{"id":200662,"date":"2019-02-03T04:38:22","date_gmt":"2019-02-03T09:38:22","guid":{"rendered":"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/02\/img7170-4.jpg"},"modified":"2019-02-03T04:38:48","modified_gmt":"2019-02-03T09:38:48","slug":"img7170-6","status":"inherit","type":"attachment","link":"https:\/\/canadianinquirer.net\/v1\/2019\/02\/03\/unarthodox-understanding-art-and-the-artists-2\/img7170-6\/","title":{"rendered":"UnARThodox: Understanding art and the artists"},"author":44,"featured_media":0,"comment_status":"open","ping_status":"closed","template":"","meta":[],"class_list":["post-200662","attachment","type-attachment","status-inherit"],"description":{"rendered":"<p class=\"attachment\"><a href='https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/02\/img7170-4.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/02\/img7170-4-300x200.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/02\/img7170-4-300x200.jpg 300w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/02\/img7170-4-768x512.jpg 768w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/02\/img7170-4-1024x683.jpg 1024w, https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/02\/img7170-4.jpg 1200w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n"},"caption":{"rendered":"<p>ON-THE-SPOT. Members of the art club, Grupo Kwadro performs their sought-after stint of painting a subject on-the-spot. (From left) Cee Cadid, Nik Masangkay, and Roland Santos. (PNA photo by Christine Cudis)<\/p>\n"},"alt_text":"","media_type":"image","mime_type":"image\/jpeg","media_details":{"width":1200,"height":800,"file":"2019\/02\/img7170-4.jpg","sizes":{"thumbnail":{"file":"img7170-4-150x150.jpg","width":150,"height":150,"mime_type":"image\/jpeg","source_url":"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/02\/img7170-4-150x150.jpg"},"medium":{"file":"img7170-4-300x200.jpg","width":300,"height":200,"mime_type":"image\/jpeg","source_url":"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/02\/img7170-4-300x200.jpg"},"medium_large":{"file":"img7170-4-768x512.jpg","width":768,"height":512,"mime_type":"image\/jpeg","source_url":"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/02\/img7170-4-768x512.jpg"},"large":{"file":"img7170-4-1024x683.jpg","width":1024,"height":683,"mime_type":"image\/jpeg","source_url":"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/02\/img7170-4-1024x683.jpg"},"full":{"file":"img7170-4.jpg","width":1200,"height":800,"mime_type":"image\/jpeg","source_url":"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/02\/img7170-4.jpg"}},"image_meta":{"aperture":"4","credit":"","camera":"Canon EOS 80D","caption":"","created_timestamp":"1548934928","copyright":"","focal_length":"50","iso":"100","shutter_speed":"0.008","title":"","orientation":"1","keywords":[]}},"post":200659,"source_url":"https:\/\/canadianinquirer.net\/v1\/wp-content\/uploads\/2019\/02\/img7170-4.jpg","filename":"img7170-4.jpg","filesize":223681,"_links":{"self":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media\/200662","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/media"}],"about":[{"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/types\/attachment"}],"author":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/comments?post=200662"}],"wp:attached-to":[{"embeddable":true,"post_type":"post","id":200659,"href":"https:\/\/canadianinquirer.net\/v1\/wp-json\/wp\/v2\/posts\/200659"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}