{"id":148535,"date":"2018-01-24T02:41:53","date_gmt":"2018-01-24T07:41:53","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=148535"},"modified":"2018-01-24T02:41:53","modified_gmt":"2018-01-24T07:41:53","slug":"oscars-make-history-quietly-with-transgender-nominees","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2018\/01\/24\/oscars-make-history-quietly-with-transgender-nominees\/","title":{"rendered":"Oscars make history, quietly, with transgender nominees"},"content":{"rendered":"<figure id=\"attachment_148545\" aria-describedby=\"caption-attachment-148545\" style=\"width: 960px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2018\/01\/Oscars.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-148545\" src=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2018\/01\/Oscars.jpg\" alt=\"Oscar nods for women and minorities drew many of the headlines in Tuesday's nominations, but this year's Academy Awards also mark a breakthrough for transgender filmmakers. (Photo: The Academy\/Facebook)\" width=\"960\" height=\"320\" srcset=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2018\/01\/Oscars.jpg 960w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2018\/01\/Oscars-300x100.jpg 300w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2018\/01\/Oscars-768x256.jpg 768w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><\/a><figcaption id=\"caption-attachment-148545\" class=\"wp-caption-text\">Oscar nods for women and minorities drew many of the headlines in Tuesday&#8217;s nominations, but this year&#8217;s Academy Awards also mark a breakthrough for transgender filmmakers. (<a href=\"https:\/\/www.facebook.com\/TheAcademy\/photos\/a.10150568451381406.369959.83574526405\/10154263710211406\/?type=3&amp;theater\">Photo<\/a>: <a href=\"https:\/\/www.facebook.com\/TheAcademy\/\">The Academy\/Facebook<\/a>)<\/figcaption><\/figure>\n<p>NEW YORK \u2014 Oscar nods for women and minorities drew many of the headlines in Tuesday&#8217;s nominations, but this year&#8217;s Academy Awards also mark a breakthrough for transgender filmmakers.<\/p>\n<p>Yance Ford, the director of the documentary \u201cStrong Island\u201d and a trans man, became the first transgender filmmaker nominated for an Oscar. His film, a Netflix release about Ford&#8217;s investigation into his brother&#8217;s 1992 murder, was nominated for best documentary.<\/p>\n<p>Sebastian Lelio&#8217;s \u201cA Fantastic Woman,\u201d Chile&#8217;s Oscar entry, was also nominated for best foreign language film. It stars Daniela Vega, a trans actress, as a transgender singer mistreated in the aftermath of her boyfriend&#8217;s death.<\/p>\n<p>Alluding to those nominations, as well as those for films featuring prominent gay characters such as \u201cThe Shape of Water,\u201d \u201cCall Me By Your Name\u201d and \u201cLady Bird,\u201d GLAAD applauded the Oscar field.<\/p>\n<p>\u201cIt&#8217;s a big day for LGBTQ-inclusive films at the Academy Awards. Films like &#8216;The Shape of Water,&#8217; &#8216;A Fantastic Woman,&#8217; &#8216;Lady Bird,&#8217; and &#8216;Call Me By Your Name&#8217; not only have complex, detailed, and moving portrayals, but prove that audiences and critics alike are hungry for stories which embrace diversity,\u201d said Sarah Kate Ellis, GLAAD president and CEO. \u201cThese important stories move the needle forward on LGBTQ acceptance at a time when media images are often the front lines for marginalized communities.\u201d<\/p>\n<p>Some had hoped Vega would become the first transgender actor nominated. Hollywood has come under increasing criticism for celebrating trans stories played by non-trans stars, while failing to cast transgender actors.<\/p>\n<p>Hilary Swank (\u201cBoys Don&#8217;t Cry\u201d), Jared Leto (\u201cDallas Buyers Club\u201d), Eddie Redmayne (\u201cThe Danish Girl\u201d) and Felicity Huffman (\u201cTransamerica\u201d) have all garnered Oscar nominations for trans roles, with Swank and Leto winning. But the transgender stars of Sean Baker&#8217;s 2015 film \u201cTangerine\u201d escaped Oscar notice, too, though the film&#8217;s Mya Taylor won an Independent Spirit Award.<\/p>\n<p>Lelio said Tuesday he sees \u201cA Fantastic Woman\u201d as a love story \u201cthat happens to happen to a transgender woman.\u201d<\/p>\n<p>\u201cFor me, it has always been a film about the limits to our empathy,\u201d Lelio said. \u201cAbout what we are willing to allow from others, where we draw the line in terms of which people are legitimate or which acts of love are legitimate or not.\u201d<\/p>\n<p>Transgender people have been nominated in other Oscar categories. The composer Angela Morley received two nods, for 1974&#8217;s \u201cThe Little Prince\u201d and 1976&#8217;s \u201cThe Slipper and the Rose.\u201d<\/p>\n<p>Most recently, singer Anohni, formerly known as Antony of Antony and the Johnsons, became the first transgendered performer ever nominated. She collaborated with J. Ralph on the nominated song \u201cManta Ray\u201d for the documentary \u201cRacing Extinction.\u201d But when the category&#8217;s other nominees \u2014 Lady Gaga, Sam Smith, the Weeknd \u2014 were given performing slots during the 2016 broadcast, Anohni was not, and she opted to boycott the ceremony.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>NEW YORK \u2014 Oscar nods for women and minorities drew many of the headlines in Tuesday&#8217;s nominations, but this year&#8217;s &hellip;<\/p>\n","protected":false},"author":33,"featured_media":148545,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,106],"tags":[44567,740,44566],"class_list":["post-148535","post","type-post","status-publish","format-standard","has-post-thumbnail","category-entertainment","category-hollywood","tag-filmmakers","tag-oscars","tag-transgender-nominees","mauthors-jake-coyle","mauthors-the-associated-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/148535","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/33"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=148535"}],"version-history":[{"count":0,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/148535\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/148545"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=148535"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=148535"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=148535"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}