{"id":150910,"date":"2018-02-03T05:43:56","date_gmt":"2018-02-03T10:43:56","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=150910"},"modified":"2018-02-03T05:43:56","modified_gmt":"2018-02-03T10:43:56","slug":"b-c-surpasses-ontario-as-top-production-locale-for-films-tv-report","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2018\/02\/03\/b-c-surpasses-ontario-as-top-production-locale-for-films-tv-report\/","title":{"rendered":"B.C. surpasses Ontario as top production locale for films, TV: report"},"content":{"rendered":"<p><em>\u00a0<\/em><\/p>\n<figure id=\"attachment_150911\" aria-describedby=\"caption-attachment-150911\" style=\"width: 851px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2018\/02\/12961570_1168908896472669_7468696329465310626_n.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-150911\" src=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2018\/02\/12961570_1168908896472669_7468696329465310626_n.jpg\" alt=\"A new report by the Canadian Media Producers Association says the 2016-2017 fiscal year was strong for Canada overall, with production volume in the country reaching an all-time high of $8.38 billion. (Photo: Canadian Media Producers Association - CMPA\/Facebook)\" width=\"851\" height=\"315\" srcset=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2018\/02\/12961570_1168908896472669_7468696329465310626_n.jpg 851w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2018\/02\/12961570_1168908896472669_7468696329465310626_n-300x111.jpg 300w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2018\/02\/12961570_1168908896472669_7468696329465310626_n-768x284.jpg 768w\" sizes=\"auto, (max-width: 851px) 100vw, 851px\" \/><\/a><figcaption id=\"caption-attachment-150911\" class=\"wp-caption-text\">A new report by the Canadian Media Producers Association says the 2016-2017 fiscal year was strong for Canada overall, with production volume in the country reaching an all-time high of $8.38 billion. (<a href=\"https:\/\/www.facebook.com\/theCMPA\/photos\/a.370508009646099.96997.180772568619645\/1168908896472669\/?type=1&amp;theater\">Photo<\/a>: <a href=\"https:\/\/www.facebook.com\/theCMPA\/\">Canadian Media Producers Association &#8211; CMPA\/Facebook<\/a>)<\/figcaption><\/figure>\n<p>VANCOUVER\u2014 British Columbia has surpassed Ontario as Canada&#8217;s top locale for film and television production for the first time, a development that industry experts largely credit to the rise of streaming services such as Netflix and Amazon Prime.<\/p>\n<p>A new report by the Canadian Media Producers Association says the 2016-2017 fiscal year was strong for Canada overall, with production volume in the country reaching an all-time high of $8.38 billion.<\/p>\n<p>B.C. has always been in the top three provinces for film and TV production, but last year its volume hit $2.991 billion, just ahead of Ontario with $2.977 billion. Quebec, with its thriving French-language industry, placed third with $1.754 billion.<\/p>\n<p>Robert Wong, vice president of Creative BC, the provincial agency that supports the artistic sector, said increased global demand for content and the recognition that B.C. is a world-class production centre are spurring the growth.<\/p>\n<p>He said streaming services are the single biggest driver. Amazon&#8217;s \u201cThe Man in the High Castle\u201d and Netflix&#8217;s \u201cA Series of Unfortunate Events\u201d and \u201cAltered Carbon,\u201d premiering Friday, are shot in the province.<\/p>\n<p>\u201cBlockbuster movies, we do get our fair share of them in British Columbia, that&#8217;s for sure, but really what we are known for is television production,\u201d Wong said.<\/p>\n<p>There are also a number of network shows shot in Vancouver, including CW&#8217;s \u201cArrow,\u201d \u201cThe Flash,\u201d \u201cSupergirl,\u201d and \u201cRiverdale.\u201d<\/p>\n<p>Film and TV productions in B.C. receive a 28 per cent tax credit for labour costs. The credit was reduced five points from 33 per cent by the previous provincial Liberal government in 2016.<\/p>\n<p>Wong said a reliable tax policy is key, but it&#8217;s also coupled with an abundance of talent, crews and variety of locations in B.C.<\/p>\n<p>\u201cThe one thing that you can&#8217;t legislate is basically proximity to Los Angeles,\u201d he added. \u201cBeing in the same time zone and two and 1\/2 hours away by flight does make a big difference.\u201d<\/p>\n<p>B.C. has also been home to blockbuster movie shoots, including \u201cStar Trek Beyond,\u201d \u201cDeadpool 2\u201d and \u201cMaze Runner: The Death Cure.\u201d<\/p>\n<p>\u201cStar Trek Beyond\u201d employed more than 3,900 British Columbians and contributed $69 million to the provincial economy during 78 days of shooting, the report says.<\/p>\n<p>Pete Mitchell, president and CEO of Vancouver Film Studios, which hosted \u201cStar Trek Beyond,\u201d said the two biggest contributions to the local industry are big movies and long-running television shows.<\/p>\n<p>Mitchell said the industry is becoming increasingly international, with growing middle-class populations around the world seeking\u00a0entertainment.<\/p>\n<p>\u201cThere&#8217;s a surge in production and Vancouver is well-situated to benefit,\u201d he said.<\/p>\n<p>But he said both B.C. and Ontario face capacity challenges. It&#8217;s hard to fund new studio spaces in the costly real estate markets of the Lower Mainland and Toronto, and outdoor locations and trained personnel are limited, he said.<\/p>\n<p>However, he said the situation has improved, noting that there&#8217;s now roughly three million square feet of studio space in the Lower Mainland, up 50 per cent from five years ago.<\/p>\n<p>The report says the film and television industries generated 24,120 direct full-time jobs in B.C. only 40 more than Ontario while it created 14,540 such jobs in Quebec.<\/p>\n<p>The boom is good for the entire economy, said Phil Klapwyk, business representative of the International Alliance of Theatrical Stage Employees Local 891. The union represents more than 8,000\u00a0entertainment\u00a0industry workers in B.C.<\/p>\n<p>\u201cThere&#8217;s more work for middle-class British Columbians, and they&#8217;re able to buy more groceries and more diapers and spend more on gas and buy more forest products,\u201d said Klapwyk.<\/p>\n<p>The report does caution about the Canadian industry. Though the country has policies to support local content, capturing more than three per cent of domestic box office for Canadian films remains elusive, it says.<\/p>\n<p>\u201cThere is much to celebrate this year &#8230; But, among these big numbers are some emerging trends that require attention,\u201d said Reynolds Mastin, president and CEO of the association in a statement.<\/p>\n<p>\u201cAs our industry continues to adapt to evolving technologies and changing consumer behaviours, we must ensure that growth benefits our entire sector, including productions that showcase Canadian stories for audiences at home and around the world.\u201d<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00a0 VANCOUVER\u2014 British Columbia has surpassed Ontario as Canada&#8217;s top locale for film and television production for the first time, &hellip;<\/p>\n","protected":false},"author":33,"featured_media":150911,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[393,45727],"class_list":["post-150910","post","type-post","status-publish","format-standard","has-post-thumbnail","category-entertainment","tag-british-columbia","tag-top-production-locale-for-films","mauthors-laura-kane","mauthors-the-canadian-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/150910","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/33"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=150910"}],"version-history":[{"count":0,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/150910\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/150911"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=150910"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=150910"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=150910"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}