{"id":113946,"date":"2017-08-24T23:59:11","date_gmt":"2017-08-25T03:59:11","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=113946"},"modified":"2025-01-09T12:53:52","modified_gmt":"2025-01-09T17:53:52","slug":"bridesmaids-actor-switches-gears-in-get-shorty-films","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2017\/08\/24\/bridesmaids-actor-switches-gears-in-get-shorty-films\/","title":{"rendered":"‘Bridesmaids’ actor switches gears in ‘Get Shorty,’ films"},"content":{"rendered":"
\"Chris<\/a>
Chris O’Dowd at the 2013 British Comedy Awards, 12 December 2013 (Photo By Christopher William Adach from London, UK – WiPe – random_, CC BY-SA 2.0<\/a>)<\/figcaption><\/figure>\n

LOS ANGELES — Those looking to spend quality time with Chris O’Dowd, who made a splash as the endearingly patient cop in \u201cBridesmaids,\u201d have plenty of chances now and later.<\/p>\n

There’s his role as hit man and aspiring movie producer Miles Daly in Epix’s critically acclaimed \u201cGet Shorty,\u201d (10 p.m. EDT Sunday), which gives O’Dowd the chance to be trademark funny as well as tough. It’s already renewed for season two.<\/p>\n

He’s shooting the film \u201cJuliet, Naked\u201d with Rose Byrne and Ethan Hawke for producer Judd Apatow. O’Dowd’s upcoming movies include indies \u201cLove After Love\u201d and \u201cLoving Vincent\u201d; J.J. Abrams’ next chapter in the \u201cCloverfield\u201d franchise; and Aaron Sorkin’s \u201cMolly’s Game.\u201d<\/p>\n

In other words, the Irish-born actor who’s adopted Los Angeles as his home base is in demand and moving in impressive creative circles.<\/p>\n

But he’s modestly low-key in a recent conversation over a smoothie at a cafe near his home. (In-person checklist: charming accent and charmingly tousled hair, sweet-eyed smile and lanky frame, all accounted for.)<\/p>\n

O’Dowd also demonstrates an impressive sense of perspective. His family — his wife, journalist Dawn O’Porter, a baby and a toddler — get precedence over his career.<\/p>\n

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<\/p>\n

\u201cI’m looking for jobs closer to home. It’s definitely a scenario where I would have once been really excited about a project filming in Bulgaria, and now I don’t even read it,\u201d he said. \u201cI know that creatively it’s not really ideal, but I just don’t care.\u201d<\/p>\n

O’Dowd’s decision to leave steady work in England to break into Hollywood was made as an unencumbered single man. He’d enjoyed success on Irish and then British TV, including with the nerd comedy \u201cThe IT Crowd,\u201d but liked American\u00a0entertainment\u00a0and, besides, was just off a big breakup.<\/p>\n

\u201cI felt like I needed to leave the country,\u201d he said, drolly.<\/p>\n

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It was a move he considered risk-free and reversible.<\/p>\n

\u201cWhat’s the vision of failure in that scenario? So low,\u201d he said, especially if you don’t make a fuss about venturing across the pond.<\/p>\n

\u201cI always roll my eyes when I see people are having (farewell) parties,\u201d O’Dowd said. \u201cTalk about tempting fate. I didn’t tell anyone I was going anywhere. I would reply to texts as if I was still down the road.\u201d<\/p>\n

That demonstration of common sense prompts this query: What advice can he pass on about what did he right, or wrong, as a Hollywood newcomer? O’Dowd mulls the question, attempting to be helpful.<\/p>\n

\u201cEven if I wasn’t doing a great audition, I felt like I always did a very good meeting,\u201d he said. \u201cIt’s not about the job you’re going in for, it’s about the job that’s coming after that. But you only learn by doing it.\u201d<\/p>\n

He takes a step back and offers a broader take on the industry he’s immersed in, using his \u201cGet Shorty\u201d character as illustration.<\/p>\n

\u201cThe reason it works out for Miles in the show is that honesty and straightforwardness goes a long way in this town, because it’s such a rare commodity,\u201d O’Dowd said.<\/p>\n

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\u201cThere is a lot of (bull) as everybody knows, but people are very happy to not be (lied) to.\u201d<\/p>\n

\u201cGet Shorty,\u201d a new take on the Elmore Leonard tale brought to the big screen in 1995 with John Travolta, pairs O’Dowd with Ray Romano, another performer adroit at balancing darkness and light.<\/p>\n

\u201cWe’ve got two very funny actors, (and) part of what is so wonderful about watching them be funny is they bring seriousness under that,\u201d said series creator Davey Holmes.<\/p>\n

O’Dowd is also a writer (on the warmly funny 2012-15 TV series \u201cMoone Boy,\u201d about an eccentric Irish family) and has stage cred, with his Broadway debut in \u201cOf Mice and Men\u201d opposite James Franco in 2014 earning him a Tony nomination. He’s eyeing a London play next year.<\/p>\n

The ideal scenario, he said, is three months in England and the rest of the year in Los Angeles. He’s an unabashed fan of LA, appreciating the weather, the neighbourhood friends he’s made and the city’s relative lack of oppressive skyscrapers.<\/p>\n

\u201cI’m a country boy, as well. You can see blue sky, all the time,\u201d said O’Dowd, courteously ignoring the pall of smog hanging on the horizon.<\/p>\n

Just as important, said the family man, \u201cit’s great for the kids.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"

LOS ANGELES — Those looking to spend quality time with Chris O’Dowd, who made a splash as the endearingly patient …<\/p>\n","protected":false},"author":33,"featured_media":113949,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,106],"tags":[21870,21869,21871],"class_list":["post-113946","post","type-post","status-publish","format-standard","has-post-thumbnail","category-entertainment","category-hollywood","tag-bridesmaid","tag-chris-odowd","tag-get-shorty","mauthors-lynn-elber","mauthors-the-associated-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/113946","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/33"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=113946"}],"version-history":[{"count":1,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/113946\/revisions"}],"predecessor-version":[{"id":281747,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/113946\/revisions\/281747"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/113949"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=113946"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=113946"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=113946"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}