{"id":153246,"date":"2018-02-17T06:21:17","date_gmt":"2018-02-17T11:21:17","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=153246"},"modified":"2018-02-17T06:21:17","modified_gmt":"2018-02-17T11:21:17","slug":"african-fashion-on-display-at-early-black-panther-shows","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2018\/02\/17\/african-fashion-on-display-at-early-black-panther-shows\/","title":{"rendered":"African fashion on display at early &#8216;Black Panther&#8217; shows"},"content":{"rendered":"<figure id=\"attachment_153248\" aria-describedby=\"caption-attachment-153248\" style=\"width: 720px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2018\/02\/28056494_10159939699430075_4208576592336843275_n.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-153248\" src=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2018\/02\/28056494_10159939699430075_4208576592336843275_n.jpg\" alt=\"(Photo by Elisheba Israel\/Facebook)\" width=\"720\" height=\"960\" srcset=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2018\/02\/28056494_10159939699430075_4208576592336843275_n.jpg 720w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2018\/02\/28056494_10159939699430075_4208576592336843275_n-225x300.jpg 225w\" sizes=\"auto, (max-width: 720px) 100vw, 720px\" \/><\/a><figcaption id=\"caption-attachment-153248\" class=\"wp-caption-text\">She wore a flowing shoulderless black gown that was broken up by patterns of purple and yellow designs\u00a0 (<a href=\"https:\/\/www.facebook.com\/photo.php?fbid=10159939699430075&amp;set=pcb.10159939703350075&amp;type=3&amp;theater\">Photo by Elisheba Israel\/Facebook<\/a>)<\/figcaption><\/figure>\n<p>The vibrant African fashion of \u201cBlack Panther\u201d was on display at multiplexes around the country Thursday as moviegoers flocked to the first showings of Marvel&#8217;s latest superhero blockbuster in traditional African shirts, dresses, head wraps and more.<\/p>\n<p>Some opted to make their own clothes to celebrate the arrival of a superhero many black moviegoers said provided an opportunity for them to celebrate their heritage in a way they haven&#8217;t been able to before.<\/p>\n<p>\u201cWe&#8217;re excited because we get representation in a film that&#8217;s not about slavery, that&#8217;s not about trials and tribulations, but about a powerful African empire, which is where we come from in the first place,\u201d said tattoo artist Elisheba Mrozik, who attended one of the first showings of the film in Nashville.<\/p>\n<p>She wore a flowing shoulderless black gown that was broken up by patterns of purple and yellow designs that she said was made in Nigeria and that she bought for the film&#8217;s release and Black History Month.<\/p>\n<p>\u201cSomebody that looks like me is a superhero and nobody is whitewashing it. And it&#8217;s beautiful,\u201d she said.<\/p>\n<p>In the nearly 10 years since Marvel&#8217;s \u201cIron Man\u201d sparked sprawling film superhero universes, there have been plenty of chances for fans to wear clothes that pay homage to favourites such as Spider-Man, Batman, the Hulk and more.<\/p>\n<p>But \u201cBlack Panther\u201d has sparked something different &#8212; an opportunity for black moviegoers to watch a superhero who not only looks like them, but also introduces a different view of Africa than has traditionally been seen at theatres. Set in the fictional nation of Wakanda, a technologically advanced oasis that has never been colonized, the film has been praised for its vision of Afrofuturism, strong and smart female characters and a story that shatters stereotypes about the continent and its people.<\/p>\n<p>The film earned $25.2 million in Thursday showings, making it the biggest debut of a February release and the second-largest early opening of a Marvel Studios feature.<\/p>\n<p>At an early showing at Hollywood&#8217;s TCL Chinese Theater, Segun Begunrin and his family wore a bright purple outfit that had special meaning to them.<\/p>\n<p>\u201cThis particular fabric meant something personally to me, because it was the fabric that we selected for my father&#8217;s funeral. So we did it for the celebration of his life. So it&#8217;s a form of celebration for the movie,\u201d he said.<\/p>\n<p>Jacob Taylor also attended an early show in Los Angeles and said the impact of \u201cBlack Panther\u201d extends beyond the African-American community. \u201cI think it is very indicative of where we are as a culture,\u201d he said. \u201cThe push for diversity, inclusion, equal pay &#8212; all of that. So, I think it&#8217;s just timely.\u201d<\/p>\n<p>At a showing in New York&#8217;s Times Square, Mykwain Gainey wore a Basotho blanket used by the Bantu tribe in South Africa. \u201cIt&#8217;s featured very prominently in the film, and it&#8217;s cultural heritage,\u201d he said. Gainey said he wanted something fashionable that fit the film, but he also wanted to stay warm.<\/p>\n<p>Kiara Citron, who is a huge Marvel Comics fan and had a Deadpool-themed wedding, was at the same theatre and wore a bright blue satin gown she spent a week sewing, using some leftover fabric for a matching head wrap.<\/p>\n<p>\u201cI just made something for the occasion because I&#8217;ve never had an opportunity for this before,\u201d she said. \u201cI&#8217;ve never gone to a theatre to see a film like this before, so I just really needed to go all out.\u201d<\/p>\n<p>In Nashville, Latarsher White and her family wore custom-made African gowns and suits to a Nashville theatre because it made them feel connected to their heritage.<\/p>\n<p>\u201cIt&#8217;s just an opportunity to explore those regal roots and to know that some of us do come from royalty,\u201d she said. \u201cIt&#8217;s bigger than what we see every day and what&#8217;s represented. It&#8217;s just connecting to your heritage and that royal lineage to a degree. And so it&#8217;s always good to play dress- up.\u201d<\/p>\n<p>Kermit El-Amin, 25, wore his African tribal prints to work before watching the film in Nashville.<\/p>\n<p>\u201cI wanted to make sure that people knew that I really felt comfortable,\u201d El-Amin said. \u201cFeel comfortable in the skin that I am in and feel comfortable doing things like this.\u201d<\/p>\n<p>Ronald Simmons, founder of the website YouDontReadComics.com, sported a Black Panther T-shirt to a Times Square show Thursday night. He said he expected \u201cBlack Panther\u201d to be life-changing for many fans, especially children.<\/p>\n<p>\u201cIf I was a kid, and I saw &#8216;Black Panther&#8217; that would have been great,\u201d he said. \u201cI grew up in a lot of heroes and none of them look like me at all. And I still love those heroes, but I can imagine being a kid and seeing, you know, a character that looked like me, I would be pretty hyped.\u201d<\/p>\n<p>&#8212;&#8212;<\/p>\n<p>Associated Press video journalist Rick Taber contributed to this report from Los Angeles. John Carucci reported in New York and Kristin M. Hall reported in Nashville.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The vibrant African fashion of \u201cBlack Panther\u201d was on display at multiplexes around the country Thursday as moviegoers flocked to &hellip;<\/p>\n","protected":false},"author":33,"featured_media":153248,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[46804,19765,46805,6948,690],"class_list":["post-153246","post","type-post","status-publish","format-standard","has-post-thumbnail","category-fashion-and-beauty","tag-black-history-month","tag-black-panther","tag-elisheba-mrozik","tag-marvel","tag-nigeria","mauthors-kristin-m-hall","mauthors-john-carucci","mauthors-the-associated-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/153246","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/33"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=153246"}],"version-history":[{"count":0,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/153246\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/153248"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=153246"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=153246"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=153246"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}