{"id":119065,"date":"2017-09-22T06:03:07","date_gmt":"2017-09-22T10:03:07","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=119065"},"modified":"2017-09-22T06:20:18","modified_gmt":"2017-09-22T10:20:18","slug":"milan-fashion-meets-global-crises-with-lightness","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2017\/09\/22\/milan-fashion-meets-global-crises-with-lightness\/","title":{"rendered":"Milan fashion meets global crises with lightness"},"content":{"rendered":"<figure id=\"attachment_119068\" aria-describedby=\"caption-attachment-119068\" style=\"width: 828px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2017\/09\/13920581_1197894226900099_2281956920912058536_n.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-119068\" src=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2017\/09\/13920581_1197894226900099_2281956920912058536_n.jpg\" alt=\" (Photo: Milan Fashion Week\/Facebook)\" width=\"828\" height=\"315\" srcset=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2017\/09\/13920581_1197894226900099_2281956920912058536_n.jpg 828w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2017\/09\/13920581_1197894226900099_2281956920912058536_n-300x114.jpg 300w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2017\/09\/13920581_1197894226900099_2281956920912058536_n-768x292.jpg 768w\" sizes=\"auto, (max-width: 828px) 100vw, 828px\" \/><\/a><figcaption id=\"caption-attachment-119068\" class=\"wp-caption-text\">Milan Fashion Week womenswear previews for next spring and summer (Photo: Milan Fashion Week\/Facebook)<\/figcaption><\/figure>\n<p>MILAN &#8212; The Milan fashion world is responding to global crises with transparency and lightness.<\/p>\n<p>Designers are choosing diaphanous textiles to create airy looks, often layering sheer trench coats and anoraks over form-fitting knit dresses or jumpsuits for contrast. It&#8217;s about comfort, being nimble and joyous in times of uncertainty.<\/p>\n<p>Milan Fashion Week womenswear previews for next spring and summer continued for the second day on Thursday with shows by Fendi, Max Mara, Prada and Moschino. Here are some highlights:<\/p>\n<p>&#8212;&#8212;&#8211;<\/p>\n<p>FENDI FUTURISM<\/p>\n<p>Backgammon in the tropics anyone? Karl Lagerfeld&#8217;s Fendi collection for next Spring-Summer 2018 proposes futuristic looks with nods to yesteryear.<\/p>\n<p>Plaids and skewed stripes give the collection an underlying order and discipline that also was reflected in the disciplined shoulders and cinched waistlines.<\/p>\n<p>Shoulders often were left bare, courtesy of peek-a-boo cut-outs and asymmetrical ruching. Men&#8217;s bowling shirts and rugby polos provided the inspiration for sheer tops that tucked prettily into diaphanous skirts.<\/p>\n<p>\u201cIt is a very light collection, with an airy breeze that goes through the clothes,\u201d the brand&#8217;s creative director, Silvia Venturini Fendi, said backstage.<\/p>\n<p>Seafoam green, coral and sand dominated the colour palette, \u201cthe colours of summer landscape,\u201d Fendi said.<\/p>\n<p>Pretty detailing &#8212; tropical leaf cutouts and trailing grosgrain ribbons on hemlines and necklines adorned several designs. Materials included light cotton, nylon and netting, along with leather and the fashion house&#8217;s trademark fur, some bearing the double F logo.<\/p>\n<p>The celebrity model trio of Gigi Hadid, sister Bella Hadid, and Kendall Jenner took turns on the Fendi runway. Gigi indulged fashionista fans backstage with a few selfies as she left wearing a hot-pink plaid suit and wire frame sunglasses.<\/p>\n<p>&#8212;&#8212;<\/p>\n<p>MAX MARA EVOLUTION<\/p>\n<p>Max Mara designs for next spring and summer were an evolution of the brand&#8217;s trademark monochromes, logo plays and garden florals in pretty silhouette-revealing shapes.<\/p>\n<p>The light-and-airy complemented the form-fitting, as in the sheer trench worn belted over a tight, ribbed knit\u00a0dress.\u00a0Creative director Ian Griffiths took a step toward deconstruction, cuffing slim\u00a0dress\u00a0trousers to the knee. Longer skirts featured trailing strips of cloth that resembled pleats freed from their usual geometry.<\/p>\n<p>The collection segued into a new Max Mara logo spelling out the brand in floating letters and then into florals shown on suit,\u00a0dress\u00a0and trench combos and long billowing dresses worn over trousers.<\/p>\n<p>The shoe of choice is a T-shaped high-heeled sandal, often in matching prints. Bags were worn strapped on the back.<\/p>\n<p>As with last season&#8217;s show, Max Mara featured a model wearing a Muslim hijab, part of the fashion world&#8217;s embrace of inclusivity and the Mideast market.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>MILAN &#8212; The Milan fashion world is responding to global crises with transparency and lightness. Designers are choosing diaphanous textiles &hellip;<\/p>\n","protected":false},"author":33,"featured_media":119068,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[11061],"class_list":["post-119065","post","type-post","status-publish","format-standard","has-post-thumbnail","category-fashion-and-beauty","tag-milan-fashion-week","mauthors-colleen-barry","mauthors-the-associated-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/119065","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/33"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=119065"}],"version-history":[{"count":0,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/119065\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/119068"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=119065"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=119065"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=119065"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}