &#8211; The Vatican&#8217;s culture minister joined Donatella Versace and Vogue&#8217;s Anna Wintour on Monday to show off a sampling of gorgeous Vatican liturgical vestments, jeweled miters and historic papal tiaras that are starring in an upcoming exhibit of Catholic influences in fashion at the Metropolitan Museum of Art.<\/p>\n<p>\u201cHeavenly Bodies: Fashion and the Catholic Imagination\u201d opens May 10 at the Met in New York and represents the most extensive exhibit of the museum&#8217;s Costume Institute, officials said. It also represents the first time some of the Vatican&#8217;s most precious treasures from the Sistine Chapel sacristy are being exhibited outside the Vatican.<\/p>\n<p>Along with the papal treasures, the Met show includes garments for more ordinary mortals by designers spanning Azzedine Alia to Vivienne Westwood, all set against the backdrop of the Met&#8217;s collection of Medieval and religious artwork.<\/p>\n<p>\u201cSome might consider fashion to be an unfitting or unseemly medium by which to engage with ideas about the sacred or the divine,\u201d curator Andrew Bolton told a crowd of Roman fashionistas and journalists. \u201cBut dress is central to any discussion about religion &#8211; it affirms religious allegiances and, by extension, it asserts religious differences.\u201d<\/p>\n<p>The exhibit will be spread out among various Met galleries as well as the Cloisters branch in upper Manhattan in what organizers said was a planned \u201cpilgrimage\u201d blending fashion, faith and art.<\/p>\n<p>With Ennio Morricone&#8217;s soundtrack to \u201cThe Mission\u201d playing in the background, visitors on Monday were able to glimpse at a small sampling of the soon-to-be-shipped Vatican treasures: The white silk cape embroidered with gold thread that once belonged to Pope Benedict XV, and the emerald, sapphire and diamond-studded miter, or pointed bishops&#8217; hat, of Pope Leo XIII.<\/p>\n<p>They were put on display at the Palazzo Colonna, a former papal residence in downtown Rome that is a jewel of the Roman Baroque period.<\/p>\n<p>Wearing a cardinal-appropriate red and black velvet tunic dress, Wintour said the exhibit shows the influence of the papacy over millennia.<\/p>\n<p>\u201cPart of the power of the church has been how they look, and how they dress,\u201d Wintour told The Associated Press. \u201cThey have this extraordinary presence.\u201d<\/p>\n<p>Wearing his red-trimmed clerical garb and red zucchetto, or beanie, Cardinal Gianfranco Ravasi, the Vatican&#8217;s culture minister, told the crowd at Palazzo Colonna that clothing oneself is both a material necessity and a deeply symbolic act that was even recorded in the biblical story of Adam and Eve.<\/p>\n<p>\u201cGod himself was concerned with dressing his creatures,\u201d Ravasi said.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>ROME &#8211; The Vatican&#8217;s culture minister joined Donatella Versace and Vogue&#8217;s Anna Wintour on Monday to show off a sampling &hellip;<\/p>\n","protected":false},"author":33,"featured_media":154491,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[18742,12475,15946,13734],"class_list":["post-154490","post","type-post","status-publish","format-standard","has-post-thumbnail","category-lifestyle","tag-anna-wintour","tag-donatella-versace","tag-metropolitan-museum-of-art","tag-vogue","mauthors-nicole-winfield","mauthors-the-associated-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/154490","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/33"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=154490"}],"version-history":[{"count":0,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/154490\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/154491"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=154490"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=154490"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=154490"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}