{"id":124215,"date":"2017-10-16T04:32:33","date_gmt":"2017-10-16T08:32:33","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=124215"},"modified":"2017-10-16T04:33:06","modified_gmt":"2017-10-16T08:33:06","slug":"124215","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2017\/10\/16\/124215\/","title":{"rendered":"Fall 2017 Audain Distinguished Artist-in-Residence: Isabel and Alfredo Aquilizan"},"content":{"rendered":"
\"<\/a>
Isabel and Alfredo Aquilizan (Photo: Art & Education website<\/a>)<\/figcaption><\/figure>\n
\n

Artists’ talk:<\/b>\u00a0October 17, 2017, 6pm<\/p>\n

Emily Carr University of Art + Design<\/b>
\n520 E. 1st Ave
\nReliance Theatre, Room A1060
\nVancouver BC V5T 0H2
\nCanada<\/p>\n

www.ecuad.ca<\/a>
\nlibby.ecuad.ca<\/a>
\nInstagram<\/a>\u00a0\/\u00a0Facebook<\/a><\/p>\n<\/div>\n

\n

Emily Carr University of Art + Design is pleased to welcome Filipino artists Isabel and Alfredo Aquilizan to Vancouver as the recipients of the Fall 2017 Audain Distinguished Artist-in-Residence.<\/p>\n

Please join us for a talk by the artists on Tuesday October 17 at 6pm in the Reliance Theatre at Emily Carr University\u2019s new campus. Also join us for a reception after the talk to meet the artists.<\/p>\n

Isabel and Alfredo Aquilizan currently live and work in Brisbane, Australia. They have been collaborating for decades and through their practice they produce artworks that use the processes of collecting to express ideas of migration, family and memory. Often working with local communities, the Aquilizans bring together personal items to compose elaborate, formal installations reflecting individual experiences of dislocation and change. While participating in the residency they will be making a large site-specific installation in the Libby Leshgold Gallery as their contribution to the upcoming group exhibition entitled\u00a0The Pacific<\/em>.<\/p>\n

The artists have participated in a number of international biennales and exhibitions including the Sharjah Biennale, UAE(2013), Asia Pacific Triennale, Australia (2009), Singapore Biennale (2008), Adelaide Biennale, Australia (2008), Biennale of Sydney (2006), the Third Echigo-Tsumari Triennale, Japan (2006), Gwangju Biennale, Korea (2004), the Venice Biennale, Italy (2003) and many others.<\/p>\n

For further information please contact the Libby Leshgold Gallery (formerly the Charles H. Scott Gallery) at\u00a0libby@ecuad.ca<\/a><\/p>\n

The Audain Distinguished Artist-in-Residence Program, generously funded by Michael Audain and the Audain Foundation for the Visual Arts, enables the University to bring the world\u2019s leading contemporary artists to live and work in Vancouver for up to a three month period.<\/p>\n

This article originally appeared on Art & Education website<\/a>.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Artists’ talk:\u00a0October 17, 2017, 6pm Emily Carr University of Art + Design 520 E. 1st Ave Reliance Theatre, Room A1060 …<\/p>\n","protected":false},"author":33,"featured_media":124216,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13,105],"tags":[28020,28016,28019,28021,28018,28017],"class_list":["post-124215","post","type-post","status-publish","format-standard","has-post-thumbnail","category-extra","category-events","tag-alfredo-aquilizan","tag-art-education","tag-emily-carr-university-of-art-design","tag-isabel-aquilizan","tag-libby-leshgold-gallery","tag-michael-audain","mauthors-philippine-canadian-inquirer"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/124215","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/33"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=124215"}],"version-history":[{"count":0,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/124215\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/124216"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=124215"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=124215"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=124215"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}