{"id":147505,"date":"2018-01-19T02:25:53","date_gmt":"2018-01-19T07:25:53","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=147505"},"modified":"2018-01-19T02:25:53","modified_gmt":"2018-01-19T07:25:53","slug":"opera-star-jonas-kaufmann-returns-to-the-spotlight","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2018\/01\/19\/opera-star-jonas-kaufmann-returns-to-the-spotlight\/","title":{"rendered":"Opera star Jonas Kaufmann returns to the spotlight"},"content":{"rendered":"
\"FILE:<\/a>
FILE: Jonas Kaufmann (Photo by AmandaFitton – Own work, CC BY-SA 4.0<\/a>)<\/figcaption><\/figure>\n

NEW YORK \u2014 Jonas Kaufmann, the world’s most sought-after tenor, hopes his cancellations are in the past.<\/p>\n

Back in the United States after a four-year absence caused mostly by illness but partly by a desire to spend more time with his children, the 48-year-old German with the clarion voice and heartthrob looks is giving recitals in California and New York this week and returns in April for performances in Boston and New York.<\/p>\n

\u201cI’m very happy and thankful that I have so enthusiastic fans that they would love to see me every day perform,\u201d he explained during an interview this week.<\/p>\n

He missed the Teatro Comunale of Bologna’s 2011 tour of Japan because of surgery to remove a lymph node from his chest, and a burst blood vessel on his vocal chords sidelined him from September 2016 until the following January.<\/p>\n

Kaufmann withdrew from two performances of Bizet’s \u201cCarmen\u201d at the Metropolitan Opera in 2014-15 and an entire run of a new staging of Puccini’s \u201cManon Lescaut\u201d there the following season because of illness.<\/p>\n

Then he missed this season’s new production of Puccini’s \u201cTosca,\u201d saying he needed to skip the rehearsal period and early performances to spend time at his home outside Munich with his 19-year-old daughter and younger teenage sons. The Met decided to replace him for the whole run, though he is scheduled to return next season for Puccini’s \u201cLa Fanciulla del West (Girl of the Golden West).\u201d<\/p>\n

He now limits travel to three consecutive weeks.<\/p>\n

\u201cEven though my kids are getting bigger and bigger all the time, they still need me,\u201d he said. \u201cThere are lots of things, school and private life, that they need to discuss or want to discuss with their father. So, you see, that’s the thing. And I could have said I need a sabbatical or whatever, that’s not the case. I just need to reschedule my daily life so that it somehow works for everyone, including the opera.\u201d<\/p>\n

With a burnished tone in the most demanding repertoire, Kaufmann received raves for his debuts in the title roles of Wagner’s \u201cParsifal\u201d at the Met in 2013 and in Verdi’s \u201cOtello\u201d at London’s Royal Opera last summer.<\/p>\n

This season, colds caused him to cancel appearances in Bucharest, Romania; Moscow; and Rome.<\/p>\n

\u201cIf I would come back too early, I would probably ultimately ruin my instrument,\u201d he said. \u201cI think it’s best also for my fans if I protect my instrument in a way that I know exactly when to stop singing and to wait until it’s good enough and safe enough to start again.\u201d<\/p>\n

After studying at the University of Music and Performing Arts in Munich, he spent 1994-96 at the State Theatre in Saarbruecken, and debuts followed at the Salzburg Festival and La Scala (1999), The Royal Opera and Paris Opera (2004), and the Met and Vienna State Opera (2006).<\/p>\n

He will be at Carnegie Hall on Saturday to repeat the Schubert program he sang in Santa Monica and will make his first public try at Wagner’s \u201cTristan und Isolde\u201d in an uncut second act concert version at Boston and New York in April. His first staged performance is not for 3 1\/2 years.<\/p>\n

Up ahead are more stagings of \u201cOtello\u201d and the French version of Verdi’s \u201cDon Carlos.\u201d He will sing an unusual tenor version of Strauss’ \u201cFour Last Songs\u201d in London this May \u2014 usually performed by a soprano \u2014 and plans to learn Wagner’s Tannhaeuser\u201d and Korngold’s \u201cDie Tote Stadt (The Dead City).\u201d<\/p>\n

The work comes even as he tries to maintain a private life. He separated from his wife, mezzo-soprano Margarete Joswig, four years ago and is partnered with opera director Christiane Lutz.<\/p>\n

\u201cThere was a generation of singers that dedicated their lives, at least it seemed that would be the case, to the art and they couldn’t do anything but \u2014 they would never go to do sports, they would never go outside if the temperatures are too low,\u201d he said. \u201cThey would forget what life is about, and if you don’t know that, you have nothing to tell on stage.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"

NEW YORK \u2014 Jonas Kaufmann, the world’s most sought-after tenor, hopes his cancellations are in the past. Back in the …<\/p>\n","protected":false},"author":33,"featured_media":147516,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,106],"tags":[43989],"class_list":["post-147505","post","type-post","status-publish","format-standard","has-post-thumbnail","category-entertainment","category-hollywood","tag-opera-star-jonas-kaufmann","mauthors-ronald-blum","mauthors-the-associated-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/147505","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/33"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=147505"}],"version-history":[{"count":0,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/147505\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/147516"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=147505"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=147505"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=147505"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}