{"id":148836,"date":"2018-01-25T05:01:33","date_gmt":"2018-01-25T10:01:33","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=148836"},"modified":"2018-01-25T05:01:33","modified_gmt":"2018-01-25T10:01:33","slug":"review-forward-motion-of-maze-runner-stalls-in-3rd-entry","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2018\/01\/25\/review-forward-motion-of-maze-runner-stalls-in-3rd-entry\/","title":{"rendered":"Review: Forward motion of ‘Maze Runner’ stalls in 3rd entry"},"content":{"rendered":"
\"The<\/a>
The “Maze Runner” trilogy has essentially skipped from high school (the Glade) to college (WCKD) and finally into the urban workplace. Just one with, you know, zombies and poor health care options. (Photo: <\/a>Maze Runner: The Death Cure\/Facebook<\/a>)<\/figcaption><\/figure>\n

NEW YORK\u2014 Moviegoers who come late to the \u201cMaze Runner\u201d franchise, which now numbers three, will doubtless have one very reasonable question: Where, pray tell, are all the mazes I was promised?<\/p>\n

Alas, the maze of \u201cMaze Runner\u201d referred to as \u201cthe Glade\u201d by the few dozen teenagers who were mysteriously dropped into it has been in the rearview since the first 2014 installment, a modestly budgeted YA adaption and a bit of a \u201cHunger Games\u201d knockoff. But what the two sequels, first \u201cMaze Runner: Scorch Trials\u201d and now \u201cMaze Runner: The Death Cure,\u201d have lacked in labyrinths, they have made up for in running.<\/p>\n

Literal running but also a genuinely kinetic forward movement. The \u201cMaze Runner\u201d films, which have all been directed by former visual effects supervisor Wes Ball, move better than the average dystopia. So many fantasies bog themselves down with backstory and world-explaining, but the chief pleasure of the \u201cMaze Runner\u201d films is that the characters are perpetually grasping their predicament right along with the audience.<\/p>\n

And like the previous chapters, \u201cMaze Runner: The Death Cure\u201d picks up right in medias res. Thomas (Dylan O’Brien) and his close-knit crew of escapees-turned-rebel fighters (Thomas Brodie-Sangster, Rosa Salazar, Barry Pepper) speed after a train on a desolate plain, hop aboard, and when security guards for the nefarious organization called WCKD (short for World in Catastrophe: Killzone Experiment Department, and pronounced \u201cwicked\u201d) start swarming, they outwit them, and, somehow, fly away with a train car full of kids.<\/p>\n

They are among the few left on Earth immune to a virus that turns all into zombies. In \u201cMaze Runner,\u201d they escaped the enormous concrete maze they were plopped into with their memories erased. By \u201cScorch Trials,\u201d they realized the institution that sheltered them (WCKD, under the command of an icy scientist played by Patricia Clarkson and a severe commander played by Aidan Gillen) wasn’t to be trusted. They broke out and joined with a band of resistance fighters. In \u201cThe Death Cure,\u201d they try to free the remaining lab rats, including their pal Minho (Ki Hong Lee), who are housed in the last remaining city, a walled-in cluster of skyscrapers.<\/p>\n

The \u201cMaze Runner\u201d trilogy has essentially skipped from high school (the Glade) to college (WCKD) and finally into the urban workplace. Just one with, you know, zombies and poor health care options. But these are very sincere movies about the fellowship of friends trying to survive together and figure out just who they can trust. There is a drinking game’s worth of moments where a character vows not leave their buddy behind.<\/p>\n

\u201cThe Death Cure\u201d is the biggest budgeted, most bloated and longest running entry for the franchise. It maintains the movies’ quick pace before stalling in an overlong finale. It should be a mutually understood condition that if you’re going to name your movie \u201cMaze Runner: The Death Cure,\u201d you’ve got to turn in a cut under two hours.<\/p>\n

Think too much about the plot and it will surely spoil the fun of \u201cThe Death Cure.\u201d WCKD may be an imperfect organization, but then again, the fate of the human race hangs in the balance. WCKD’s chief motivation is to study the blood of the immune so that an antidote can be discovered. Literally millions of lives would be saved if only a millennial listened.<\/p>\n

But if the \u201cMaze Runner\u201d films have chronicled major stages of young adulthood, they have graduated a few along the way. O’Brien has shouldered the films well, even as much of their enjoyment derives from the scattered ensemble of characters actors (Giancarlo Esposito, Will Poulter, Walton Goggins). But Ball’s command of the camera and his ability to hurtle his character through science-fiction realms has visibly grown through the three movies. For too long \u201cThe Death Cure\u201d stays in one place; it’s best when on the move. And now, it’s probably time for Ball to move on, too.<\/p>\n

\u201cThe Maze Runner: The Death Cure,\u201d a 20th Century Fox release, is rated PG-13 by the Motion Picture Association of America for \u201cfor intense sequences of sci-fi violence and action, language, and some thematic elements.\u201d Running time: 142 minutes. Two stars out of four.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

NEW YORK\u2014 Moviegoers who come late to the \u201cMaze Runner\u201d franchise, which now numbers three, will doubtless have one very …<\/p>\n","protected":false},"author":33,"featured_media":148838,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[44722],"class_list":["post-148836","post","type-post","status-publish","format-standard","has-post-thumbnail","category-entertainment","tag-review-forward-motion-of-maze-runner-stalls-in-3rd-entry","mauthors-jake-coyle","mauthors-the-associated-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/148836","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/33"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=148836"}],"version-history":[{"count":0,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/148836\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/148838"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=148836"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=148836"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=148836"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}