{"id":118438,"date":"2017-09-19T01:15:16","date_gmt":"2017-09-19T05:15:16","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=118438"},"modified":"2017-09-19T01:15:16","modified_gmt":"2017-09-19T05:15:16","slug":"will-and-grace-star-eric-mccormack-to-receive-stratford-legacy-award","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2017\/09\/19\/will-and-grace-star-eric-mccormack-to-receive-stratford-legacy-award\/","title":{"rendered":"Will and Grace’ star Eric McCormack to receive Stratford Legacy Award"},"content":{"rendered":"
\"McCormack<\/a>
McCormack returned to his hometown of Toronto Monday night to be celebrated with the festival’s Legacy Award. (Photo: <\/a>Eric McCormack\/Instagram<\/a>)<\/figcaption><\/figure>\n

TORONTO\u2014 \u201cWill and Grace\u201d star Eric McCormack says he credits the Stratford Festival for giving him a \u201cfoundation of artistry\u201d that has remained with him throughout his career.<\/p>\n

McCormack returned to his hometown of Toronto Monday night to be celebrated with the festival’s Legacy Award.<\/p>\n

McCormack will be honoured during a gala at the Four Seasons Hotel, joining the ranks of past award recipients including Gordon Pinsent, Christopher Plummer and William Shatner.<\/p>\n

The award-winning actor was a member of the festival’s acting company from 1985 to 1989, when he appeared in 17 productions including \u201cMeasure for Measure,\u201d \u201cMuch Ado About Nothing,\u201d \u201cAll’s Well That Ends Well,\u201d \u201cA Midsummer Night’s Dream\u201d and \u201cHenry V.\u201d<\/p>\n

McCormack says he fond memories of seeing the late Stratford legend Douglas Campbell perform as \u201cKing Lear,\u201d and in serving as a understudy for veteran actor Colm Feore.<\/p>\n

He launched his acting career in Canadian theatre, performing at Stratford and across Canada, including stints with the Vancouver’s Arts Club Theatre, the Royal Manitoba Theatre Centre, Theatre New Brunswick, the Citadel Theatre, and Canadian Stage.<\/p>\n

\u201cThe strange thing is doing classical repertory theatre doesn’t necessarily prepare you for sitcoms or television; but what it does prepare you for is a life of fighting uphill,\u201d McCormack said in a brief interview ahead of the presentation.<\/p>\n

\u201cI can do 1,000 auditions and never get anything, but the one thing they can never take away from me is I have five years at the Stratford Festival. It gives you a foundation of artistry that is always there.\u201d<\/p>\n

His stage success extended outside of Canada to the U.S., where he starred in the title role of \u201cThe Music Man\u201d in 2001 on Broadway, and opposite stage and screen legends James Earl Jones and Angela Lansbury in the Tony-nominated \u201cThe Best Man.\u201d<\/p>\n

McCormack catapulted to international fame with his Emmy-winning turn as lawyer Will Truman on \u201cWill and Grace,\u201d and is in the midst of filming the reboot of the American sitcom.<\/p>\n

He is also a producer, director and star on the sci-fi series \u201cTravelers.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"

TORONTO\u2014 \u201cWill and Grace\u201d star Eric McCormack says he credits the Stratford Festival for giving him a \u201cfoundation of artistry\u201d …<\/p>\n","protected":false},"author":33,"featured_media":118440,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[24233,17444,24234,24232],"class_list":["post-118438","post","type-post","status-publish","format-standard","has-post-thumbnail","category-entertainment","tag-eric-mccormack","tag-stratford-festival","tag-foundation-of-artistry","tag-will-and-grace","mauthors-lauren-la-rose","mauthors-the-canadian-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/118438","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/33"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=118438"}],"version-history":[{"count":0,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/118438\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/118440"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=118438"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=118438"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=118438"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}