{"id":122192,"date":"2017-10-08T22:24:53","date_gmt":"2017-10-09T02:24:53","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=122192"},"modified":"2025-01-09T00:22:52","modified_gmt":"2025-01-09T05:22:52","slug":"reinventing-taka-in-contemporary-fashion","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2017\/10\/08\/reinventing-taka-in-contemporary-fashion\/","title":{"rendered":"Reinventing \u2018taka\u2019 in contemporary fashion"},"content":{"rendered":"<figure id=\"attachment_122200\" aria-describedby=\"caption-attachment-122200\" style=\"width: 1024px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2017\/10\/1024px-WTMP_Team_RMD_A7.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-122200\" src=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2017\/10\/1024px-WTMP_Team_RMD_A7.jpg\" alt=\"Art and history has always been a part of the family, says Mary who has been doing taka-making workshops as a weekend activity for the past five years. (Photo by Richard Espiritu, Mei Tanchico, DK Solis (Wikipedia Takes Manila participant) - Uploaded from Wikipedia Takes Manila, CC BY-SA 3.0)\" width=\"1024\" height=\"685\" srcset=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2017\/10\/1024px-WTMP_Team_RMD_A7.jpg 1024w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2017\/10\/1024px-WTMP_Team_RMD_A7-300x201.jpg 300w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2017\/10\/1024px-WTMP_Team_RMD_A7-768x514.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption id=\"caption-attachment-122200\" class=\"wp-caption-text\"><a href=\"https:\/\/commons.wikimedia.org\/w\/index.php?curid=14626635\">Art and history has always been a part of the family, says Mary who has been doing taka-making workshops as a weekend activity for the past five years.<\/a><br \/><a href=\"https:\/\/commons.wikimedia.org\/w\/index.php?curid=14626635\">(Photo by Richard Espiritu, Mei Tanchico, DK Solis (Wikipedia Takes Manila participant) &#8211; Uploaded from Wikipedia Takes Manila, CC BY-SA 3.0)<\/a><\/figcaption><\/figure>\n<p><strong>MANILA<\/strong>\u00a0\u2013 Much of what people turn out to be when they grow up are mostly a product of the kind of childhood that they had.<\/p>\n<p>What started out as a fondness and a fascination for the \u201ctaka\u201d or the art of \u201cpapier mache\u201d has since become a passion, an inspiration and a journey back in time for advertising professional-turned-entrepreneur Mary Velmonte.<\/p>\n<p>Last Saturday, she conducted the \u201cTakatak Project\u201d \u2013 a workshop dedicated to the art of taka-making &#8212; at the Metropolitan Museum of Manila (MET) beside the Bangko Sentral ng Pilipinas Complex in Manila.<\/p>\n<p>The \u201cTakatak Project\u201d aims to acquaint Filipinos in taka crafting, from design to decorating the pieces which can take on any form from the well-known horse to jewelry and even Christmas d\u00e9cor.<\/p>\n<p>Mary, who works as a creative director in an advertising agency started her love for the craft at an early age. \u201cI grew up watching these colorful, decorated horses on the children\u2019s show, \u2018Batibot\u2019 and I\u2019ve loved them ever since. It would inspire me to learn the craft as I got older,\u201d Mary narrates.<\/p>\n<p>Art and history has always been a part of the family, says Mary who has been doing taka-making workshops as a weekend activity for the past five years.<\/p>\n<p>\u201cHaving been part of the corporate world, some of my colleagues were getting tired of staring at computers all day and wanted something else to do as a diversion. When I found collaborators, we became popular, getting offers to sell our \u2018takas\u2019 everywhere. The reaction was indicative of the demand. There is a gap that we filled for a lot of Filipinos,\u201d Mary explains.<\/p>\n<p>People from all walks of life and from different backgrounds were very appreciative of Mary and her team\u2019s efforts. \u201cAll of a sudden, people became interested. I felt that it would be a disservice to the younger generation if they were not familiar with it and for us just to let it pass when the old generation of craftsmen died,\u201d Mary said.<\/p>\n<p>The \u201cTakatak Project\u201d is a three-pronged approach as Mary explained. First, there is the educational aspect such as the workshops that they conduct in schools and museums; second, her team acts as a go-between for artists and crafters; and third, producing a demand for artists.<\/p>\n<p>\u201cThis is really a tangible heritage. Bits and pieces of information passed down from generation to generation. They\u2019re really helping the grassroots communities in seeing the product very differently and in a very diverse perspective. It\u2019s very nice to have that kind of dynamic &#8212; workshop siya but at the same time, it talks about a tradition. In this particular tradition, it\u2019s not just the horse but you also have the wood carving for the mold over which the taka takes its shape. Even the papier mache process is done from scratch with pure starch and water,\u201d according to Billy Ray Malacura, Education Officer of MET.<\/p>\n<div style=\"position:absolute;left:-99195px;\"> buy xifaxan online <a href=\"https:\/\/cphia2023.com\/wp-content\/uploads\/2024\/08\/jpg\/xifaxan.html\">https:\/\/cphia2023.com\/wp-content\/uploads\/2024\/08\/jpg\/xifaxan.html<\/a> no prescription pharmacy <\/div>\n<p><\/p>\n<p>\u201cWith this \u201cTakatak Project,\u201d they\u2019ve reinvented the \u201ctakas\u201d and re-designed it in a very contemporary fashion.<\/p>\n<div style=\"position:absolute;left:-99195px;\"> buy female cialis online <a href=\"https:\/\/cphia2023.com\/wp-content\/uploads\/2024\/08\/jpg\/female-cialis.html\">https:\/\/cphia2023.com\/wp-content\/uploads\/2024\/08\/jpg\/female-cialis.html<\/a> no prescription pharmacy <\/div>\n<p> We\u2019re seeing a very different look of the taka tradition here &#8212; from horses to jewelry to Christmas d\u00e9cor, so many evolving designs,\u201d Billy Ray adds.<\/p>\n<p>For Mary, the message of the \u201cTakatak Project\u201d is simple. \u201cThis is a part of their history that looks really low-brow and it simply says that Filipinos are artists.<\/p>\n<div style=\"position:absolute;left:-99195px;\"> buy zydena online <a href=\"https:\/\/cphia2023.com\/wp-content\/uploads\/2024\/08\/jpg\/zydena.html\">https:\/\/cphia2023.com\/wp-content\/uploads\/2024\/08\/jpg\/zydena.html<\/a> no prescription pharmacy <\/div>\n<p>\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"<p>MANILA\u00a0\u2013 Much of what people turn out to be when they grow up are mostly a product of the kind &hellip;<\/p>\n","protected":false},"author":33,"featured_media":122200,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[26668,26666,26669,26667],"class_list":["post-122192","post","type-post","status-publish","format-standard","has-post-thumbnail","category-art-and-culture","tag-metropolitan-museum-of-manila-met","tag-papier-mache","tag-reinventing-taka-in-contemporary-fashion","tag-takatak-project","mauthors-albert-anthony-abando","mauthors-philippine-news-agency"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/122192","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/33"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=122192"}],"version-history":[{"count":1,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/122192\/revisions"}],"predecessor-version":[{"id":281353,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/122192\/revisions\/281353"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/122200"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=122192"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=122192"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=122192"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}