{"id":149555,"date":"2018-01-29T04:58:30","date_gmt":"2018-01-29T09:58:30","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=149555"},"modified":"2018-01-29T04:58:30","modified_gmt":"2018-01-29T09:58:30","slug":"white-roses-top-fashion-statement-on-grammys-red-carpet","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2018\/01\/29\/white-roses-top-fashion-statement-on-grammys-red-carpet\/","title":{"rendered":"White roses top fashion statement on Grammys red carpet"},"content":{"rendered":"<figure id=\"attachment_149563\" aria-describedby=\"caption-attachment-149563\" style=\"width: 640px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2018\/01\/27459364_10155389829405748_5941862209083826783_n.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-149563\" src=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2018\/01\/27459364_10155389829405748_5941862209083826783_n.jpg\" alt=\"Recording Artist Lana Del Rey attends the 60th Annual GRAMMY Awards at Madison Square.  (Photo: Recording Academy \/ GRAMMYs\/Facebook)\" width=\"640\" height=\"960\" srcset=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2018\/01\/27459364_10155389829405748_5941862209083826783_n.jpg 640w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2018\/01\/27459364_10155389829405748_5941862209083826783_n-200x300.jpg 200w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><figcaption id=\"caption-attachment-149563\" class=\"wp-caption-text\">Recording Artist Lana Del Rey attends the 60th Annual GRAMMY Awards at Madison Square.<br \/>(<a href=\"https:\/\/www.facebook.com\/RecordingAcademy\/photos\/a.10155389771450748.1073741918.36736245747\/10155389829405748\/?type=3&amp;theater\">Photo<\/a>: <a href=\"https:\/\/www.facebook.com\/RecordingAcademy\/\">Recording Academy \/ GRAMMYs\/Facebook<\/a>)<\/figcaption><\/figure>\n<p>NEW YORK \u2014 Stars turned out on the Grammys red carpet Sunday displaying white roses in solidarity with the Time&#8217;s Up and #MeToo movements against sexual misconduct ahead of music&#8217;s biggest night and what is usually the wildest display of fashion during awards season.<\/p>\n<p>Rapper K. Flay, in a black tuxedo jacket, chose a Time&#8217;s Up button instead but noted all such symbols are important expressions of solidarity for women.<\/p>\n<p>Songwriter Diane Warren, a 15-time Grammy nominee, wore black and white and went her own way on symbols. She wore white gloves with &#8220;Girl&#8221; on one hand and &#8220;Power&#8221; on the other, explaining: &#8220;I didn&#8217;t want to wear the rose. I&#8217;m a rebel.&#8221;<\/p>\n<p>Nominees The Secret Sisters went big with white roses, noting it&#8217;s time for the music industry to step up.<\/p>\n<p>Perhaps it was a New York vibe the Grammys hadn&#8217;t been held here in 15 years that had a parade of music men opting for traditional black tuxedos and suits. Or perhaps the black, including sparkly star looks, was a holdover from the solidarity display in support of women sexual misconduct survivors at the recent Screen Actors Guild awards.<\/p>\n<p>Many women also went for black, both edgy and chic.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>NEW YORK \u2014 Stars turned out on the Grammys red carpet Sunday displaying white roses in solidarity with the Time&#8217;s &hellip;<\/p>\n","protected":false},"author":33,"featured_media":149563,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[45086,45085],"class_list":["post-149555","post","type-post","status-publish","format-standard","has-post-thumbnail","category-fashion-and-beauty","tag-grammys-red-carpet","tag-white-roses-top","mauthors-leanne-italie","mauthors-the-associated-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/149555","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/33"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=149555"}],"version-history":[{"count":0,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/149555\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/149563"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=149555"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=149555"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=149555"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}