{"id":129519,"date":"2017-11-08T03:31:59","date_gmt":"2017-11-08T08:31:59","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=129519"},"modified":"2017-11-08T03:31:59","modified_gmt":"2017-11-08T08:31:59","slug":"in-retirement-owen-roizman-discovers-digital-photos-oscar","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2017\/11\/08\/in-retirement-owen-roizman-discovers-digital-photos-oscar\/","title":{"rendered":"In retirement, Owen Roizman discovers digital photos, Oscar"},"content":{"rendered":"
\"Roizman<\/a>
Roizman is among four recipients of honorary Oscar statuettes being celebrated Saturday at the film academy’s ninth annual Governors Awards ceremony. (Photo <\/a>by Fabr\u00edcio Marcon\/Flickr,<\/a> CC BY 2.0<\/a>)<\/figcaption><\/figure>\n

LOS ANGELES \u2014 Academy Awards and digital cameras eluded cinematographer Owen Roizman during his Hollywood career. But in retirement, he’s found both.<\/p>\n

Roizman is among four recipients of honorary Oscar statuettes being celebrated Saturday at the film academy’s ninth annual Governors Awards ceremony.<\/p>\n

\u201cI never expected it,\u201d the 81-year-old said during a recent telephone interview from his Los Angeles-area home. \u201cI thought all my accolades and awards were over with.\u201d<\/p>\n

He was nominated for five Oscars during his career, the first in 1972 for \u201cThe French Connection\u201d and most recently in 1995 for \u201cWyatt Earp.\u201d But he retired without bringing home the golden guy.<\/p>\n

Actor Donald Sutherland and filmmakers Charles Burnett and Agnes Varda will also receive honorary Academy Awards at Saturday’s ceremony.<\/p>\n

Roizman came upon digital photography like he did his Hollywood career: a bit by chance. As a boy, he aspired to become a professional baseball player, and says he even had a tryout with the New York Yankees, but a bout of polio as a teen pushed that dream aside.<\/p>\n

So he went to college and studied engineering, only to find upon graduation that he’d make more money if he went into his father’s line of work: Dad was a cinematographer.<\/p>\n

\u201cThat didn’t leave much doubt for me,\u201d Roizman said.<\/p>\n

He had worked at a camera rental shop during his college summers, so he was already familiar with the gear. He found work as an assistant cameraman, and before long was shooting commercials. He’d only filmed one feature before William Friedkin tapped him as cinematographer for \u201cThe French Connection,\u201d which would go on to win five Oscars, including best picture.<\/p>\n

The film established Roizman’s realistic style and made him an Oscar nominee.<\/p>\n

\u201cEverybody, including the newspapers, told me I was going to win that,\u201d he recalled. \u201cAnd I used to joke that I was so convinced I was going to win that I was still practicing my speech three days afterward.\u201d<\/p>\n

Other nominations came for \u201cThe Exorcist,\u201d \u201cNetwork\u201d and \u201cTootsie.\u201d<\/p>\n

On Saturday, though, he’ll give a speech for sure.<\/p>\n

\u201cI think the trick is not to be too boring,\u201d he said.<\/p>\n

Roizman hung up his camera after shooting 1995’s \u201cFrench Kiss,\u201d saying, \u201cI was getting out just as digital was coming in.\u201d<\/p>\n

But during a portrait session with celebrated photographer Douglas Kirkland, Roizman became fascinated with digital stills. Kirkland gave his friend a copy of his 1993 book, \u201cIcons,\u201d in which he manipulated film images with an early version of Photoshop.<\/p>\n

\u201cThat book changed everything for me,\u201d Roizman said.<\/p>\n

He bought a digital camera and asked Kirkland for Photoshop lessons. He went onto shoot thousands of stills, including a collection of portraits of his American Society of Cinematographers colleagues that was exhibited at the Academy of Motion Picture Arts and Sciences.<\/p>\n

\u201cI never shot another piece of film again, actually,\u201d he said.<\/p>\n

But his fondness for filmmaking remained. He represented the cinematography branch of the academy for almost a decade after retiring, and has been moved to reflect on his career as he prepares to write his not-too-boring speech.<\/p>\n

He loves the collaborative process and found deep satisfaction in \u201ctelling a story and telling it in a way that I’m proud of.\u201d<\/p>\n

\u201cYou can feel it when it’s happening, and especially when you see it finished onscreen,\u201d Roizman said. \u201cJust melding all those different minds and visions, bringing them together and putting them onscreen in a way that just feels right: that’s probably the most satisfying thing about making movies.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"

LOS ANGELES \u2014 Academy Awards and digital cameras eluded cinematographer Owen Roizman during his Hollywood career. But in retirement, he’s …<\/p>\n","protected":false},"author":33,"featured_media":129529,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,106],"tags":[31891,12905,31890],"class_list":["post-129519","post","type-post","status-publish","format-standard","has-post-thumbnail","category-entertainment","category-hollywood","tag-digital-photos","tag-oscar","tag-owen-roizman","mauthors-sandy-cohen","mauthors-the-associated-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/129519","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/33"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=129519"}],"version-history":[{"count":0,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/129519\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/129529"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=129519"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=129519"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=129519"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}