{"id":149927,"date":"2018-01-30T05:34:59","date_gmt":"2018-01-30T10:34:59","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=149927"},"modified":"2018-01-30T05:34:59","modified_gmt":"2018-01-30T10:34:59","slug":"grammy-awards-serve-up-white-roses-and-more-subdued-fashion","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2018\/01\/30\/grammy-awards-serve-up-white-roses-and-more-subdued-fashion\/","title":{"rendered":"Grammy Awards serve up white roses and more subdued fashion"},"content":{"rendered":"
\"Speaking<\/a>
Speaking of Gaga, her lace cat suit with a full statement skirt was by Armani Prive. Her long platinum hair was swept back in a fishtail braid. The look earned her high praise all around on a carpet that wasn’t quite as star-studded as usual. (Photo<\/a>: Recording Academy \/ GRAMMYs\/Facebook<\/a>)<\/figcaption><\/figure>\n

NEW YORK\u2014The fashion accessory of the Grammy Awards: A single white rose, either pinned or conveniently left with a long stem for red carpet vamping.<\/p>\n

The message, of course, is a serious one as the music industry looked to follow up the anti-sexual misconduct show of black looks at the Golden Globes. This time, stars were called on to grab a white rose in solidarity. Many did, both men and women, with some also wearing the Time’s Up pins that popped up at the Globes to support the new coalition of the same name in defence of women.<\/p>\n

Erin Cunningham, fashion news director at Refinery29.com, wasn’t sold on the white roses, going forward at least.<\/p>\n

\u201cIt seemed kind of last-minute. As these awards show continue, organizations are going to have to figure out a way beyond just carrying or holding something on the red carpet to take the movement forward. I think the first time, seeing everyone in black at the Golden Globes, really made a statement, but we need to evolve past just wearing something on the red carpet.\u201d<\/p>\n

Tiffany Reid, senior fashion editor at Cosmopolitan, said ignoring such red carpet moments is precarious.<\/p>\n

\u201cAt this point, if you’re not speaking up you’re getting criticized as much as the people who are doing things that are not appropriate,\u201d she said.<\/p>\n

Overall, the usual wacky carpet at the Grammys was more subdued than in years past. There was plenty of black, both traditional tuxedos and dresses and more edgy outfits.<\/p>\n

But there was also lots of colour: Thank you Sir Elton John and your Gucci sequin and crystal embellished jacket in blue, gold and silver. Bonus: Your yellow acetate sunglasses and \u201cElton John\u201d rings. He was equally bedazzled as he performed \u201cTiny Dancer\u201d with Miley Cyrus during the show.<\/p>\n

Lady Gaga, Katie Holmes and Kelly Clarkson were among those who decided on black for the red carpet, including Cyrus in a nicely done pantsuit by Jean Paul Gaultier. She changed into a red tulle gown by Zac Posen to perform.<\/p>\n

\u201cShe’s been on kind of a hiatus on the red carpet and seeing her in something that’s really classic and toned down, I think she looked really beautiful,\u201d Cunningham said of her black outfit.<\/p>\n

Others who walked the carpet focused more on structure.<\/p>\n

\u201cLadies also chose to wear statement-making, voluminous, almost architectural designs. Cardi B, for example, wore a dress that looked almost as if it had angel wings, while Ashanti’s gold skirt billowed out in a fun lampshade silhouette,\u201d said Rachel Torgerson, fashion editor for Cosmopolitan.com.<\/p>\n

Suiting was clearly an inspiration for women at the Grammys. Andra Day did it beautifully in bright pink for a long dress with red trim, tuxedo lapels and pocket details. Her hair was piled high in a beehive. Eve wore a sophisticated crystal-encrusted striped suit by Naeem Khan, the jacket worn without a top underneath.<\/p>\n

\u201cShe really hasn’t been around lately so it was a surprise to see her and she looked amazing,\u201d Cunningham said.<\/p>\n

Torgerson praised other such touches.<\/p>\n

\u201cAnna Kendrick went with a high-waisted plaid pantsuit, while Kesha’s navy blue ensemble had country vibes,\u201d she said.<\/p>\n

Plenty of men went for classic black tuxes, but not all.<\/p>\n

Zayn Malik chose a pink suit with notch lapels from Richard James. Sam Smith was in vibrant green and DJ Khaled in deep red velvet, accompanied by his year-old son Asahd in a little matching look.<\/p>\n

Overall, few stars went out of the box as in previous years.<\/p>\n

\u201cIt seems that people really played it safe and I’m not sure why that is,\u201d Cunningham said. \u201cIt would have been nice to see more of those JLo in Versace moments.\u201d<\/p>\n

Speaking of Gaga, her lace cat suit with a full statement skirt was by Armani Prive. Her long platinum hair was swept back in a fishtail braid. The look earned her high praise all around on a carpet that wasn’t quite as star-studded as usual.<\/p>\n

Another name on top of best-dressed lists: Lana Del Rey in a custom Gucci ivory double silk crepe gown with crystal star embroidery, a soft draped V-neck and a long crystal rope necklace. She completed the look with a headpiece made of silver and crystal stars and metallic high heel platform shoes.<\/p>\n

\u201cIn terms of just a beautiful dress, it stood out,\u201d Cunningham said.<\/p>\n

Reid praised Hailee Steinfeld’s strapless white body hugger with a centre slit at the front. She paired it with high purple boots that had a metallic sheen.<\/p>\n

\u201cI loved that she was very minimal with her look. I would have gone without the boots but I still loved the dress on her and the beauty was great. The hair was sleek, pulled back. It was very minimal,\u201d she said.<\/p>\n

She lauded the pregnant Chrissy Teigen in a full-on silver sequin dress by Yanina Couture. It was belted above the waist, had sleeves with slits at the forearms that fell below the wrists and included a centre slit, with a hem that stopped above the ankles.<\/p>\n

\u201cI think she’s taking maternity style to the next level,\u201d Reid said. \u201cAt certain angles you couldn’t even tell that she’s pregnant.\u201d<\/p>\n

But Gaga was her best dressed.<\/p>\n

\u201cShe gave me a Khaleesi ‘Game of Thrones’ vibe,\u201d Reid said.<\/p>\n

The black was a definite carry over from the Golden Globes, but also an expression that some designers are showing more black on runways, she said.<\/p>\n

\u201cThe world is definitely not what it used to be,\u201d Reid said. \u201cWe’re not as happy as we all were, but it’s been a very dark season in couture.\u201d<\/p>\n

Cardi B’s fairy godmother moment earned praise from Reid as well. It was a white lace creation by Ashi Studio that included a high-low hem, full off-the-shoulder sleeves and multiple tiers all along to provide volume to spare. What better way to show up her massive 8-carat engagement ring from fiance Offset.<\/p>\n

\u201cIt was an interesting choice for her. It was very playful, fun,\u201d Reid said. \u201cIt really goes with her character that has made her so popular with everybody.\u201d<\/p>\n

Cunningham was among those in the Gaga camp.<\/p>\n

\u201cI liked it,\u201d she said. \u201cI don’t think it was anything crazy or unexpected but I appreciate that she figured out how to make a statement without wearing meat.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"

NEW YORK\u2014The fashion accessory of the Grammy Awards: A single white rose, either pinned or conveniently left with a long …<\/p>\n","protected":false},"author":33,"featured_media":149937,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-149927","post","type-post","status-publish","format-standard","has-post-thumbnail","category-fashion-and-beauty","mauthors-leanne-italie","mauthors-the-associated-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/149927","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/33"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=149927"}],"version-history":[{"count":0,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/149927\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/149937"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=149927"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=149927"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=149927"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}