{"id":138352,"date":"2017-12-12T01:41:38","date_gmt":"2017-12-12T06:41:38","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=138352"},"modified":"2017-12-12T01:41:38","modified_gmt":"2017-12-12T06:41:38","slug":"endless-summer-surf-film-director-bruce-brown-dies-at-80","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2017\/12\/12\/endless-summer-surf-film-director-bruce-brown-dies-at-80\/","title":{"rendered":"&#8216;Endless Summer&#8217; surf film director Bruce Brown dies at 80"},"content":{"rendered":"<figure id=\"attachment_138356\" aria-describedby=\"caption-attachment-138356\" style=\"width: 1000px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2017\/12\/download.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-138356\" src=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2017\/12\/download.jpg\" alt=\"Along with the music of the Beach Boys, Brown took surfing from a quirky hobby to a fundamental part of American culture. (Internet photo)\" width=\"1000\" height=\"1171\" srcset=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2017\/12\/download.jpg 1000w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2017\/12\/download-256x300.jpg 256w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2017\/12\/download-768x899.jpg 768w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2017\/12\/download-874x1024.jpg 874w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a><figcaption id=\"caption-attachment-138356\" class=\"wp-caption-text\">Along with the music of the Beach Boys, Brown took surfing from a quirky hobby to a fundamental part of American culture. (Internet photo)<\/figcaption><\/figure>\n<p>LOS ANGELES\u2014 Bruce Brown, who moulded the modern image of surfer as seeker and transformed the sport with his 1966 surfing documentary \u201cThe Endless Summer,\u201d has died He was 80.<\/p>\n<p>Alex Mecl, general manager of Bruce Brown Films, said Brown died of natural causes in Santa Barbara, California on Sunday.<\/p>\n<p>Along with the music of the Beach Boys, Brown took surfing from a quirky hobby to a fundamental part of American culture.<\/p>\n<p>Surfers had largely been portrayed as beach blanket buffoons in the mindless party movies of the early 1960s.<\/p>\n<p>Then came Brown and \u201cThe Endless Summer\u201d with his beautiful, soulful story of surfers on a quest for fulfilment an image that became emblazoned on the cultural psyche.<\/p>\n<p>\u201cThank you for showing us the world as you saw it, Bruce Brown,\u201d Kelly Slater, 11-time world champion surfer, said in an Instagram post Monday. \u201cThere are never enough words to say goodbye properly.\u201d<\/p>\n<p>Brown, who took up surfing in the early 1950s, had made five other documentaries about the sport before \u201cEndless Summer,\u201d including 1958&#8217;s \u201cSlippery When Wet\u201d and 1960&#8217;s \u201cBarefoot Adventure.\u201d<\/p>\n<p>Like all the others it was shot on a tiny budget with Brown performing nearly every duty, from camera man to narrator.<\/p>\n<p>The film follows two surfers, Robert August and Mike Hynson, as they hop hemispheres to constantly surf wherever it is summer, from Hawaii to Australia to South Africa to Senegal.<\/p>\n<p>Surfers considered Brown a peer who just happened to carry a camera instead of a board. He shot the film loosely and casually and the style proved infectious when the public saw the movie.<\/p>\n<p>\u201cI never had formal training in filmmaking, and that probably worked to my advantage,\u201d Brown said in a 2004 interview for his film company&#8217;s website.<\/p>\n<p>The trio&#8217;s charisma and the film&#8217;s natural beauty made it an unlikely hit.<\/p>\n<p>\u201cThe beautiful photography he brought home almost makes you wonder if Hollywood hasn&#8217;t been trying too hard,\u201d Roger Ebert said in his 1967 review of the film in The Chicago Sun-Times.<\/p>\n<p>The film inspired many surfers to leave their home beaches, drop out of their sedentary lives, and seek isolated places with bigger waves.<\/p>\n<p>Some surfers blame Brown&#8217;s film for turning their serene spots into forever crowded hotspots.<\/p>\n<p>\u201cA lot of people try to make me feel guilty about that,\u201d Brown said in the 2004 interview, \u201cand while I&#8217;m sure &#8216;Endless Summer&#8217; hurried it up, the sport was growing by leaps and bounds simply because it&#8217;s so much fun. No one could have stopped it.\u201d<\/p>\n<p>Brown went on to make many other documentaries, most notably the 1971 film \u201cOn Any Sunday,\u201d which gave the same treatment to motorcycle riding as \u201cEndless Summer\u201d did to surfing. A sequel, \u201cOn Any Sunday II,\u201d was released in 1981.<\/p>\n<p>In 1994, he revisited his classic and made \u201cThe Endless Summer II\u201d with his filmmaker son Dana Brown.<\/p>\n<p>In 2009, he narrated a surfing-themed episode of \u201cSpongeBob SquarePants\u201d called \u201cSpongeBob vs. The Big One.\u201d<\/p>\n<p>Brown was born in San Francisco and raised in Long Beach.<\/p>\n<p>He retired to a ranch near Santa Barbara, putting down the camera to ride motorcycles and surf.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>LOS ANGELES\u2014 Bruce Brown, who moulded the modern image of surfer as seeker and transformed the sport with his 1966 &hellip;<\/p>\n","protected":false},"author":33,"featured_media":138356,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17],"tags":[38420,38421],"class_list":["post-138352","post","type-post","status-publish","format-standard","has-post-thumbnail","category-news-w","tag-endless-summer-surf-film-director-bruce-brown-dies-at-80","tag-bruce-brown","mauthors-andrew-dalton","mauthors-the-associated-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/138352","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/33"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=138352"}],"version-history":[{"count":0,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/138352\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/138356"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=138352"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=138352"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=138352"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}