{"id":146298,"date":"2018-01-15T01:31:03","date_gmt":"2018-01-15T06:31:03","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=146298"},"modified":"2018-01-15T01:31:03","modified_gmt":"2018-01-15T06:31:03","slug":"milan-designers-see-fall-and-winter-as-time-for-change","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2018\/01\/15\/milan-designers-see-fall-and-winter-as-time-for-change\/","title":{"rendered":"Milan designers see fall and winter as ‘Time for Change’"},"content":{"rendered":"
\"FILE:<\/a>
FILE: The second day of Milan Fashion Week of mostly menswear previews for Fall\/Winter 2018-19 opened with youthful designers focused on urban streetwear that tries to capture the zeitgeist of millennial consumers. (Photo: http:\/\/fashionweekonline.com<\/a>)<\/figcaption><\/figure>\n

MILAN \u2014 With social and political crises unsettling the globe, Milan Fashion Week was all about slogans this season. \u201cTime For Change\u201d has been a particularly dominant catchphrase, one the fashion world can expect to see branded across sweatshirts, waistbands and accessories next fall and winter.<\/p>\n

The ubiquity of the expression does not necessarily denote consensus around the message it’s designed to convey. For some, it means back to roots. Others intend it as a call for respect. But the overall implication seems to be a rejection of the status quo, which really isn’t surprising in fashion.<\/p>\n

The second day of Milan Fashion Week of mostly menswear previews for Fall\/Winter 2018-19 opened with youthful designers focused on urban streetwear that tries to capture the zeitgeist of millennial consumers.<\/p>\n

Here are some highlights from Sunday’s shows, including Dirk Bikkembergs, MSGM and DSquared2:<\/p>\n

\u2014\u2014\u2014<\/p>\n

MSGM GOES TO SCHOOL<\/p>\n

Elegance has taken to the street at MSGM, the strongly streetwear label founded by Massimo Giorgetti.<\/p>\n

Milan university students served as both models and inspiration for the collection. Taking their cue, Giorgetti found himself making an unexpected turn toward the dapper with hints of classic Milanese styling.<\/p>\n

\u201cI studied the attitude of these guys, and it is less streetwear than usual without losing modernity,\u201d Giorgetti said. \u201cSome are very, very elegant. The concept of elegant Milan, Italy, needs to be restudied also by a brand like mine. There’s an evolution going on.\u201d<\/p>\n

The silhouette veered toward the everyday, neither too slim nor oversized. Looks included snazzy suits with zip-up jackets in pink or red worn with ties, as well as plaid trousers paired with cardigans and jumpsuits. Giorgetti collaborated with Eastpak on a series of graphic printed backpacks and travel bags.<\/p>\n

The designer emblazoned the collection with phrases of graffiti he collected from the desks, tables and restrooms of Milan’s universities. They included \u201cTempo per cambiare,\u201d Italian for \u201cTime for Change,\u201d along with the Italian phonetic rendering of \u201cI love you\u201d as \u201chailoveiu.\u201d<\/p>\n

Here, \u201cTime for Change\u201d clearly meant honouring roots and not looking abroad for validation.<\/p>\n

\u201cThey are very serious, very clever and very positive,\u201d the designer said of the Milan students he worked with. \u201cAnd they love their country.\u201d<\/p>\n

\u2014\u2014\u2014<\/p>\n

DUTCH MUSINGS AT DIRK BIKKEMBERGS<\/p>\n

Dutch style, painting and design were all reflected in Lee Wood’s latest collection for Belgian label Dirk Bikkembergs.<\/p>\n

And in keeping with the down-to-earth Dutch nature, the collection was full of necessary items. A rain-resistant technical down coat was worn with tailored pants for an urban look merging sportswear with sartorial tradition.<\/p>\n

\u201cA man needs to be authentic,\u201d Woods said backstage. \u201cWe have a thousand things to do and life goes on. They are not heavy garments. They are basics, things we need.\u201d<\/p>\n

The dark palette of navy blue, black and grey was inspired by paintings in Amsterdam’s Rijksmuseum and included contrasts of deep cerulean blue, vermillion red and saffron yellow. The mixing of materials, such as in a nylon parka with a wool back panel and knit waistband, drew from a Rotterdam architectural institute. Straps on pockets echoed the ones on leather footwear.<\/p>\n

Wood said he was drawn to the Netherlands by coincidence. The models he was selecting came from there and the music a DJ played at casting sessions was Dutch.<\/p>\n

\u201cI said I think I have to go, and visit this world,\u201d he said.<\/p>\n

\u2014\u2014\u2014<\/p>\n

WESTERN DOINGS AT DSQUARED2<\/p>\n

Model Bella Hadid bookended the runway show for DSquared2, the label of Canadian twins Dean and Dan Caten, opening as a cowgirl in plaid over denim and closing as a chic hippie in a tiered handkerchief gown worn with a big fur coat.<\/p>\n

DSquared2 adhered to the recent Milan trend of combining the men’s and women’s shows, scheduling theirs during the less hectic January round focusing on menswear.<\/p>\n

Red plaid emerged as the prevailing print in the Western-themed collection. The mood ranged from a little bit country to a little bit rockabilly to a little bit hippie chic. Oversized knitwear served as tableaus for western scenes.<\/p>\n

Any classic cowboy would feel at ease in the suede coat with sheepskin linings, while leather vests layered over flowing white peasant shirts for men or dresses for women gave an edge to the usual boho styling.<\/p>\n

The accessories of the season: big Double-D belt buckles and sequin neck scarves for men, or shiny sequin cuffs for him or her.<\/p>\n","protected":false},"excerpt":{"rendered":"

MILAN \u2014 With social and political crises unsettling the globe, Milan Fashion Week was all about slogans this season. \u201cTime …<\/p>\n","protected":false},"author":33,"featured_media":146303,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[43247,43246,43245],"class_list":["post-146298","post","type-post","status-publish","format-standard","has-post-thumbnail","category-lifestyle","tag-time-for-change","tag-fall-and-winter","tag-milan-designers","mauthors-colleen-barry","mauthors-the-associated-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/146298","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/33"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=146298"}],"version-history":[{"count":0,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/146298\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/146303"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=146298"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=146298"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=146298"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}