NEW YORK— “Star Wars: The Last Jedi” will happily settle for second.
Rian Johnson’s second installment in the third “Star Wars” trilogy rocketed to a debut of $220 million at the North American box office, according to studio estimates Sunday. That gives “The Last Jedi” the second-best opening ever, slotting in behind only its predecessor, “The Force Awakens.”
The Disney blockbuster became just the fourth film to open above $200 million domestically. Aside from “The Force Awakens” ($248.8 million), the others are “The Avengers” ($207.4 million) and “Jurassic World” ($208.8 million). Accounting for inflation, the debut of 2012’s “The Avengers” would roughly tie with “The Last Jedi.”
“The Last Jedi” is off to a similar start overseas, too, with $230 million in international ticket sales, said Disney. That brings its three-day global haul to $450 million.
The opening also gave the Walt Disney Co. the opportunity to flex its muscles on the heels of the deal announced Thursday for it to purchase 21st Century Fox for $52.4 billion. As part of the deal, Disney will take control of 20th Century Fox, one of Hollywood’s six major studios.
“The weekend that we’re in is a byproduct of the foresight and vision from our CEO Bob Iger to bring Lucasfilm into the fold,” said Disney distribution chief Dave Hollis, alluding to Disney’s 2012 purchase of Lucasfilm. “So as we think about the possibility of other things being added, you can’t help but be excited about the possibilities.”
Fox, as it happens, was the only studio to open another new wide-release film against “The Last Jedi.” Its family film, “Ferdinand,” was essentially stampeded by “The Last Jedi,” grossing $13.3 million. “Ferdinand” and other upcoming holiday season releases will look for more room in the coming weeks, once the “Star Wars” tsunami has waned.
While Abrams’ reboot capitalized on a decade’s hiatus for “Star Wars,” Johnson’s sequel didn’t have the same benefit of freshness. It follows not only “The Force Awakens” (which ultimately grossed $2.1 billion) but last year’s spinoff, “Rogue One.” That release opened with $155.1 million, and grossed in total little more than $1 billion globally.
Johnson, who wrote and directed, instead aimed to distinguish “The Last Jedi” by introducing some new tones to George Lucas’ space opera. “The Last Jedi” is more irreverent than previous chapters. And it has drawn plaudits for its diverse cast, including Daisy Ridley, John Boyega and newcomer Kelly Marie Tran.
“The results speak to the power of representation,” said Hollis. “The film really reflects our world and beyond. It becomes something people can see themselves in, whether they see themselves in Rey or Finn or Poe or Rose or Captain Phasma. They can relate to all those characters.”
Johnson’s approach has seemed to work. Critics gave Johnson’s film a 93 per cent fresh rating on Rotten Tomatoes. Audiences endorsed it, too, with an A CinemaScore, though not all fans are on board with Johnson’s innovations. As of Sunday, “The Last Jedi” has scored a dismal 56 per cent rating from some 95,000 Rotten Tomato users.
Yet the haul for “The Last Jedi” dwarfed most all releases in the two years since “The Force Awakens.” By comparison, it has in three days already bested the five-week gross of Warner Bros.’ “Justice League” ($219.5 million).
“Seeing a movie like this in the movie theatre, getting the collective goose bumps and having the OMG-moments, that’s something you cannot replicate at home on the small screen,” said Paul Dergarabedian, senior media analyst for comScore. “Rian Johnson has made a movie that showcases the movie theatre experience in a truly brilliant way.”
Signalling its faith in Johnson’s course for “Star Wars,” Lucasfilm earlier announced that Johnson will develop the next trilogy for the franchise, the first of which he’ll write and direct. Abrams is set to return to direct Episode IX after he was brought in to replace Colin Trevorrow. A separate spinoff centred on a young Han Solo is due out next summer.
The massive debut for “The Last Jedi” singlehandedly brightens what has been a disappointing year for Hollywood. The weekend was far and away the highest grossing of the year. According to comScore, the industry was down about 3.9 per cent from last year before this weekend. Now it’s 2.9 per cent off the 2016 pace. Dergarabedian estimates the year will end about 2 per cent down with a little over $11 billion in ticket sales.
“The Last Jedi” may be playing the role of saviour at the box office, but the news isn’t all rosy for exhibitors. Given the demand, Disney put more onerous demands on some theatre owners for “The Last Jedi,” including a higher percentage 65 per cent of ticket sales. And Disney’s acquisition of Fox is seen by analysts as a bid, in part, to strengthen the studio’s in-development streaming platform, set to debut in 2019.
Disney and Fox combined for five of the top 10 movies on the weekend and together accounted for approximately 90 per cent of ticket sales.
Estimated ticket sales for Friday through Sunday at U.S. and Canadian theatres, according to comScore. Where available, the latest international numbers for Friday through Sunday are also included. Final domestic figures will be released Monday.
- “The Last Jedi,” $220 million ($230 million international).
- “Ferdinand,” $13.3 million ($6.2 million international).
- “Coco,” $10 million ($27.4 million international).
- “Wonder,” $5.4 million ($9.4 million international).
- “Justice League,” $4.2 million ($5.3 million international).
- “Daddy’s Home 2,” $3.8 million ($5.8 million international).
- “Thor: Ragnarok,” $3 million ($1.1 million international).
- “The Disaster Artist,” $2.6 million.
- “Murder on the Orient Express,” $2.5 million ($10.8 million international).
- “Lady Bird,” $2.1 million.
Estimated ticket sales for Friday through Sunday at international theatres (excluding the U.S. and Canada), according to comScore:
- “The Last Jedi,” $230 million.
- “Youth,” $44 million.
- “The Thousand Faces of Dunjia,” $27.9 million.
- “Coco,” $27.4 million.
- “Steel Rain,” $11.6 million.
- “Murder on the Orient Express,” $10.8 million.
- “Paddington 2,” $9.7 million.
- “Wonder,” $9.4 million.
- “Ferdinand,” $6.2 million.
- “Daddy’s Home 2, “ $5.8 million.