{"id":233830,"date":"2019-10-07T23:29:04","date_gmt":"2019-10-08T03:29:04","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/10\/screenshots-.jpg"},"modified":"2019-10-07T23:30:40","modified_gmt":"2019-10-08T03:30:40","slug":"screenshots","status":"inherit","type":"attachment","link":"https:\/\/canadianinquirer.net\/v1\/2019\/10\/05\/samulnori-a-closer-look-at-k-culture-thru-percussion-music\/screenshots\/","title":{"rendered":"Samulnori: A closer look at K-culture thru percussion music"},"author":44,"featured_media":0,"comment_status":"open","ping_status":"closed","template":"","meta":[],"class_list":["post-233830","attachment","type-attachment","status-inherit"],"description":{"rendered":"<p class=\"attachment\"><a href='https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/10\/screenshots-.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"240\" src=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/10\/screenshots--300x240.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/10\/screenshots--300x240.jpg 300w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/10\/screenshots-.jpg 626w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>Source:<br \/>\nhttps:\/\/www.pna.gov.ph\/articles\/1082282<\/p>\n"},"caption":{"rendered":"<p>FILE:Taegeuk Samulnori Team manager and member Kim Do-geun tells PNA why he chose to play Janggu, and its importance in the Korean Culture. (screenshots from interview via PNA)<\/p>\n"},"alt_text":"","media_type":"image","mime_type":"image\/jpeg","media_details":{"width":626,"height":501,"file":"2019\/10\/screenshots-.jpg","sizes":{"thumbnail":{"file":"screenshots--150x150.jpg","width":150,"height":150,"mime_type":"image\/jpeg","source_url":"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/10\/screenshots--150x150.jpg"},"medium":{"file":"screenshots--300x240.jpg","width":300,"height":240,"mime_type":"image\/jpeg","source_url":"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/10\/screenshots--300x240.jpg"},"full":{"file":"screenshots-.jpg","width":626,"height":501,"mime_type":"image\/jpeg","source_url":"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/10\/screenshots-.jpg"}},"image_meta":{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"1","keywords":[]}},"post":233824,"source_url":"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/10\/screenshots-.jpg","filename":"screenshots-.jpg","filesize":47079,"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/233830","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/attachment"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=233830"}],"wp:attached-to":[{"embeddable":true,"post_type":"post","id":233824,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/233824"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}