{"id":153232,"date":"2018-02-17T03:59:37","date_gmt":"2018-02-17T08:59:37","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=153232"},"modified":"2018-02-17T03:59:37","modified_gmt":"2018-02-17T08:59:37","slug":"blackface-in-chinese-lunar-new-year-sketch-draws-criticism","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2018\/02\/17\/blackface-in-chinese-lunar-new-year-sketch-draws-criticism\/","title":{"rendered":"Blackface in Chinese Lunar New Year sketch draws criticism"},"content":{"rendered":"<figure id=\"attachment_134826\" aria-describedby=\"caption-attachment-134826\" style=\"width: 960px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2017\/11\/the-chinese-national-flag-1752046_960_720.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-134826\" src=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2017\/11\/the-chinese-national-flag-1752046_960_720.jpg\" alt=\"(Pixabay photo)\" width=\"960\" height=\"640\" srcset=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2017\/11\/the-chinese-national-flag-1752046_960_720.jpg 960w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2017\/11\/the-chinese-national-flag-1752046_960_720-300x200.jpg 300w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2017\/11\/the-chinese-national-flag-1752046_960_720-768x512.jpg 768w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><\/a><figcaption id=\"caption-attachment-134826\" class=\"wp-caption-text\">A Chinese actress playing her mother then strides in made up in blackface (Pixabay photo)<\/figcaption><\/figure>\n<p>BEIJING &#8212; A comedy sketch that featured a Chinese woman in blackface has drawn accusations of racism after being broadcast on Chinese state television&#8217;s Lunar New Year variety show, although some people in Beijing were left wondering why it would be considered offensive.<\/p>\n<p>The skit was shown Thursday night on state broadcaster CCTV and depicted the opening of a Chinese-built high-speed railway in Kenya. It featured actors in monkey and giraffe costumes, while the actress in blackface donned an exaggerated false bottom and a basket of fruit on her head.<\/p>\n<p>The segment was meant to celebrate Sino-African relations but many viewers blasted it online for cultural insensitivity.<\/p>\n<p>The performance was part of CCTV&#8217;s annual Lunar New Year gala, which draws an audience of up to 800 million and is said to be one of the most watched programs in the world.<\/p>\n<p>The 13-minute segment opened with a dance sequence set to Colombian singer Shakira&#8217;s \u201cWaka Waka (This Time for Africa)\u201d featuring Africans dressed in zebra, lion and gazelle costumes, and actresses playing attendants on Kenya&#8217;s new Chinese-built high-speed rail line.<\/p>\n<p>The skit then began with a black woman asking the show&#8217;s host to pose as her husband when meeting her mother in order to avoid being set up on a blind date.<\/p>\n<p>A Chinese actress playing her mother then strides in made up in blackface followed by an actor in a monkey costume.<\/p>\n<p>The host&#8217;s Chinese wife then appears, ending the deception. But the African mother says she can&#8217;t be angry because \u201cChina has done so much for Africa.\u201d<\/p>\n<p>\u201cI love Chinese people! I love China,\u201d the actress in blackface exclaims.<\/p>\n<p>Although the skit, titled \u201cSame Joy, Same Happiness,\u201d was meant to celebrate Sino-African relations, many viewers condemned it online, with some calling it \u201ccringe worthy\u201d and \u201ccompletely racist.\u201d<\/p>\n<p>But the reaction on the streets of Beijing on Friday was muted, with some saying the criticism was overblown.<\/p>\n<p>\u201cIt&#8217;s normal for Chinese actors to dress up like foreigners when performing a foreign play,\u201d said Zhou Hengshan, 80. \u201cThis wasn&#8217;t meant to demean any specific ethnic group.\u201d<\/p>\n<p>Xue Lixia, 20, said she trusted CCTV&#8217;s judgment in assessing whether the skit was racist.<\/p>\n<p>\u201cAfter all, this is a sketch that was broadcast on the Lunar New Year gala. If there was any racism, then it would have already been cut,\u201d Liu said.<\/p>\n<p>Chinese society is overwhelmingly dominated by the Han ethnic majority and racial sensitivities are generally much less pronounced than in the West.<\/p>\n<p>Blackface is considered especially offensive in the United States because of its strong connections to slavery and bigotry against African Americans.<\/p>\n<p>This isn&#8217;t the first time CCTV&#8217;s Lunar New Year gala has come under fire.<\/p>\n<p>The show is laden with praise for the ruling Communist Party and its policies, especially on culture and ethnic relations, and its portrayals of China&#8217;s own ethnic minorities, particularly Muslim Uighurs from the northwestern region of Xinjiang, have sometimes been derided as crude.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>BEIJING &#8212; A comedy sketch that featured a Chinese woman in blackface has drawn accusations of racism after being broadcast &hellip;<\/p>\n","protected":false},"author":33,"featured_media":134826,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16,17],"tags":[46796,15064,46795],"class_list":["post-153232","post","type-post","status-publish","format-standard","has-post-thumbnail","category-news","category-news-w","tag-black-woman","tag-cctv","tag-lunar-new-yar","mauthors-dake-kang","mauthors-the-associated-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/153232","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/33"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=153232"}],"version-history":[{"count":0,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/153232\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/134826"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=153232"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=153232"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=153232"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}