{"id":145439,"date":"2018-01-11T03:08:51","date_gmt":"2018-01-11T08:08:51","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=145439"},"modified":"2018-01-11T03:08:51","modified_gmt":"2018-01-11T08:08:51","slug":"kristin-kreuk-on-weird-experience-of-making-new-cbc-series-burden-of-truth","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2018\/01\/11\/kristin-kreuk-on-weird-experience-of-making-new-cbc-series-burden-of-truth\/","title":{"rendered":"Kristin Kreuk on &#8216;weird experience&#8217; of making new CBC series &#8216;Burden of Truth&#8217;"},"content":{"rendered":"<figure id=\"attachment_145471\" aria-describedby=\"caption-attachment-145471\" style=\"width: 800px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2018\/01\/Kristin-Kreuk-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-145471\" src=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2018\/01\/Kristin-Kreuk-1.jpg\" alt=\"Kristin Kreuk (Photo by Gage Skidmore - Flickr, CC BY-SA 2.0)\" width=\"800\" height=\"1125\" srcset=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2018\/01\/Kristin-Kreuk-1.jpg 800w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2018\/01\/Kristin-Kreuk-1-213x300.jpg 213w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2018\/01\/Kristin-Kreuk-1-768x1080.jpg 768w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2018\/01\/Kristin-Kreuk-1-728x1024.jpg 728w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/a><figcaption id=\"caption-attachment-145471\" class=\"wp-caption-text\">Kristin Kreuk (<a href=\"https:\/\/commons.wikimedia.org\/w\/index.php?curid=20315757\">Photo by Gage Skidmore &#8211; Flickr, CC BY-SA 2.0<\/a>)<\/figcaption><\/figure>\n<p>CANNES, France \u2014 Viewers have watched former \u201cSmallville\u201d and \u201cBeauty and the Beast\u201d star Kristin Kreuk grow up on television.<\/p>\n<p>The 35-year-old Vancouver-native has spent half her life in the spotlight. She was still a teenager when \u201cSmallville\u201d launched in 2001, making her an instant Comic-Con crush as Clark Kent&#8217;s girlfriend Lana Lang. After a dozen years as a CW ingenue, she finally felt like the grown-up on the set while making CBC&#8217;s \u201cBurden of Truth,\u201d which premieres Wednesday.<\/p>\n<p>Compounding that feeling is working opposite young actresses who were her age when she started out on \u201cSmallville.\u201d<\/p>\n<p>\u201cTo be around them, it feels like, &#8216;Oh God, your entire life I&#8217;ve been on a set,\u201d&#8217; says Kreuk during a press tour in Cannes, where the series was being shopped internationally.<\/p>\n<p>\u201cThat&#8217;s a weird experience for me to own.\u201d<\/p>\n<p>These young actresses didn&#8217;t grow up watching \u201cSmallville,\u201d Kreuk points out, \u201cbecause they would have been three!\u201d<\/p>\n<p>The new hour-long drama is about a big city lawyer who tackles a troubling case that brings her back in touch with her small-town roots. The series was shot in Selkirk, Man., about 70 kilometres outside of Winnipeg.<\/p>\n<p>In a season-long storyline, Kreuk&#8217;s character \u2014 fast-rising corporate lawyer Joanna Hanley \u2014 is dispatched to the prairie town of Millwood to quickly shut down a case against a giant pharmaceutical company. Young girls at the local high school have come down with a mysterious illness causing uncontrollable seizures. Hanley is there, essentially, to buy off the victims and their families.<\/p>\n<p>The series was created by Brad Simpson, a story editor and writer who previously worked on \u201cRookie Blue\u201d and the short-lived Toronto cop drama \u201cKing.\u201d It was developed at eOne \u201cbut it wasn&#8217;t going anywhere,\u201d says seasoned executive producer Ilana Frank (\u201cSaving Hope,\u201d \u201cRookie Blue\u201d).<\/p>\n<p>Simpson, Frank&#8217;s stepson, relinquished the producer role and Adam Pettie (\u201cSaving Hope\u201d) was brought in as showrunner.<\/p>\n<p>\u201cI thought: this has got to be made,\u201d says Frank. \u201cKristin was already attached so some of the hard work was done already.\u201d<\/p>\n<p>Kreuk, also an executive producer, huddled with Simpson in the early going to define her character and continues that collaboration with Pettie.<\/p>\n<p>\u201cI feel like she&#8217;s a creation of all of us,\u201d says Kreuk, who sees the young lawyer as \u201ca little socially awkward \u2014 like me.\u201d<\/p>\n<p>Frank thinks of the series \u201cas a cross between &#8216;Friday Night Lights&#8217; and a kind of (John) Grisham thing.\u201d The back-to-the-small-town storyline may remind some viewers of the drama \u201cEverwood,\u201d starring Treat Williams.<\/p>\n<p>\u201cI wanted it to be about the community,\u201d says Frank, \u201cbut I didn&#8217;t want people with straw out of their mouths. I wanted real people with real problems.\u201d<\/p>\n<p>The main problem in the first season is the mysterious illness inflicting the otherwise healthy high school girls. Representing the victims is Hanley&#8217;s former high school classmate, Billy Crawford (Peter Mooney from \u201cRookie Blue\u201d). Mooney, in real life, hails from \u201ca slightly bigger small town\u201d just south of Winnipeg.<\/p>\n<p>The Selkirk locals were \u201cwelcoming and wonderful,\u201d says Mooney. \u201cThey got over having a film crew in town fairly quickly.\u201d<\/p>\n<p>What viewers will slowly discover is that there was a reason the Hanleys abruptly left town when Joanna was 14; a secret that will take much of the season to become clear.<\/p>\n<p>\u201cEvery week,\u201d says Kreuk, \u201cyou will get another piece of the puzzle.\u201d<\/p>\n<p>\u2014 Bill Brioux is a freelance TV columnist based in Brampton, Ont. While in Cannes, Brioux was a guest of Telefilm Canada and the Canada Media Fund.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>CANNES, France \u2014 Viewers have watched former \u201cSmallville\u201d and \u201cBeauty and the Beast\u201d star Kristin Kreuk grow up on television. &hellip;<\/p>\n","protected":false},"author":33,"featured_media":145471,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,106],"tags":[42745],"class_list":["post-145439","post","type-post","status-publish","format-standard","has-post-thumbnail","category-entertainment","category-hollywood","tag-kristin-kreuk","mauthors-bill-brioux","mauthors-the-canadian-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/145439","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/33"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=145439"}],"version-history":[{"count":0,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/145439\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/145471"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=145439"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=145439"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=145439"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}