{"id":110756,"date":"2017-08-09T01:23:08","date_gmt":"2017-08-09T05:23:08","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/?p=110756"},"modified":"2017-08-09T01:23:08","modified_gmt":"2017-08-09T05:23:08","slug":"acclaimed-singer-and-actress-barbara-cook-has-died-at-89","status":"publish","type":"post","link":"https:\/\/canadianinquirer.net\/v1\/2017\/08\/09\/acclaimed-singer-and-actress-barbara-cook-has-died-at-89\/","title":{"rendered":"Acclaimed singer and actress Barbara Cook has died at 89"},"content":{"rendered":"
\"Barbara<\/a>
Barbara Cook (Photo by David Shankbone – David Shankbone, CC BY 3.0<\/a>)<\/figcaption><\/figure>\n

NEW YORK <\/span>\u2014<\/span> Barbara Cook, whose shimmering soprano made her one of Broadway’s leading ingenues and later a major cabaret and concert interpreter of popular American song, has died. She was 89.<\/span><\/p>\n

Cook died early Tuesday of respiratory failure at her home in Manhattan, surrounded by family and friends, according to publicist Amanda Kaus. Her last meal was vanilla ice cream, a nod to one of her most famous roles in \u201cShe Loves Me.\u201d<\/span><\/p>\n

Throughout her nearly six decades on stage, Cook’s voice remained remarkably supple, gaining in emotional honesty and expanding on its natural ability to go straight to the heart.<\/span><\/p>\n

On social media, powerhouse singers paid their respect, including Betty Buckley, who called Cook \u201cone of the great artists & lovely being,\u201d and Lea Salonga, who wrote \u201cRest In Peace\u201d on Twitter. New Tony Award winner Ben Platt from \u201cDear Evan Hansen\u201d wrote: \u201cThank you Barbara Cook for the beautiful songs, the indelible characters, and the masterful storytelling. Heaven must sound glorious today.\u201d<\/span><\/p>\n

On Broadway, Cook was best known for three roles: her portrayal of the saucy Cunegonde in Leonard Bernstein’s \u201cCandide\u201d (1956); librarian Marian opposite Robert Preston in \u201cThe Music Man\u201d (1957); and Amalia Balash, the letter-writing heroine of \u201cShe Loves Me\u201d (1963).<\/span><\/p>\n

Yet when Cook’s pert ingenue days were over, she found a second, longer career in clubs and concert halls, working for more than 30 years with Wally Harper, a pianist and music arranger. Harper helped in shaping her material, choosing songs and providing the framework for her shows.<\/span><\/p>\n

To celebrate her 80th birthday, she appeared with the New York Philharmonic in two concerts in November 2007 and then had a similar birthday salute in London. In 2011, she was saluted at the Kennedy Center Honors and remained a singer even in her 80s.<\/span><\/p>\n

\u201cOf course, I think I’ve gotten better at it,\u201d she said in an interview with The Associated Press in her Manhattan home in 2011. \u201cI still think this is a work in progress. I do. Seriously. As the years go by, I have more and more courage to go deeper and deeper and deeper.\u201d<\/span><\/p>\n

Born in Atlanta in 1927, Cook always hated vocal exercises, never had a vocal coach and had an effortless skill of creating beauty by just opening her mouth. \u201cI don’t remember when I didn’t sing. I just always sang,\u201d she said in 2011. \u201cI think I breathed and I sang.\u201d<\/span><\/p>\n

Her father was a travelling salesman who sold hats; her mother worked for Southern Bell. Her baby sister died of pneumonia when she was 3 and her father left when she was 6. She was raised by her far-too-clingy mother, who blamed young Barbara for both the death and the abandonment.<\/span><\/p>\n

Cook made her Broadway debut in \u201cFlahooley\u201d (1951), a short-lived musical fantasy about a mass-produced laughing doll. The show became a cult classic for musical-theatre buffs, primarily because it was recorded, keeping its memory alive long after the production closed.<\/span><\/p>\n

Cook then appeared in a pair of Rodgers and Hammerstein classics, playing Ado Annie in a City Center revival of \u201cOklahoma!\u201d and then on tour in 1953. She followed that by portraying Carrie Pipperidge in a 1954 revival of \u201cCarousel.\u201d It led to Cook’s first original musical success, a yearlong Broadway run in \u201cPlain and Fancy\u201d (1955), in which she portrayed an innocent, unworldly Amish girl.<\/span><\/p>\n

The following year, she starred in \u201cCandide,\u201d which ran only 73 performances but later became a staple of opera houses around the world. In the musical, Cook got to sing \u201cGlitter and Be Gay,\u201d a fiendishly difficult coloratura parody of the \u201cJewel Song\u201d from Charles Gounod’s \u201cFaust.\u201d<\/span><\/p>\n

Meredith Willson’s \u201cThe Music Man\u201d was Cook’s biggest Broadway hit, opening in December 1957 and running for more than 1,300 performances. She won a Tony Award for her portrayal of the prim librarian who realizes Professor Harold Hill (Preston) is a con man selling band instruments and uniforms to the gullible residents of a small Iowa town.<\/span><\/p>\n

Cook scored a personal triumph in \u201cShe Loves Me,\u201d a Jerry Bock-Sheldon Harnick-Joe Masteroff musical based on the film \u201cThe Shop Around the Corner.\u201d It told of two squabbling employees in a Budapest perfume shop who, unknown to each other, are romantically inclined pen pals.<\/span><\/p>\n

Harnick and Cook became lifelong friends after teaming up on the show. \u201cBarbara was a superb singer, a fine actress and, as a person, the soul of candour. I’ll miss her in all three capacities,\u201d he said Tuesday.<\/span><\/p>\n

In the show, Cook sang a number extolling a gift of \u201cVanilla Ice Cream,\u201d which became a signature number for the performer when she began appearing in cabaret. Laura Benanti, who starred in Cook’s old role on Broadway in a 2016 revival, posted a photo of her and Cook on Tuesday and wrote: \u201cThank you for inspiring so many of us. You will not be forgotten.\u201d<\/span><\/p>\n

Cook turned to solo shows after her Broadway career withered in the late 1960s as she battled alcoholism and weight gain. In her 2016 memoir \u201cThen & Now,\u201d Cook describes hitting rock bottom as a drunk: \u201cI was so broke that I was stealing food from the supermarket by slipping sandwich meat in my coat pocket.\u201d<\/span><\/p>\n

But she gave up drinking in the 1970s and, with the help of Harper, reinvented herself as a solo artist, working in small New York clubs and finally Carnegie Hall. Her first concert album, \u201cBarbara Cook at Carnegie Hall\u201d (1975), became a classic.<\/span><\/p>\n

Cook and Harper, who died in 2004, worked methodically and carefully on her shows, mixing show tunes with standards not from musical theatre. Often the programs were constructed around themes, specific composers such as Stephen Sondheim, lyricists such as Dorothy Fields, or directors such as Harold Prince and Gower Champion.<\/span><\/p>\n

Sondheim became one of her biggest champions. Cook starred, along with Lee Remick, Mandy Patinkin and George Hearn, in a legendary 1985 concert version of \u201cFollies\u201d at Lincoln Center’s Avery Fisher Hall.<\/span><\/p>\n

Her marriage to acting teacher David LeGrant ended in divorce. Cook is survived by a son, Adam LeGrant.<\/span><\/p>\n

When asked what her advice usually was to aspiring singers, she told The AP it boiled down to three words that she learned early on herself and have been her guide.<\/span><\/p>\n

\u201cYou are enough. You are always enough. You don’t ever have to pretend to be anything other than what you are. All you have to do is deeply embrace who you are and you’ll be fine,\u201d she said. \u201cIn life, aren’t you drawn to the more authentic people? Of course. You’re not drawn to phonies.\u201d<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

NEW YORK \u2014 Barbara Cook, whose shimmering soprano made her one of Broadway’s leading ingenues and later a major cabaret …<\/p>\n","protected":false},"author":33,"featured_media":110762,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,106],"tags":[20807],"class_list":["post-110756","post","type-post","status-publish","format-standard","has-post-thumbnail","category-entertainment","category-hollywood","tag-barbara-cook","mauthors-mark-kennedy","mauthors-the-associated-press"],"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/110756","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/33"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=110756"}],"version-history":[{"count":0,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/110756\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/110762"}],"wp:attachment":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media?parent=110756"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/categories?post=110756"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/tags?post=110756"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}