{"id":135511,"date":"2017-12-01T03:30:47","date_gmt":"2017-12-01T08:30:47","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=135511"},"modified":"2017-12-01T03:30:47","modified_gmt":"2017-12-01T08:30:47","slug":"lightning-strikes-uffizi-gallery-in-florence-no-art-damaged","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2017\/12\/01\/lightning-strikes-uffizi-gallery-in-florence-no-art-damaged\/","title":{"rendered":"Lightning strikes Uffizi Gallery in Florence, no art damaged"},"content":{"rendered":"<figure id=\"attachment_135520\" aria-describedby=\"caption-attachment-135520\" style=\"width: 701px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2017\/12\/701px-Galleria_degli_Uffizi_court_crop-1-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-135520\" src=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2017\/12\/701px-Galleria_degli_Uffizi_court_crop-1-1.jpg\" alt=\"A view at Galleria degli Uffizi from the upper loggia of Palazzo Vecchio. (Photo By Samuli Lintula - Wiki Commons, CC BY 3.0)\" width=\"701\" height=\"900\" srcset=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2017\/12\/701px-Galleria_degli_Uffizi_court_crop-1-1.jpg 701w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2017\/12\/701px-Galleria_degli_Uffizi_court_crop-1-1-234x300.jpg 234w\" sizes=\"auto, (max-width: 701px) 100vw, 701px\" \/><\/a><figcaption id=\"caption-attachment-135520\" class=\"wp-caption-text\">A view at Galleria degli Uffizi from the upper loggia of Palazzo Vecchio. (<a href=\"https:\/\/commons.wikimedia.org\/w\/index.php?curid=18436080\">Photo By Samuli Lintula &#8211; Wiki Commons, CC BY 3.0<\/a>)<\/figcaption><\/figure>\n<p>MILAN &#8212; The Uffizi Gallery in Florence was struck by lightning before dawn Thursday, setting off alarms that drew both firefighters and anti-terror police. No damage was caused to either the structure or the artworks it contains.<\/p>\n<p>Director Eike Schmidt said the emergency services and anti-terror police arrived within minutes of the alarms, just after 5 a.m. Thursday.<\/p>\n<p>The lightning strike activated extinguishing powder in the prints and drawings storage area, but no artwork was damaged, he said.<\/p>\n<p>The museum&#8217;s opening was delayed by 90 minutes. Schmidt said the prints and drawings cabinet will remain closed until Monday for cleanup.<\/p>\n<p>The extinguishing system was installed four years ago, \u201cand went into action just as it should have,\u201d Schmidt said in an email. \u201cAlthough it wasn&#8217;t of course planned as that, we couldn&#8217;t imagine a better test for our systems, as well as for the emergency response procedures.\u201d<\/p>\n<p>The Uffizi is one of Italy&#8217;s most-prized and most-visited museums, housing many of the world&#8217;s masterpieces, including Botticelli&#8217;s \u201cPrimavera\u201d and \u201cThe Birth of Venus,\u201d and Leonardo&#8217;s \u201cAdoration of the Magi.\u201d<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>MILAN &#8212; The Uffizi Gallery in Florence was struck by lightning before dawn Thursday, setting off alarms that drew both &hellip;<\/p>\n","protected":false},"author":33,"featured_media":135520,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[36598,36595,3473,850,36596,36597],"class_list":["post-135511","post","type-post","status-publish","format-standard","has-post-thumbnail","category-art-and-culture","tag-adoration-of-the-magi","tag-eike-schmidt","tag-florence","tag-italy","tag-primavera","tag-the-birth-of-venus","mauthors-colleen-barry","mauthors-the-associated-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/135511","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/33"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=135511"}],"version-history":[{"count":0,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/135511\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/135520"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=135511"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=135511"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=135511"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}