{"id":238327,"date":"2019-11-25T17:28:01","date_gmt":"2019-11-25T22:28:01","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/11\/img0342.jpg"},"modified":"2019-11-25T17:34:02","modified_gmt":"2019-11-25T22:34:02","slug":"img0342","status":"inherit","type":"attachment","link":"https:\/\/canadianinquirer.net\/v1\/2019\/11\/25\/korean-life-aesthetics-a-mix-of-past-present-styles\/img0342\/","title":{"rendered":"&#8216;Korean Life Aesthetics&#8217;: A mix of past, present styles"},"author":44,"featured_media":0,"comment_status":"open","ping_status":"closed","template":"","meta":[],"class_list":["post-238327","attachment","type-attachment","status-inherit"],"description":{"rendered":"<p class=\"attachment\"><a href='https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/11\/img0342.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"188\" src=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/11\/img0342-300x188.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/11\/img0342-300x188.jpg 300w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/11\/img0342.jpg 415w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>Source:<br \/>\nhttps:\/\/www.pna.gov.ph\/articles\/1086922<\/p>\n"},"caption":{"rendered":"<p>K-CULTURE FUSION. Korean Life Aesthetics exhibit showcases both the vibe of Joseon dynasty, and the modern, minimalist crafts designs. The exhibit runs until January 31, 2020 at the Metropolitan Museum of Manila. (PNA photo by Cristina Arayata)<\/p>\n"},"alt_text":"","media_type":"image","mime_type":"image\/jpeg","media_details":{"width":415,"height":260,"file":"2019\/11\/img0342.jpg","sizes":{"thumbnail":{"file":"img0342-150x150.jpg","width":150,"height":150,"mime_type":"image\/jpeg","source_url":"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/11\/img0342-150x150.jpg"},"medium":{"file":"img0342-300x188.jpg","width":300,"height":188,"mime_type":"image\/jpeg","source_url":"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/11\/img0342-300x188.jpg"},"full":{"file":"img0342.jpg","width":415,"height":260,"mime_type":"image\/jpeg","source_url":"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/11\/img0342.jpg"}},"image_meta":{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"0","keywords":[]}},"post":238326,"source_url":"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/11\/img0342.jpg","filename":"img0342.jpg","filesize":24517,"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/238327","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/attachment"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=238327"}],"wp:attached-to":[{"embeddable":true,"post_type":"post","id":238326,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/238326"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}