{"id":233825,"date":"2019-10-07T23:27:46","date_gmt":"2019-10-08T03:27:46","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/10\/taegeuk.jpg"},"modified":"2019-10-07T23:30:36","modified_gmt":"2019-10-08T03:30:36","slug":"taegeuk","status":"inherit","type":"attachment","link":"https:\/\/canadianinquirer.net\/v1\/2019\/10\/05\/samulnori-a-closer-look-at-k-culture-thru-percussion-music\/taegeuk\/","title":{"rendered":"Samulnori: A closer look at K-culture thru percussion music"},"author":44,"featured_media":0,"comment_status":"open","ping_status":"closed","template":"","meta":[],"class_list":["post-233825","attachment","type-attachment","status-inherit"],"description":{"rendered":"<p class=\"attachment\"><a href='https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/10\/taegeuk.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"188\" src=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/10\/taegeuk-300x188.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/10\/taegeuk-300x188.jpg 300w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/10\/taegeuk.jpg 415w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>Source:<br \/>\nhttps:\/\/www.pna.gov.ph\/articles\/1082282<\/p>\n"},"caption":{"rendered":"<p>FILE: SAMULNORI. Korean traditional music known as \u201cSamulnori\u201d, which originated from the words &#8220;samul&#8221; (four objects) and &#8220;nori&#8221; (play), uses four traditional instruments: Kkwaenggwari (small gong), Jing (larger gong), Janggu (hourglass-shaped drum) and Buk (barrel drum). This Korean folk genre was one of the highlights of the Philippines-Korea Exchange Festival at the Aliw Theater in Pasay City on Saturday (Sept. 28, 2019). (PNA photo by Cristina Arayata)<\/p>\n"},"alt_text":"","media_type":"image","mime_type":"image\/jpeg","media_details":{"width":415,"height":260,"file":"2019\/10\/taegeuk.jpg","sizes":{"thumbnail":{"file":"taegeuk-150x150.jpg","width":150,"height":150,"mime_type":"image\/jpeg","source_url":"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/10\/taegeuk-150x150.jpg"},"medium":{"file":"taegeuk-300x188.jpg","width":300,"height":188,"mime_type":"image\/jpeg","source_url":"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/10\/taegeuk-300x188.jpg"},"full":{"file":"taegeuk.jpg","width":415,"height":260,"mime_type":"image\/jpeg","source_url":"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/10\/taegeuk.jpg"}},"image_meta":{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"0","keywords":[]}},"post":233824,"source_url":"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/10\/taegeuk.jpg","filename":"taegeuk.jpg","filesize":29562,"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/233825","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/attachment"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=233825"}],"wp:attached-to":[{"embeddable":true,"post_type":"post","id":233824,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/233824"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}